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Klipsch Flexus Core 100: review

If you’re short on space, but still want to experience the wonders of Dolby Atmos, then the Klipsch Flexus Core 100 could be the soundbar for you. This 2.1-channel model aims to supply “immersive, spatial sound” in a single, compact bar, using virtualized Atmos.

Let’s start with a bit of a reality check. The Klipsch Flexus Core 100 has some key limitations that hold it back from delivering the expansive, three-dimensional sound that larger models offer. It uses a fairly basic 2.1 channel configuration, with four main drivers – two front-firing 2.25-inch speakers, and two built-in four-inch subwoofers.

Unlike most of the best soundbars for Dolby Atmos, the Flexus Core 100 doesn’t have up-firing drivers, which are required for ‘true’ Atmos. There’s also no center channel on offer, and as a fairly narrow bar, this thing’s not going to plate up the width you’d expect from a full-length model.

(Image credit: Future)

With all of that said, the Klipsch Flexus Core 100 is a pretty good-sounding model. When watching a 4K UHD Blu-ray of Top Gun: Maverick, I was impressed by accurate dialogue in the opening scene – which sounded well-defined, and maintained the echoey effect you’d expect in a wide open space.

On top of that, Maverick showcased the low-end talents of the Flexus Core 100. The rumble of jet engines was more impactful than a lot of bars in this size category – and other parts of the frequency range didn’t sound obscured as Tom Cruise’s character prepared for take off.

I will say, though, that when the jet flew up and overhead, the verticality of the move was very limited. And more generally, this soundbar struggles to conjure up a sense of height – it's understandable with its technical limitations, but it’s going to be an issue for those wanting great Dolby Atmos in a small package.

In spite of its unremarkable height effects, the Flexus Core 100 still provides a decent amount of width for such a narrow model. In The Mask, the soundbar commendably replicated the cartoonish spin of the titular character across the screen. As he smashed through a glass window, the combination of a low-end thump with a high-pitched shattering also came through with clarity and impact, capturing the surprising nature of the move brilliantly.

One small issue I picked up on was during a scene where two B-rate mobsters are playing air hockey in the backdrop. Here, the left and right channel separation seemed overzealous and choppy – likely a result of there being no center channel, as this isn't something I experienced on a 5.1 bar like the Marshall Heston 60.

(Image credit: Future)

As well as movies, I tried listening to some music over Bluetooth using Tidal. And like a lot of small soundbars, the Flexus Core 100 isn’t particularly talented in this department.

In Black Eye by Allie X, I was satisfied with the depth of the bass, although it wasn’t particularly agile. Meanwhile, vocals were clear enough, but not separated all too much from other sounds in the mid-range. Percussion wasn’t the most precise either, and it lacked a sense of space. Overall, I got a relatively clean listen, but one that lacked nuance or detail.

With Atmos music, it was a similar story. Dream of Arrakis by Hans Zimmer offers solid low-end punch, but the attack of percussion was fairly blunt, and vocal elements weren’t all too clear in the mix. The expansiveness of this master was also pared back quite a bit compared to what I’ve heard on more premium compact bars, like the Sonos Beam Gen 2.

Something else I realized when playing tunes, was that the soundbar didn’t automatically switch to Music mode – something I’ve become relatively accustomed to from most modern soundbars. You have to select the appropriate mode with the included remote or the Klipsch Connect Plus app.

Still, the two modes are decently differentiated, and if you want to make additional changes, you can make use of an equalizer in the companion app. And EQ options aren’t bad at all – you can manually adjust bass, mids, or treble, or switch between presets, including: Flat, Vocal, Bass, Treble, and Rock.

(Image credit: Future)

More generally, I was a big fan of the Klipsch Connect Plus app. It’s brilliantly responsive, well laid-out, and pretty feature-rich. On the main screen, you can change source, activate a genuinely great multi-level voice enhancement setting, activate night mode, and more. An additional settings menu also opens up channel level adjustment, surround and subwoofer pairing, and display brightness adaption.

The only thing I was really missing on the app was some kind of room calibration tool to optimize the Flexus Core 100 to my listening space – something you’ll find on soundbars like Sonos Beam 2nd Gen and Marshall Heston 120.

I touched on the Flexus Core 100’s display a moment ago, and I have to give Klipsch some kudos here – it looks absolutely fantastic. Rather than relying on a basic lighting system, there’s a large display with full letters and numbers to let you know which mode you’re using, source you’re connected to, and volume level you’re at. This is incredibly clear, and makes for a much smoother user-experience.

On top of a neat display and seamless in-app experience, setting the Flexus Core 100 up really couldn’t have been easier. You’ve just got to connect it to a power source, and hook it up to your TV over HDMI eARC or digital optical – easy as pie. You can also build your system out at your own pace by connecting a compatible wireless sub, or a wired one via the soundbar’s ‘sub out’ port. You can also purchase Flexus Surround speakers for a more three-dimensional listening experience.

In terms of functionality, the only major miss in my view is the omission of Wi-Fi streaming. Personally, this is an absolute must for me. I love being able to use Spotify or Tidal Connect to enjoy my music in higher quality than Bluetooth streaming allows. Some may also lament the lack of DTS support, which is less common than Dolby Atmos for streaming, but is often used on Blu-rays.

We’ve spoken a lot about the technology involved so far, but how does the Flexus Core 100 fare in the looks department? In my opinion, this soundbar is a little on the average side. The large logo on the right side isn’t the most attractive, and the fabric speaker grille doesn’t quite give off a premium impression. Still, the model is well-made, and I’ve already raved about its excellent display.

One thing I’ve not mentioned yet is the Flexus Core 100’s price-tag. And this is pretty competitive, all things considered. It comes in at $349 / £299 / AU$645, which is less than a 2.0 channel rival like the Denon Home Sound Bar 550 and considerably less than compact Atmos titans like the Sonos Beam Gen 2 and Bose Smart Soundbar.

In the end, then, the Klipsch Flexus Core 100 is a solid soundbar overall. It won’t deliver the most amazing Dolby Atmos, it’s not the best-looking model I’ve seen, and I’m also still sad about the omission of Wi-Fi streaming.

But its great bass levels, clear dialogue, impressive companion app support, and ease of use are all highly commendable. If you’ve got the cash, I’d suggest going with either Sonos or Marshall’s compact soundbars, but if you’re on a tighter budget, this model is well-worth considering.

(Image credit: Future)Klipsch Flexus Core 100 review: price and release date

• $349 / £299 / AU$645
• Launched in April 2024

The Klipsch Flexus Core 100 was released in April 2024, and is part of a product line that also features the Flexus Core 200 and the exceptional Klipsch Flexus Core 300.

It has a list price of $349 / £299 / AU$645, making it the cheapest product in that lineup, and very competitively priced against other compact Dolby Atmos models like the Sonos Beam Gen 2, for instance.

Klipsch Flexus Core 100 review: specs

Dimensions

28 x 3 x 5 inches / 711.2 x 76.2 x 127mm

Speaker channels

2.1

Connections

HDMI eARC, digital optical, sub out, Bluetooth 5.0

Dolby Atmos / DTS:X

Yes / No

Sub included

No

Rear speakers included

No

(Image credit: Future)Should I buy the Klipsch Flexus Core 100?

Attributes

Notes

Rating

Features

Great companion app, but no DTS and no Wi-Fi streaming.

3.5/5

Performance

Strong bass response, clear dialogue, decently expansive – but music and height effects are unremarkable.

4/5

Design

Not the most beautiful, but the display and build quality impressed me.

4/5

Setup & usability

Lacks room correction, but very easy to connect and control.

4/5

Value

Pretty competitively priced against rivals, but doesn’t have quite as much quality.

4/5

Buy it if...

You’re looking for some low-end power
One of the best things about the Flexus Core 100 is its impressive bass performance. Explosions and low-end heavy scores will sound so much better than they would with plain TV audio, and your viewing experiences will improve substantially.

You’re short on space
If you’ve not got a ton of space or your TV unit is on the smaller side, the Flexus Core 100 is a very nice pick indeed. It's far narrower than a model like the Sonos Arc Ultra, making it ideal for anyone who needs something smaller.

Don't buy it if...

You want awesome Dolby Atmos performance
Although the Flexus Core 100 creates a decent sense of width, its height effects aren’t convincing at all. If you want the best Atmos possible from a small soundbar, the Marshall Heston 60 – which I’ve discussed below – is your best bet.

You need Wi-Fi streaming
The lack of Wi-Fi streaming on the Flexus Core 100 is a real shame, and is something that’s pretty easy to come across on competitors. You can still stream music via Bluetooth, but the quality isn’t going to be as good.

Klipsch Flexus Core 100 review: also consider

Klipsch Flexus Core 100

Marshall Heston 60

Sonos Beam Gen 2

Price

$349 / £299 / AU$645

$699.99 / £499.99 / AU$999

$449 / £449 / $699

Dimensions

28 x 3 x 5 inches / 711.2 x 76.2 x 127mm

28.7 x 4.9 x 2.7 inches / 730 x 124 x 68mm

25.6 x 2.7 x 3.9 inches / 651 x 68 x 100mm

Speaker channels

2.1

5.1

5.0

Connections

HDMI eARC, digital optical, sub out, Bluetooth 5.0

HDMI eARC, RCA Mono (sub out), USB-C, 3.5mm, Bluetooth 5.3, Wi-Fi

HDMI eARC, Ethernet, Wi-Fi

Dolby Atmos / DTS:X

Yes / No

Yes / Yes

Yes / No

Sub included

No

No

No

Rear speakers included

No

No

No

Marshall Heston 60
There aren’t many small Dolby Atmos soundbars that can outclass the Marshall Heston 60. It provides surprisingly expansive sound with surprisingly good Atmos for such a compact model. It’s also incredibly attractive with a mouth-watering amp-inspired design, and the inclusion of Wi-Fi streaming as well as DTS:X support is much appreciated. It’s very expensive, and its bug-prone companion app needs some work, but overall, it’s an awesome option. Read our full Marshall Heston 60 review.

Sonos Beam Gen 2
As I discussed in my Sonos Beam Gen 2 vs Marshall Heston 60 showdown, the former is still the compact Atmos bar to beat. Its exceptional dialogue clarity, powerful bass, and now-modest price just give it that edge. As a 5.0 channel bar, the Beam Gen 2 sounds more expansive than the Flexus Core 100, although it does skip on Bluetooth connectivity and a sub out port. It does deliver Wi-Fi streaming, though, and its modern design is among my favorites. Read our full Sonos Beam Gen 2 review.

How I tested the Klipsch Flexus Core 100

(Image credit: Future)

• Tested with movies and music across multiple hours
• Used in our TV testing space at Future Labs
• Mainly played 4K Blu-rays for movies and streamed via Tidal for music

When testing the Klipsch Flexus Core 100, I had the soundbar connected up to the phenomenal LG G5 OLED TV via its HDMI eARC port.

I spent the majority of my time with the soundbar watching 4K UHD Blu-rays – predominantly viewing them via the Panasonic DP-UB820. However, I also watched some shows on Netflix, and streamed music through Tidal using the Dolby Atmos and stereo formats.

On top of this, I made sure to exhaust all of the Flexus Core 100’s features, and cycled through all of the settings in the Klipsch Connect Plus app, including the various sound modes and EQ calibrations.

More generally, I’m an experienced tech reviewer with a particular focus on audio-visual gear, and have tested a wide range of soundbars. During almost two years at TechRadar, I’ve covered everything from budget models like the Sony HT-SF150 through to premium Dolby Atmos soundbar systems, such as the JBL Bar 1300MK2.

• First reviewed: January 2026
• Read more about how we test

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My month-long test of the stylish Wandrd PRVKE V4 camera bag covers the mid-size 21L version.

Wandrd PRVKE V4 bag: Two-minute review

I've tested plenty of the best camera bags over the last 15 years (seriously, I've got quite the collection), but only recently got my hands on Wandrd gear for the first time. Of course, I had to start with the established American accessory maker's best-selling PRVKE, which is now in its V4 version.

It's a stylish roll-top backpack, available in seven muted colors and three sizes, with an optional cube insert designed to stow camera gear.

Wanting a slimline day pack, I opted for the mid-size 21L version in 'Sedona Orange' – the boldest look of the lot – with the cube insert. There's an even smaller 15L version (the only size in the range with the camera compartment built-in) or a larger 31L size. Wandrd has seemingly ditched the 41L size from the previous version of the PRVKE.

I also picked up the D1 fanny pack (also in Sedona Orange) at the same time, to complement the bag for essentials.

(Image credit: Tim Coleman)

What I particularly appreciate about the PRVKE V4 is how good it looks without the usual camera bag tell-tale signs. No, this looks like a regular roll-top bag that I see so often on commuter trains in the UK, and a particularly stylish one at that.

Inside, however, I could pack several thousand dollars/pounds worth of camera gear (in the 'Essential Camera Cube'), squeeze in my 17-inch MacBook Pro, and fill a number of the small zipped pockets with accessories such as charging cables.

And there's still space in the open third at the top, which is accessed through the roll-top, for day items such as a sweater and tupperware container.

It took me a little while trying out the various compartments with my gear, seeing what combinations would easily fit in the cube, and at first, I wasn't convinced I had picked the right size for my mid-range mirrorless camera and lenses.

However, with a little endeavor, I squeezed in my mirrorless camera with lens attached, an additional lens, and various accessories, including a small LED light panel.

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(Image credit: Tim Coleman)

I've happily used the PRVKE V4 21L for commuting and day trips, although it'd be a stretch using it for a weekend – I reckon the 31L version (which I haven't tried but has the same layout) would be ideal for that.

The PRVKE V4 truly looks the part – I really like the wide choice of muted colors it's available in, which now total seven in all, especially the orange that I went for – but it's also practical too.

The shoulder straps and back are lined with a padded mesh, making a long day of lugging gear a comfortable experience.

On one side, a stretch pocket easily holds a water bottle or tripod, with an additional strap to secure taller items. On the other side, a zip pocket accesses where the cube sits – directly to your camera gear. Not all of today's discreet camera bags offer such direct access to gear, so points to the PRVKE V4 there.

I like the handle on the top, too, with the two straps fixing to each other magnetically. They make picking up the bag a breeze, as does the additional handle on the back, which can conveniently slot over a suitcase handle for air travel.

(Image credit: Tim Coleman)

The PRVKE V4 is not quite perfect, mind you. I found dirt a little sticky on the smooth back of the bag, and the roll-top design isn't the most weatherproof. I don't think all of the pockets are necessary either, but that might not be true of the next person.

It's also a shame that the key camera gear accessory – namely the cube insert – is a pricey extra for what is already a relatively expensive bag (15L aside, which has the camera compartments fixed in place).

Overall, these are minor drawbacks for what is clearly a well-designed backpack. I can easily see myself relying on the 21L bag for days out, commuting, and, with the cube removed, even a weekender pack. If you want a weekend bag with camera gear, I'd recommend the 31L version instead.

There's a reason the PRVKE has proved such a hit these last few years, and now, in its updated V4 form, I'm glad to have joined the party. This will no doubt be my go-to day bag for the foreseeable future.

Wandrd PRVKE V4: price and availability

• Available in 15L, 21L and 31L versions
• There are seven muted colors to choose from
• Prices start at $234 / £207 (Australia availability and pricing vary), the camera cube costs extra

The Wandrd PRVKE has been available for a number of years, and this review is of the current V4 version.

The PRVKE V4 can be purchased in one of seven muted colors at the Wandrd store: Black, Aegean Blue, Wasatch Green, Yuma Tan, Sedona Orange, Rhone Burgundy, and Atacama Clay. It's available in three sizes: 15L, 21L, and 31L – the smallest is the only one to feature a camera gear compartment. Here's a breakdown of the prices:

The 15L version costs $279 / £246 (no need for an optional cube insert), the 21L bag only is $234 / £207, and the 31L bag only is $254 / £224.

The Photography bundle includes the Essential Camera Cube and adds $85 / £74 to the cost of the 21L and 31L versions, while the Pro photography bundle includes the larger Pro Camera Cube and add $120 / £105 to the cost. Those accessory prices are a little steep in my opinion.

The former version of the PRVKE bag also came in a larger 41L version, which is still available at various retailers for around $273 / £242.

Wandrd PRVKE V4: specsWandrd Prkve Specs

Sizes

15L, 21L and 31L

Colors

Black, Aegean Blue, Wasatch Green, Yuma Tan, Sedona Orange, Rhone Burgundy and Atacama Clay

Dimensions

17 x 11 x 6.25in / 43.2 x 27.9 x 15.9 cm (21L version)

Weight

2.98lbs / 1.3kg for the 21L version

Laptop sleeve

13.5 x 9.75 x 1in / 34.3 x 24.8 x 2.5cm

Should I buy the Wandrd PRVKE V4?

(Image credit: Tim Coleman)Buy it if...

You want a stylish camera bag
There's no sacrifice on style here – the PRVKE V4 is an attractive roll-top style backpack, in a wide range of colors.

You're wanting a casual day or weekend bag
It's well made, but not the bag you'd take on extreme outdoor shoots. This is a more of a day or city break kind of pack.

Don't buy it if...

You're stowing large gear
Even the largest 31L version will struggle to hold super telephoto lenses and such gear. The older PRVKE comes in a 41L version, though.

You're wanting a camera gear-only bag
The PRVKE is more your day bag for a mixture of camera gear and regular items.

Also consider Peak Design Everyday Backpack V2

The Wandrd PRVKE V4 and Peak Design Everyday Backpack V2 share many similarities – they are similar in capacity and offer direct side access to camera gear. However, the PRVKE V4 is better for style and as a general bag, while the Peak Design offering is better suited as a dedicated camera bag, plus it costs less given the camera insert is included.

Read my Peak Design Everyday Backpack V2 review

How I tested the Wandrd PRVKE V4

(Image credit: Tim Coleman)

• I had the 21L version of the PRVKE V4, with the 'Essential' cube insert
• I used the PRVKE for over a month, mainly as a day or weekend bag

Wandrd arranged a long-term loan of the PRVKE bag for me – the 21L version with cube insert.

I've used the PRVKE as my primary bag for commuting, simple day trips, and the occasional weekender.

It has stored a range of my camera gear – from mid-range mirrorless models with a couple of lenses, to smaller vlogging gear with a range of accessories such as LED lights. I've also stored a 17-inch MacBook Pro inside.

Throughout my testing, the bag has been subject to inclement weather and used in a range of environments, including large cities. This is a true long-term review.

First reviewed January 2026