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Peak Design Outdoor Backpack 25L: two-minute review

Peak Design's Outdoor Backpack range is the latest series of bags from the US-based camera accessory maker. It's available in three colors and in 25L and 45L versions, and is due to hit the market in November 2024 after a successful crowdfunding campaign, with retailers already taking preorders.

I was among the first group of reviewers to receive a review sample, and I've been using the Peak Design Outdoor Backpack 25L, in white, as my primary bag for the last three months ahead of its launch. I've found it to be a highly versatile bag that has rewarded the time I've invested to customize it for my needs.

I'm a photographer, commuter and serial outdoors adventurer, and Peak Design's Outdoor Backpack and has proven itself to be apt companion for all these scenarios, becoming my first-choice bag these last couple of months. It's not a dedicated camera bag per se, but it'll do the trick for a little bit of camera gear, with the right Peak Design accessories.

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(Image credit: Future / Tim Coleman) Peak Design Outdoor Backpack 25L: price and availability

• Two sizes: 25L and 45L
• Three colors: white, black or dark red
• Preorders now, global launch due late November

The Peak Design Outdoor Backpack is available in two sizes: 25L and 4L, and in three colors; Cloud (white) Eclipse (dark red) or Black – the white 25L version is pictured throughout this review. The 25L version costs $249.99 / £249.99 and the 45L version is $329.99 / £329.99. The bag is due to go on sale globally in late November.

Peak Design Outdoor Backpack 25L: specs Peak Design Outdoor Backpack 25L: design

• Daisy-chain loops to fasten cords to
• Weather-resistant exterior but not waterproof
• Accessories include raincover, hip belt and more

For commuting, I usually pack a 17-inch MacBook Pro laptop, mirrorless camera with lens, a spare change of clothes, as I often run to work, plus a few accessories (in a Peak Design Camera Cube), all of which fit snugly into the 25L version of the Peak Design Outdoor Backpack. I slip a water bottle and a travel tripod into the elasticated side pockets and I'm good to go.

There's no dedicated place to store camera gear – the Outdoor Backpack's main compartment is single open space, without the padded dividers you typically get in a dedicated camera bag. If you want to pack you camera and accessories you can pick up one of Peak Design's Camera Cubes, which will slot in nicely to securely hold that pricey gear. You just need to ensure that it's the right-size cube for the size of bag – there's guidance on Peak Design's website, plus new soft-shell Packing Cubes. A decent alternative to a Peak Design Cube is a gear wrap like 3 Legged Thing's Wrapz.

For daily use over months, the Outdoor BackPack 25L has proven itself durable, comfortable, and versatile. Its shoulder straps are well padded, and are fastened to the bag through a loop rather than being stitched on. This excellent design touch removes the stitching stress point (lesser-quality straps can become un-stitched) and should ensure that the straps last for many years of heavy use.

Both of the straps also feature an elasticated pocket that will comfortably fit a large phone – my Pixel handset slotted in comfortably and securely.

Elsewhere on the outside are the aforementioned elasticated side pockets, and what I've seen Peak Design call a 'daisy chain' of loops along most of the bag's seams that you can feed cords through, several of which there are included, to secure larger items such as a travel tripod. The ways to customize the Outdoor Backpack based on what you're carrying feel endless, even if some are a little fiddly.

I have regularly used the bag for short runs (around 6km) from a train station to my workplace, and even with a full load it sits comfortably on my shoulders, especially with the optional hip belt in place for additional lumbar support. However, on my runs, and on hikes in hot weather, I found that got more sweaty than I'd like to; it would be great to have better breathability on the back.

I also found the two zips to the main compartment, when closed together at the top of the bag, came loose during running and on a couple of occasions I had to rescue the contents as they spilled out. Closing the zips towards the bottom of the bag on once side instead avoided this issue.

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There are two ways to access the main compartment: the zips, which open the entire back, or the soft roll-top magnetic-clasped opening. For the former, you lie the bag down on its front to open it up and access the entire contents, while using the latter you can keep everything inside and rummage through the contents via the top opening.

The roll-top pocket is fitted securely inside the bag's weatherproof exterior with a cord, which is released for access via a neat pull-tab. To pack the top away, you pull at the cord to close down the opening (see gallery below). It's a very clever bit of design, and reassuringly robust, locking the cord securely with whatever tension you like. I regularly crammed a sweater or light rain jacket outside the main compartment but inside that adjustable weatherproof exterior, securing it in place with the cord. It's just a shame that there's no obvious place to put that cord when the top is closed off, as it simply dangles and is at risk of snagging.

There are no interior pockets in the main compartment, just a laptop sleeve. Peak Design says the 25L bag can hold a 16-inch laptop, but I found the stretchy sleeve snuggly held my 17-inch MacBook Pro.

There are no dedicated padded dividers, which I understand helps to keep the bag light and customizable. However, even with one of Peak Design's (add-on) Camera Cubes in place to secure gear in its padded dividers, access to gear is slower than I'd like.

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Speaking as a photographer, I would love quicker access to gear, say through a side-access zipped opening. A few design tweaks like these could realize the Outdoor Backpack as the perfect versatile camera bag.

With a fully loaded bag and a Camera Cube positioned inside at the top, it doesn't take too long to access your gear, but you will have to take the bag off your shoulders.

I wouldn't describe this as a dedicated camera bag, nor would I specifically call it an outdoors bag; but it does a decent job of both, even if there are better alternatives out there that are focused on one or the other. As an all-in-one option, the Peak Design Outdoor Backpack has served my daily needs, photography and otherwise, better than any bag I've used for quite some time.

Should I buy the Peak Design Outdoor Backpack 25L?

(Image credit: Future / Tim Coleman) Buy it if...

You carry just a small amount of camera gear alongside daily items
The 25L Outdoor Backpack can hold a little bit of camera gear, but not a lot.

You demand excellent quality
There's no doubt this is a high-quality backpack, from its premium materials to cleaver design touches.

Don't buy it if...

You're looking for a dedicated camera gear bag
With no padded dividers or quick side access, photographers will find a dedicated bag an easier companion.

You're on a tight budget
The bag is pricey, and so too are the additional accessories needed to optimize your experience.

How I tested the Peak Design Outdoor Backpack 25L

• Two months of daily use
• Commuting, outdoor hikes and photography walks
• Paired with Peak Design Camera Cubes

I used the Peak Design Outdoor Backpack 25L as my primary bag for a few months ahead of its official launch and writing this review. It has been on my shoulders for commuting, running and hiking. I've paired it with Peak Design's Camera Cubes to improve the overall handling of the bag for securely storing camera gear.

First reviewed November 2024

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Baseus Bowie 30 Max: two-minute review

The Baseus Bowie 30 Max headphones are a perfect example of some cans that bite off more than they can chew. At a glance, you’d think these are an incredibly competent pair of Bluetooth headphones. They offer LDAC higher-resolution audio, proprietary head-tracking technology, active noise cancellation, customizable button controls and incredible battery life. But something may throw up a red flag fairly quickly – the low price.

That’s right, although the Baseus Bowie 30 Max have a list price of $149.99 / £109.99, you’ll realistically never have to pay quite so much. They’re already discounted on Amazon and the Baseus website has them available for less than that too. We’ve already spotted them going for as little as $69.99 in the US – that’s really cheap for some headphones with all of the above features. So is it too good to be true?

Frankly, yes it is. In fairness, getting up to 65 hours of listening is excellent, better than even some of the best headphones around, but things go pretty downhill from here. Head tracking, though functional, will worsen overall audio quality – though admittedly not as badly as the ‘fixed’ spatial audio option, which leaves you with almost sub-nautical sound littered with tinniness.

General audio quality isn’t amazing either. Out of the box, bass is thin and treble sounds are pretty grating at higher volumes. And sure, there’s a Bass Boost option in the Baseus app, or even custom EQ options, but these are only able to improve – not cure – the Bowie 30 Max of their sonic shortcomings. This means that the added detail you’d expect to uncover with the inclusion of LDAC never truly comes to fruition and fundamental flaws in sound means these headphones are held back from competing strongly against budget rivals.

It isn’t all doom and gloom. These are some decent looking cans with a relatively attractive rectangle-like design. Mic and call quality is decent too and ANC, though far from silence-inducing, is able to dull external noise competently. You can also customize the function of the headphones’ ANC button, which is a neat inclusion.

However, these are ultimately small wins in the context of disappointing audio quality. Unfortunately, if you’re in the market for some cheap ANC headphones, there are better options available to you. I have some personal recommendations in the ‘Also Consider’ section of this review, but if you’d like, you can consult our guide to the best cheap headphones, where we run you through some incredible alternatives that offer plenty of bang for your buck.

Baseus Bowie 30 Max review: price & release date

• $149.99 / £109.99 (around AU$230) list price, but already discounted
• Launched in the US and UK September 2024
• Australia release date and pricing TBC

To be honest, reader, I’m a little confused on pricing for the Baseus Bowie 30 Max. They have a list price of $149.99 / £109.99 (around AU$230) on Amazon US/UK, but just head over to the Baseus website and these are only $79.99 (or $69.99 with an in-site coupon). On top of that, despite only releasing in September, these have been hit with discounts and coupons on Amazon. So really, I’d aim to pay around that $70/$80 mark if you really want to grab these.

The Baseus Bowie 30 Max are available now in the US and the UK, although the company isn’t planning to sell them to the Australian market. They’re available in one color option – Black, although this is pretty clean in fairness (more on this later).

(Image credit: Future) Baseus Bowie 30 Max review: Specs Baseus Bowie 30 Max review: features

• Decent head-tracked spatial audio
• Companion app compatibility
• Adequate ANC

When it comes to features, the Baseus Bowie 30 Max appear to pack in some seriously impressive options for often sub-$100/£100 cans.

I’m mainly talking about head tracking – a great inclusion for some budget headphones, but one that produces mixed results. Audio does dynamically shift with head movement quite well, which is ideal for following sound across a screen when viewing video content.

The catch? You take a hit to audio quality. When listening to Wasurechau Hitotoki by Fishmans, vocals and percussion became very tinny with head tracking active, which frankly, made it unpleasant to listen to. But as I say, this feature is predominantly for video, so I tried watching some Final Fantasy VII: Rebirth gameplay on YouTube. And again, although audio did shift as I turned my head, the actual quality was noticeably worse than when head tracking was turned off, making for a disappointing user experience.

Even worse was the Fixed spatial audio option. But when listening to Rock With You by Michael Jackson I didn’t get expansive, spacious sound at all; instead it sounded as if I’d journeyed around 10ft below sea level. Vocals sounded warped and inauthentic while percussion lacked sharpness, so I switched this off again pretty quickly. The out-of-the box audio didn’t exactly make this song sound amazing either, so I found myself playing around with EQ options a fair bit – but I’ll get onto that in the ‘Sound quality’ section.

OK, maybe spatial audio might not quite hit the spot, but how do the other features fare? Well, ANC wasn’t too bad. At around 60% volume a lot of outside sounds were fairly dulled, although a lot of sounds – whether lower or higher-frequency – still crept through with relative ease. For instance, even at around 75% volume, I could make out the sound of my colleague typing next to me. So don’t expect the near-silent listening experience you’d get from some more premium cans, like the Bose QuietComfort Ultra, for example.

The story so far is certainly one of disappointment, although Baseus didn’t let me down on battery life. I kept the LDAC ‘hi-res’ codec activated throughout almost all of the testing process and predominantly listened at quite high volumes, but found my playtime to be in-line with the 50 hours ANC claimed. You even get up to 65 hours with ANC off, which is an excellent serving of battery life. So, if you’re someone that often forgets to charge their devices, this shouldn’t matter too much with the Baseus Bowie 30 Max – they can keep going (and going) for quite some time.

• Features score: 3/5

(Image credit: Future) Baseus Bowie 30 Max review: sound quality

• Thin bass out of the box
• LDAC audio support
• Highs can get quite tinny

I’ll be upfront – the Baseus Bowie 30 Max didn’t offer the best listening experience out of the box. When listening to I Want You by Moloko, I felt that percussion and higher-pitched vocals were pretty grating at higher volumes and even sounded a bit tinny. I should mention too, that was with LDAC audio turned on – the benefits of which never felt truly realized.

Something that puzzled me was Baseus’ claim that the Bowie 30 Max have “super bass”. I definitely didn’t feel that initially. When listening to Love Foolosophy by Jamiroquai, the groovy bassline was relegated to a small-part background actor and the choppy guitar riff and vocals sounded too forward. Admittedly, the thin low-end was improved significantly when I toggled on Bass Boost in the Baseus app, but of course, the grating highs didn’t stop.

I knew what I had to do… I took to the EQ settings to make amends to the Bowie 30 Max’s sonic shortcomings. Unfortunately, I found the different presets – including Baseus Classic, Clear Vocals, Hi-Fi Live, Pop and Rock Classic – lacked enough definition. There were noticeable differences between them, sure, but it was pretty minimal for the most part. Instead, I found the best solution was to create my own custom tuning, with a bit more low-end weight. A lot of users may be OK with tailoring their own sound, but if you’re someone that wants straightforward, hassle free listening that could be a bit of a turn off.

So, after customizing my own sound were my woes overcome? Well, not entirely. Despite having a bit more bite, bass and electric guitars in Walk Up by Geordie Greep sounded fairly muddy and instrumental separation was lacking. Vocals in White Mustang by Lana Del Ray also sounded boxy and constricted, resulting in an unnatural-sounding delivery. I would say, though, that lower-frequency sounds were no longer hidden away to a frustrating degree and the overall listening experience became at least adequate. So if you do decide to snap these up on a discount sale, it’s 100% worth shifting away from the top-heavy Baseus Classic EQ calibration.

One aspect sound-wise that was somewhat redeeming was mic quality. When recording the opening of Charles Dickens' A Tale of Two Cities, my voice was pretty clear-cut, with only a bit of ambience in the background. Call quality, meanwhile, was a bit more middling in terms of quality, but still totally passable. I was still, however, underwhelmed with the audio on offer from the Baseus Bowie 30 Max – especially given the manufacturer's claim that they offer “superior audio quality”. I’m sorry to say that this is not the case.

• Sound quality score: 2.5/5

(Image credit: Future) Baseus Bowie 30 Max review: design

• Tidy design for the price
• Although the headband is a little plasticky
• Customizable button controls

I’ve been quite critical of the Baseus Bowie 30 Max so far, but one area I think they succeed more in is design. When at a discounted price, these headphones look great for the price you pay. They have a more rectangular, classic look than a lot of cheap options and small ring lights on each can add a nice splash of style too.

The headband isn’t the most padded thing in the world, but I was able to happily listen for multiple hours on end. Looks-wise it is a tad plasticky – and the glossy finish means you can see fingerprints fairly easily, but it’s not particularly ugly or anything.

Speaking of a plasticky look, the button controls suffer from a similar issue, feeling a little cheap. They are, however, nicely laid out and, despite volume down, up, and play/pause being quite close together, they’re easy to use. There’s also an ANC button that can handily be customized using the Baseus app to switch between noise cancelling modes, EQ settings, or spatial audio options.

The Bowie 30 Max are also decently portable. They’re not as compact as a model like the Anker Soundcore Space One Pro or anything, but they can be folded up for carrying in a backpack or tote bag. These are fairly lightweight headphones too weighing in at 11.3 oz / 320g and have decently soft earpads, so they’ll not be too uncomfortable for longer listening sessions, even if the headband isn’t top quality. My main complaint here though is that these cans don’t come with a carry case or similar for keeping them safe during longer journeys.

Finally, don’t expect anything super-fancy or hi-tech from these design-wise. There’s no waterproofing or touch controls – although this isn’t too bad if you’re getting them on discount for around $70/£70. What you do get though is an AUX port for wired listening and USB-C charging, the latter of which can give you as much as 14 hours of playtime from a 10-minute recharge – not bad.

• Design score: 3.5/5

(Image credit: Future) Baseus Bowie 30 Max review: value

• Even when discounted, rivals perform better
• Head tracking nice at this cost, but mixed quality
• Ultimately, sound quality not good enough against competitors

If we’re going by their $149.99 / £109.99 list price, I’d argue that the Baseus Bowie 30 Max are totally outclassed by a wide array of competitors, competing against competitors in the same ballpark, like the Sony WH-CH720N, for instance (more on those later).

However, from early discounts, I suspect these will be available for far less for a lot of the time. Early sales and coupon offers on Amazon US/UK even put these as low as $69.99 / £68.79, so don’t look to pay much more than that. And sure, at this price, getting features like spatial audio is undoubtedly impressive. But, what matters above all is good sound quality and I would argue that’s adequate at best with these headphones. Some of the best cheap headphones – like the Earfun Wave Pro – will likely prove to be a much better value pick.

• Value score: 3/5

(Image credit: Future) Should I buy the Baseus Bowie 30 Max? Buy them if…

You want head tracking at a low-price
Although sound quality isn’t top-rate, head tracking is still functional here. It’s not going to give you truly exceptional 3D sound, but if you simply want audio that will dynamically shift as you peer across a screen this is a budget option.

You’re looking for a splash of style
For all of my criticism, I do like the look of the Baseus Bowie 30 Max, they have a fairly unique appearance. There are no color options and the headband is a little plasticky, but overall they have a clean, attractive design.

Don’t buy them if…

You’re an audiophile
If you checked out the ‘Sound quality’ section, this will come as little surprise. Out of the box, bass is too thin, highs often sound tinny and the ‘hi-res’ details don’t really get the chance to breathe. Even with EQ adjustments, these aren’t going to cut it for the most keen listeners.

You want the ultimate value pick
The world of wireless headphones is truly vast. There are so many amazing options out there for you, regardless of your budget. There’s no need to spend an arm and a leg to get top features like ANC – I’ve picked out some stronger budget options below that, in my view, offer cleaner audio and a better user experience overall.

(Image credit: Future) Baseus Bowie 30 Max review: also consider

1More Sonoflow
The 1More Sonoflow still sit proudly in our guide to the best noise-canceling headphones – and for good reason. You get 50 hours of battery life with ANC on (and 70 hours with ANC off), solid overall sound, what is (in my opinion) quite a stylish build and solid ANC. Now that’s value. Read our full 1More Sonoflow review.

Sony WH-CH720N
I’ve owned the Sony WH-CH720N for over a year now and highly recommend them if you’re looking for a strong budget option. Yes, at first these may look a fair bit more than the discounted Baseus Bowie Max – but these cans are regularly available for closer to $90/£70. You get commendable ANC, quality customizable audio, DSEE upscaling and so much more. You can even choose from some neat color options, ensuring these are an excellent alternative. Read our full Sony WH-CH720N review.

Baseus Bowie 30 Max review: How I tested

• Tested across the course of a week
• Used in the office, while on walks and on public transport
• Predominantly tested using Tidal on the Samsung Galaxy S24 FE

I spent a week testing the Baseus Bowie 30 Max headphones in a number of settings, including: my apartment; a train; bus; and while on walks. This let me get a real taste for ANC quality, regardless of environment.

When listening to music, I played the entirety of the TechRadar testing playlist and listened to hours and hours of tunes from my own personal library. I predominantly tested using Tidal to make use of LDAC, but I also tested the headphones using Spotify, YouTube and Messenger (for calling). I mainly connected the headphones up to the Samsung Galaxy S24 FE when conducting tests.

Where appropriate, I compared these headphones to the Sony WH-CH720N, judging them side-by-side with the Baseus Bowie 30 Max to gauge audio quality, features and design choices.

First reviewed: October 2024

Read more about how we test

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Beyerdynamic MMX 330 Pro: two-minute review

The Beyerdynamic MMX 330 Pro brings the German brand’s noted pro audio pedigree to the gaming world, in the form of an open-back gaming headset that’s light on features, but promises big things in the realm of sound.

At first glance, you’d be forgiven for not realizing this is a piece of gaming hardware, given the lack of flair. The monotone palette is only slightly alleviated by specks of orange, but if you’re willing you can customize your own design via Beyerdynamic’s website.

Compared to some of the best wired gaming headsets, the MMX 330 Pro is pleasingly slim. It’s also light, which makes it comfortable. The plush ear pads and thoughtfully designed headband also help in this regard, although I did find the MMX 300 Pro to be slightly more comfortable, as the inside of its drivers didn’t push into my ears as much as those on the MMX 330 Pro.

The detachable analog cable is thick yet doesn’t weigh down the headset. The strain reliefs aren’t the strongest, so I don’t have complete confidence they’ll resist splitting over time, but they offer more protection than on some other gaming headsets. The inline controller has a volume wheel and a mute button, although there are no mic volume controls as there are on the MMX 300 Pro, which is an odd omission, but not one I missed greatly.

Unlike the MMX 300 Pro, the MMX 330 Pro sports an open-back design, intended to impart a more natural sound and create a greater sense of space. I didn’t find this added to the immersion or increased my perception of the in-game ambiance, but I personally prefer closed-back designs. There is also a loss of low-end compared to the MMX 300 Pro, which was already lacking in that department.

All this isn’t to say that the sound of the MMX 330 Pro is poor, though. True to many of Beyerdynamic’s headphones and headsets, the audio balance is superb, with most frequencies coming across clearly and precisely. In this regard, it certainly ranks among the best gaming headsets.

The microphone quality is similarly great, rendering voices with clarity and doing a good job of preventing unwanted sound from being picked up. It’s also very well made, with the gooseneck design making it easy to manipulate yet secure enough to remain in position. It can also be rotated out of the way easily.

There’s no denying that the MMX 330 Pro is incredibly expensive, even eclipsing some of the best wireless gaming headsets. Oddly, it’s also more expensive in North America, which Beyerdynamic claims is due to certain market conditions and launch timeframe concerns.

Whatever the reasons, the fact is there are gaming headsets available that pack in more features for less money, yet still provide terrific audio quality. If you don’t mind sticking to cables, then the Epos H3 wired gaming headset is a brilliant alternative, and for those who want less clutter, the Razer BlackShark V2 Pro is one of the best wireless gaming headsets around.

(Image credit: Future) Beyerdynamic MMX 330 Pro review: price and availability

• $329 / £259 / AU$499
• Black only (unless customized)
• More expensive in the US

The MMX 330 Pro costs $329 / £259 / AU$499 and is available in black only. However, you can customize it with your own designs via Beyerdynamic’s website, letting you add engravings and your own photos to have emblazoned on the drivers.

The MMX 330 Pro costs the same as the MMX 300 Pro in the UK, EU, and Australia; in the US, however, it’s more expensive: $329 as opposed to $299 for the MMX 300 Pro. Having contacted Beyerdynamic, a representative explained the increase comes down to regional costs and distribution logistics, as well as the headset's launch timeline. Regardless, it’s still a bad deal for those in North America.

The only major difference between the 300 and the 330 is the open and closed-back designs. I did, however, notice a softer earpad material on the MMX 330 Pro, and the lack of mic volume controls on the inline controller.

For a wired gaming headset, the MMX 330 Pro sits towards the higher end of the market. The Epos H3, one of the best wired gaming headsets, is much cheaper. In our Epos H3 review, we were very impressed with its detailed audio quality, which made it great for both gaming and listening to music. There is also a wireless version available in the form of the Epos H3 Hybrid, although this is close to the same price as the MMX 330 Pro.

The MMX 330 Pro is also considerably more expensive than the best wireless gaming headset, the Razer BlackShark V2 Pro. Not only does this headset ditch the cables, but it also has more features, including software that allows you to alter various sound settings and modes.

Beyerdynamic MMX 330 Pro review: specs

(Image credit: Future) Beyerdynamic MMX 330 Pro review: design and features

• Surprisingly slim
• Not quite as comfortable as the MMX 330 Pro
• No extra features

In line with Beyerdynamic’s other headsets, the MMX 330 Pro adopts a muted aesthetic, with only a few dashes of orange contrasting with the monochromatic color scheme. It certainly isn’t as brash as some other gaming headsets, which may or may not please players depending on their preferences.

For a gaming headset, the MMX 330 Pro is refreshingly slender, with minimal protrusion from the drivers. Beyerdynamic’s other headsets can verge on the unwieldy, including the MMX 200 Wireless, which is also less comfortable. The MMX 330 Pro still isn’t what you’d call portable, though, and the lack of driver swivel means they aren’t the easiest to hang around your neck.

Compared to the MMX 300 Pro, the earpad material here is more plush and feels slightly baggier but also softer. The thickness of the cushioning is about the same, but it didn’t feel quite as comfortable, with the inside of the drivers pressing into my ears with more force than those on the MMX 300 Pro. This isn’t to say the MMX 330 Pro is uncomfortable, but fatigue did set in sooner than it did with the MMX 300 Pro.

The headband, though, is just as excellent as it is on the MMX 300 Pro. The fontanelle that helps to relieve pressure at the top of the head really does work, and I experienced hardly any aching on the top of my head after extended sessions with the MMX 330 Pro, which I am liable to feel with many other headsets. It also seems durable, although it is easily replaceable (as are the earpads).

The detachable 3.5mm analog cable feels premium, although the strain reliefs don’t appear to be the most resilient, so I wouldn’t be surprised if they began to split over time. They also attract dust too easily, which is hard to remove. It’s also hard to tell when the plug is fully inserted into the headset socket – again similar to the MMX 300 Pro – as there’s no audible click or physical feedback, but this is a minor gripe.

(Image credit: Future)

Despite its length, the cable has no noticeable effect on the weight of the MMX 330 Pro when wearing it. And as with the best PS5 headsets, it’s unobtrusive when plugged into a DualSense controller, making it easy to use with the console.

The in-line controller feels well-made too. It features a volume wheel that operates smoothly and a mic mute button. However, there are no mic volume controls as there were on the MMX 300 Pro, which may bother some people, but I rarely used them when they were present.

One issue that’s plagued every Beyerdynamic headset I’ve tried is the poor driver height adjustment, and the MMX 330 Pro is no exception. The mechanism feels clunky and stiff, making it hard to maneuver, and while it does offer a secure hold once set in position, the engineering isn’t on par with the rest of the headset – and isn’t what you’d expect from a gaming headset at this price point.

The microphone is, however, up to the standards you would expect. The gooseneck is easy to adjust yet secure, and the cloth tip feels thicker and more durable than on other gaming headsets. Although it doesn’t detach or retract, it can be rotated 360 degrees, allowing you to move it out of the way completely.

As with the MMX 300 Pro, there are no extra features on the MMX 330 Pro. The simplicity is refreshing, letting you plug and play without having to worry about connectivity and setups. However, for a gaming headset at this price, more adjustments and settings would’ve been welcome, so you could dial in the perfect sound according to your individual preferences.

(Image credit: Future) Beyerdynamic MMX 330 Pro review: performance

• Great gaming sound
• Open-back design lends more space
• Weaker low-end than the MMX 300 Pro

Beyerdynamic’s famed audio quality is present and correct on the MMX 330 Pro, with frequencies appearing crisp and clear. Beyerdynamic claims the open-back design adds a greater sense of space, allowing you to perceive sounds more naturally.

While gaming, I did notice a more airy sound, but I wouldn’t exactly call this an improvement. The claim that it makes it easier to tell where sound is coming from wasn’t something I experienced during my time with the MMX 330 Pro.

Personally, I prefer the isolation and depth of sound you get from closed-back headsets. Beyerdynamic points out that it has less bass than the MMX 300 Pro because of the open-back design, and this is noticeable. The low-end of the MMX 300 Pro was already a touch on the weaker side, but here it is even more so. It’s not completely devoid of impact, but if you’re going to be using a headset for listening to music as well as gaming, then the 300 Pro is the slightly better choice.

As with the MMX 300 Pro, the microphone on the MMX 330 Pro renders voices with clarity and precision, and blocks unwanted noises from registering with aplomb, including coughs and other plosive sounds.

(Image credit: Future) Should I buy the Beyerdynamic MMX 330 Pro? Buy it if...

You want an open-back design
The open-back design of the MMX 330 Pro means a greater sense of space, so if that’s what you prefer, this fits the bill.

You want a simple headset
No setup, no buttons, no software: the MMX 330 Pro is plug-and-play all the way.

Don't buy it if...

You want to tinker with settings
Unfortunately, the aforementioned simplicity means there are no sonic adjustments to make or different modes to select, so you’re stuck with what you get.

You’re on a budget
The MMX 330 Pro is one of the most expensive wired gaming headsets on the market, and US customers will be especially aggrieved that it’s more expensive for them.

Also consider...

Beyerdynamic MMX 300 Pro
The closed-back counterpart to the MMX 330 Pro, the MMX 300 Pro offers a deeper bass response as a result of its tight isolation. I found the comfort levels to be slightly improved too, and it’s also cheaper in the US than the MMX 330 Pro. However, it still suffers from the same lack of features and connectivity options, being a wired-only headset also.

Read our Beyerdynamic MMX 300 Pro review.

Razer BlackShark V2 Pro
If you have your heart set on a gaming headset with no cables, then you can’t do much better than the Razer BlackShark V2 Pro, as it’s our pick as the best wireless headset around. Not only is it cheaper than the MMX 330 Pro, it also has more features thanks to its integration with Razer’s Synapse software – and we still found its audio quality to be class-leading.

Read our Razer BlackShark V2 Pro review.

How I tested the Beyerdynamic MMX 330 Pro

• Tested for several days
• Used for gaming, music and video playback
• 20+ years gaming experience

I tested the MMX 330 Pro for several days. During that time, I used it to play numerous games, listen to music and watch video content.

I tested the headset on PC, PS5 and Nintendo Switch. I played various titles, including Counter-Strike 2, Sea of Thieves, Silent Hill 2 Remake and The Legend of Zelda: Tears of the Kingdom. I also tested the microphone by playing online multiplayer and recording its input to playback and assess the quality.

I have over 20 years of gaming experience, and I have tested numerous headphones and headsets during that time. These include Beyerdrynamic’s other gaming headsets, such as the MMX 200 Wireless and the MMX 300 Pro.

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Artificial intelligence is driving unprecedented demand in data centers, as the need for processing vast amounts of data continues to surge.

As tech giants race to expand their infrastructures to accommodate AI workloads, they are faced with the growing challenge of how to sustainably and affordably power these operations - and this has even led companies like Oracle and Microsoft to explore nuclear energy as a potential solution.

Another critical issue is managing the heat generated by powerful AI hardware. Liquid cooling has emerged as a promising way to maintain optimal system performance while handling rising energy demands. In October 2024 alone, several tech firms announced liquid cooled solutions, highlighting a clear industry shift in that direction.

Liquid-cooled SuperClusters

At its recent Lenovo Tech World event, the company showcased its next-gen Neptune liquid cooling solution for servers.

The sixth generation of Neptune, which uses open-loop, direct warm-water cooling, is now being deployed across the company’s partner ecosystem, enabling organizations to build and run accelerated computing for generative AI while reducing data center power consumption by up to 40%, the company says.

At OCP Global Summit 2024, Giga Computing, a subsidiary of Gigabyte, presented a direct liquid cooling (DLC) server designed for Nvidia HGX H200 systems. In addition to the DLC server, Giga also revealed the G593-SD1, which features a dedicated air cooling chamber for the Nvidia H200 Tensor Core GPU, aimed at those data centers not yet ready to fully embrace liquid cooling.

Dell's new Integrated Rack 7000 (IR7000) is a scalable system designed specifically with liquid cooling in mind. It's capable of managing future deployments of up to 480KW, while capturing nearly 100% of the generated heat.

“Today’s data centers can’t keep up with the demands of AI, requiring high-density compute and liquid cooling innovations with modular, flexible and efficient designs,” said Arthur Lewis, president of Dell’s Infrastructure Solutions Group. “These new systems deliver the performance needed for organizations to remain competitive in the fast-evolving AI landscape.”

Supermicro has also revealed liquid-cooled SuperClusters designed for AI workloads, powered by the Nvidia Blackwell platform. Supermicro’s liquid-cooling solutions, supported by the Nvidia GB200 NVL72 platform for exascale computing, have begun sampling to select customers, with full-scale production expected in late Q4.

“We’re driving the future of sustainable AI computing, and our liquid-cooled AI solutions are rapidly being adopted by some of the most ambitious AI infrastructure projects in the world with over 2,000 liquid-cooled racks shipped since June 2024,” said Charles Liang, president and CEO of Supermicro.

The liquid-cooled SuperClusters feature advanced in-rack or in-row coolant distribution units (CDUs) and custom cold plates for housing two Nvidia GB200 Grace Blackwell Superchips in a 1U form factor.

It seems clear that liquid cooling is going to be at the heart of data center operations as workloads continue to grow. This technology will be critical for managing the heat and energy demands of the next generation of AI computing, and I think we're only just starting to see potential impact it will have on efficiency, scalability, and sustainability in the years to come.

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