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It's been a whole year since Netflix's surprise dating show hit first aired, and now it's back. But when do the first batch of The Boyfriend season 2 episodes drop?

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The Ulefone RugKing is a lightweight, rugged design ideal for those who need a tough device occasionally.

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What CISOs can do to secure inactive systems and overlooked storage before attackers exploit them.

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Iran's parliament speaker warned the U.S. military and Israel would be "legitimate targets" if America strikes the Islamic Republic, as threatened by President Donald Trump.

(Image credit: UGC)

I’ve reviewed over 50 desks in the last few years, and I have a pretty good feel for what not only makes for the best standing desks, but also what the standards are, what is consistent across brands, and what makes some stand out compared to others.

What I'm saying is, it’s not often that a desk’s differences stand out as easily as the Marinamantra Flow. Most noticeable is that the Flow allows you to use it while sitting on the floor, at standard sitting height, and while standing up. I can't think of many, if any, other desks that offer that right now (most I test are sitting or standing-only).

The Flow has been getting nearly daily use in my workspace for three months. In that time, I’ve used it for late-night working sessions, testing monitors, testing laptops, writing, coding, responding to emails, handling virtual meetings, building forts for my kids underneath, giving my children rides up and down the world's tamest rollercoaster, and more.

This is one of those desks that you want to use, one that you enjoy using, and almost feels fun every time you go to get started.

Marinamantra Flow: Price and availability

(Image credit: Collin Probst // Future )

The Marinamantra Flow is retailing for $1049 on the Marinamantra Flow website.

At the time of review, you can choose between a white or black frame, with a desktop size of 26 x 58in.

(Image credit: Collin Probst // Future )Marinamantra Flow: Unboxing and First Impressions

Again, I’ve done a good number of these now, but this desk was unique. The assembly wasn’t overly hard, but due to the unique design, the scissor legs, and the felt-covered undercarriage, this desk had a way of stamping itself on my memory.

The closest thing I can compare it to is the Lilipad standing desk. But where the Lillipad retracts so low is because it's designed to be stowed away after use, the primary reason the Flow reaches those low heights is to enable floor-sitting.

Unboxing and setting up was different than all the other desks I have set up, but not difficult. I just felt like, for the first time in a long time, like I was having to pay attention to the instructions rather than relying on past desk building experience.

Marinamantra sent all the proper tools, though I still used my Hoto electric screwdriver when I could just to help speed up the screwdriver process a little bit. The legs came connected together, so I simply had to get them connected in the proper location on the underside of the desk and then latch them in place.

Once I got everything attached, I added in the felt undercarriage and cabling, and then we were ready to flip over and get to work.

Marinamantra Flow: Design & Build Quality

(Image credit: Collin Probst // Future )

The felt cable tray is shockingly good. At first, I thought it was clunky and perhaps a gimmick. But once I got everything put together, I realized it was very helpful for keeping the built-in desk cables tucked away, leaving only what I add visible. If desired, and if I wanted to build out a more complex desk here, I could tuck more cables in that felt liner, though I’d want to take it off to make sure that I am not getting cables stuck in the tracks.

Speaking of cables, one thing this does right is that it has power through the leg. I’ve started to see desks do this now. The first one I noticed doing it was the Secretlab Magnus Pro. Since then, I’ve seen a few more taking that approach, helping with cable management, not having a cable dangling down from the top of the desk at whatever height it may be, all the way down to either outlet height or the floor. This seemingly small element really helps declutter the workspace.

I also like that there are two outlets on the desktop that run through the same power line that goes out of the base, plus the power for actually raising and lowering the desk, of course. Marinamantra chose to have one of those available outlets in the back of the desk, in the built-in cable tray, which is excellent, and another in the front, making it super easy for the user to power whatever they need.

At first, I wanted another outlet on the back of the desk, but after getting everything set up, I realized I wouldn’t even use it for my setup, and if I did need it, it's easy enough to add an additional power strip.

Marinamantra Flow: In use

(Image credit: Collin Probst // Future )Specs

Desktop size: 28 x 56in
Lifting capacity: 176lb / 80kg
Height range: 14.9 to 47in

I’ve had this desk on the second floor of my home for the last three months. I’ve used it for at least 5 days a week during that time, sometimes for many hours at a time.

Since assembling it, I’ve raised and lowered the desk an obnoxious number of times, I’ve used both power ports, I’ve run my forearm on the control panel and accidentally changed the height, and I’ve even caught my kids playing under the desk, treating it as a fort. So far, stability is solid, height adjustments are smooth, though there are some clicking sounds from the legs when adjusting, and the desk itself has held up well.

I’m 6’2”, so for me, having a desk that can reach my preferred standing height is not always possible. But the Marinamantra Flow can get my preferred height and drop all the way down to a great seated or floor-sitting height without any problem. It’s probably due to the scissor-leg style instead of the standard leg, but that comes with trade-offs as well.

I love how smooth it moves up and down, and the incredible range, dropping so low and also so high, but as a taller individual, having the legs cross right where my knees means I have to contort my legs around the scissor legs if I’m pulled all the way into the desk. The only spot I can kick my legs out is in the dead center, so using anything to rest my legs on would not work with this desk, nor would kicking my legs out with a chair that has a leg rest.

Speaking of the legs, another thing that I noticed, perhaps because I previously used the Lilipad desk, is that the caps on the legs are mediocre. I can tell that this is a first-generation desk from Marinamantra. However, with that being said, it’s a spectacular attempt at a new desk style in almost every way,

Back to the legs, the power inlay through the legs makes a bigger difference than I originally thought. I expected it to be helpful, but not a game-changer. But for this style desk, which, for me, has stayed relatively minimal and straightforward, I haven’t needed anything more than what has been given.

I have a simple, yet powerful setup. I have an Anker Prime Docking Station plugged into the power port on the back of the desk, with the dock sitting on the top left, plugged into that I have the power line that runs to my laptop, a USB-C desk lamp. I ran one to the right side where I plug in my iPad, hard drive, or iPhone, and that’s about it. I can plug in some other drives or accessories on the dock itself, but beyond that, I have intentionally kept it pretty clean and straightforward.

There's something about this desk that makes me want to keep it simple in the best way. The front power port has come in super handy for charging my chair (review coming soon), yes, you read that right, or for other miscellaneous things I need to charge or plug into power in this room.

Last but not least, I’ll talk a little bit about the control panel. It’s simple, it reminds me of Ergonofis, and it works pretty well. In fact, it may be a bit too sensitive. My wife bumped it a few times with her forearm while we wrapped presents on this desk, and it sprang into height-adjusting action.

Marinamantra Flow: Final verdict

(Image credit: Collin Probst // Future )

The Flow is a fantastic first-generation standing desk from Marinamantra, and it gets the fundamentals right. It’s designed to be minimalist, though it could be built out for more if you wanted, and it’s got a few great features up its sleeve that other desk companies could learn from.

If you are looking for a desk that can drop down to the ground, and then back up to meet the height of even some of the tallest people around, it's worth checking out.

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For more office furniture, check out our guide to the best office chairs we've tested.

Here's everything you need to stay productive when working on the go.

The Marinamantra Flow is a premium minimalist standing desk for those who want a calm and simple workspace. It may be a first generation model, but it’s got a lot of things going right.

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Star Wars Outlaws Gold Edition is an excellent version of the 2024 open-world Star Wars game. It runs incredibly well overall, with a frame rate that rarely dips below its 30 frames per second (fps) target while also pushing some impressive ray tracing effects. It might just be the best Nintendo Switch 2 port that we’ve seen yet, especially considering the fact that the original release would sometimes stutter on more powerful hardware like the PlayStation 5.

Review info

Platform reviewed: Nintendo Switch 2
Available on: Nintendo Switch 2, PS5, Xbox Series X and Series S, PC
Release date: September 4, 2025 (Nintendo Switch 2)

The value proposition of this version is also off the charts. Rather than its usual Standard Edition, Deluxe Edition, Gold Edition, and Ultimate Edition release strategy, Ubisoft has opted to include all the Gold Edition content out of the gate for anyone buying on Nintendo Switch 2.

This means you get the full season pass with two substantial new story chapters that take a total of about 10 hours to beat. Oodles of cosmetics for protagonist Kay Vess and her companion Nix are also included, plus the short pre-order bonus Jabba’s Gambit mission.

While I could lament the fact that the handful of cosmetics from the Ultimate Pack haven’t been thrown in too (though they are still purchasable separately via the eShop if you want them), this is still an incredible amount of content that encompasses all the major DLC additions since launch.

It’s an easy sell at the asking price of $59.99 / £49.99 / AU$89.95 (or even less on sale) when you consider that the Gold Edition costs $109.99 / £104.99 / AU$169.95 on other platforms.

I find your lack of faith… disturbing

(Image credit: Ubisoft)

Everything we loved in our original Star Wars Outlaws review rings true for this newer version.

If you’re a fan of the Star Wars universe, then you’re going to love the peerless faithfulness of this adaptation. As an intergalactic rogue forced to go on the run after a heist gone wrong, you explore a series of large open-world planets as you gradually put together a crew and navigate relationships with some of the galaxy’s most notorious criminal clans.

Set between The Empire Strikes Back and Return of the Jedi films, familiar locations like the desert plains of Tatooine are wonderfully represented and seamlessly presented alongside new additions like the sandy Toshara Moon or dense jungle world of Akiva.

Best bit

(Image credit: Ubisoft)

The five planets of Star Wars Outlaws are all a fan’s dream. It includes the perfect mix of nostalgic favorites like Tatooine alongside some more interesting and beautiful inclusions like the snowy world of Kijimi.

Everywhere you explore looks superb on Nintendo Switch 2, especially in handheld mode. On the console’s 1080p screen, it appears delightfully crisp and, although the quality of 3D models does take a small hit, the overall experience feels about on par with that of an Xbox Series S, which is a very impressive result.

In some regards, it actually looks better here than on the Series S, with improved ray-tracing effects in interior environments. Wandering around the densely populated city of Mirogana early in the game, the lighting effects appear rich and complex. Locations are crafted with a high level of detail throughout the game, and I’m glad that the enjoyment of occasionally stopping to soak it all in and pore over every small element of a space hasn’t been lost in the jump over to less talented hardware.

Things do fare a little worse when the system is docked, though. Playing on a 4K TV, I noticed upscaling was used very liberally, which lends certain areas quite a blurry look. Anywhere with lots of plants, for example, tends to look rather fuzzy, and Kay’s hair suffers from some noticeable aliasing. The pop-in in the open world becomes more noticeable in docked mode, too. When you’re zooming around on your speeder, you’ll regularly see little bushes or shadows appearing in the distance - but you get used to this very quickly.

More powerful than you could possibly imagine

(Image credit: Ubisoft)

If you’ve experienced Star Wars Outlaws on another platform, then you’ll also need to acclimatize to the frame rate when jumping over to the Nintendo Switch 2 version. It's locked to 30fps here, a change that was especially noticeable as I compared the game with its PS5 port side by side.

When you’re actually playing, it is less apparent, though, and developers Massive Entertainment do deserve some serious credit when it comes to just how well Star Wars Outlaws Gold Edition maintains that frame rate target.

(Image credit: Ubisoft)

Stutters are extremely rare, and I only noticed them starting to crop up in moments of very intense action with multiple explosions, many enemies on screen, moving vehicles, and the like, all at once. Importantly, the experience is never rendered unplayable, and I think the odd hiccup is a worthwhile trade-off for the opportunity to dip in and out of this game on the go.

I’ve been playing Star Wars Outlaws Gold Edition sporadically since it launched back in September, and I did initially experience a few unexpected crashes in longer play sessions. With time, these seem to have been remedied through various patches, though, so those jumping in today can expect a relatively flawless experience.

With all of this said, Star Wars Outlaws Gold Edition nets an easy recommendation as one of the best Nintendo Switch 2 games. If you’ve played it before, it’s a joy to re-experience in handheld mode with all the new DLC included. If you’re a newcomer, then you don’t need to worry about suffering a compromised experience due to your choice of hardware.

Should I play Star Wars Outlaws Gold Edition on Nintendo Switch 2?Play it if...

You want a huge open-world experience on the go
Star Wars Outlaws Gold Edition offers tens of hours of content that’s wonderful to dip into on the go. With all major DLC included, this is an experience that you’re going to keep coming back to.

You’re a big Star Wars fan
Fans of the Star Wars universe will love the attention to detail of Star Wars Outlaws, all of which has been preserved wonderfully in this brilliant port.

Don't play it if...

You’re sick of open-world games
I enjoy Star Wars Outlaws, but it certainly doesn't reinvent the wheel in terms of Ubisoft open-world games. If you want a more novel experience, pick up something else from the Nintendo Switch 2’s expansive library, like Mario Kart World.

Accessibility features

Star Wars Outlaws Gold Edition has a dedicated accessibility menu on Nintendo Switch 2 with a number of useful settings and presets.

By default, the HUD has been scaled up to 150% in handheld mode, with large text size enabled.

There are also four menus designed to address gameplay, cognitive, color, vision, and hearing needs. Color settings can be fully customized, and there is a range of difficulty options.

How I reviewed Star Wars Outlaws Gold Edition on Nintendo Switch 2

I played nearly 15 hours of Star Wars Outlaws Gold Edition on Nintendo Switch 2, constantly comparing my experience of the game with that of the PlayStation 5 and Xbox Series X and Series S versions.

I primarily played in the console’s handheld mode, but also endeavored to spend a few hours in docked mode in order to assess its performance.

Of the two modes, handheld mode is definitely the strongest as the smaller screen does a good job of smoothing over many of the visual cutbacks. While playing in docked mode, I relied on the official Nintendo Switch 2 Pro Controller.

First reviewed January 2026

Canon EOS R6 Mark III: two-minute review

The Canon R6 Mark III is the brand's latest enthusiast-level hybrid camera, and successor to one of Canon's most popular models. It's perhaps the clearest expression of a 'hybrid' Canon camera yet within its price range, with a fresh 33MP sensor that not only offers a significant bump in resolution (from 24MP), but a host of new video features such as 7K open-gate.

Outwardly, you could be mistaken in thinking that the Mark III offers a relatively iterative upgrade versus the previous generation. The overall design of the camera is essentially identical. Under the hood, however, subtle tweaks and improvements provide an upgrade that's bigger than the sum of its parts.

Everything is just a little bit better with the Mark III. You get a nice bump in resolution, a massively expanded video tool-kit, and useful autofocus features from the higher-end bodies like Priority People Detect. Even minor annoyances like video white balance have been smoothed out. Overall, it's an incredibly refined and well-designed camera that simply just works without any fuss. That's high praise, indeed.

(Image credit: Future / Alex Whitelock)

In real-world testing, the R6 Mark III is also a stunning stills and video camera, capable of producing superb results in both fields. In a field where competitors are eager to champion stacked BSI sensors, the Mark III proves that you need neither to achieve great performance. Images are detailed with great dynamic range and flexibility, and you still get an impressive 40fps burst rate, despite the significant jump in resolution.

Perhaps the biggest stumbling block for the R6 III isn’t necessarily the camera itself, but the increasingly competitive field it sits within. Rival brands are not only producing exceptional cameras currently, but they do so on democratized and open lens mounts.

For example, the Nikon Z6 III undercuts the R6 on price, the Panasonic S1 II features more powerful video tools, and the Sony A7 V falls back on its vast lens ecosystem. In comparison, the R6 III looks like the jack of trades - a safe, if somewhat unexciting pick in the best mirrorless cameras landscape.

Those already faithful to the Canon RF-Mount will be overjoyed with this camera, however. As previously stated, there's a refined assuredness to the R6 Mark III that makes it a reliable hybrid workhorse. Regardless of whether you're a professional wedding photographer, amateur videographer, or even a serious beginner, it's hard not to recommend the R6 Mark III because of its compelling mix of usability, image quality, and value. Yes, it's pricier than the Mark II, but considering the new sensor (and inflation), you definitely get a good amount of camera for the money here.

Canon EOS R6 Mark III specsCanon EOS R6 Mark III specs

Type:

Mirrorless camera

Sensor:

Full-frame (36x24mm) FSI CMOS

LCD:

3-inch, fully-articulated, 1.62M dots

Memory:

1x UHS-II SD, 1x CFexpress Type B

Resolution:

32.5-megapixels

Video:

Up to 7K30p (open gate)

ISO range:

ISO 50-102,400

Mechanical Shutter speeds:

30-1/8000sec

Electronic Shutter speeds:

30-1/16000sec

Viewfinder:

3.69M dot, OLED EVF, 0.76x

Processor:

DIGIC X

Connectivity:

WiFi, Bluetooth, USB-C, HDMI, audio, mic

Weight:

609g

Canon EOS R6 Mark III: Price and availability

• Announced November 6th, 2025
• Body only price of $2,799 / £2,799.99 / AU$4199.95
• Kit options available, including RF 24-105mm f4 L IS

The R6 Mark III retails for $2,799 / £2,799.99 / AU$4199.95, which makes it pricier than the previous iteration by a few hundred dollars / pounds. Interestingly, the EOS R6 II isn’t being discontinued (at least, immediately), and instead will be available for a list price of 1,979 / £1,918 / AU$3,099.

The Mark III is essentially slotting in the market between its two major competitors - the Sony A7 V for $2900 / £2800 and the Nikon Z6 III for $2700 / £2500. Of the three, however, it’s worth noting that the Z6 III has been on the market for the longest time and tends to be particularly partial to price cuts. You’ll likely have to wait a while to find an R6 Mark III or Sony A7 V for anywhere near as cheap as Nikon's alternative.

• Price score: 4/5

Canon EOS R6 Mark III: Design

• New CF-Express Type B card slot
• 3.69M dot 120Hz OLED EVF
• 3.0-inch 1.62M dot panel articulating rear display

What can I say about the design of the R6 Mark III? Well, it’s typical Canon, in the most refined and best manner possible. If you’re familiar with the Mark II, the design is essentially identical, with only a few minor tweaks to the buttons surrounding the shutter, a new tally light, and revisions to the mode dial.

Is it boring? Well, it’s certainly sensible. All of the camera’s main functions are laid out in a purposeful and meticulous manner. The thumb, for example, naturally rests next to the back-button focus, an AF joystick, and an autofocus mode quick select. On the top, you have the typical three-way on-off switch, top-mounted dial, and extremely useful M-Fn quick dial menu that are again extremely easy to operate.

All of the above, of course, are fully mappable with the camera’s extensive customization options. A total of nine buttons are fully mapable, so you have plenty of options here for both video and photo applications.

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The camera is made of a sturdy polymer outer shell with environmental weather sealing (Image credit: Future / Alex Whitelock)Image 2 of 3

The R6 Mark III has a protective shutter to keep the sensor clean when no lens is mounted. (Image credit: Future / Alex Whitelock)Image 3 of 3

The camera retains the classic Canon button control layout (Image credit: Future / Alex Whitelock)

If you’re already a Canon shooter, no doubt you’ll be right at home here. My only minor criticism is that I wish Canon would add a second ring/middle finger button on the front of the body next to the grip. It’s something that’s featured on the higher-end Canon bodies, but it’s conspicuously missing from the R6 and R5 line. With such expansive customization features, it would be a fantastic addition to the body in my opinion.

In the hand, the R6 Mark III is sturdy and solid, with a generous grip that pairs well with popular lenses like the 24-70mm f/2.8. As part of the review process, Canon also sent me the EOS R8, and in comparison to the lower-end model, the R6 Mark III is much better suited to the chunkier RF glass. Unlike the feather-weight R8, the R6 Mark III balances well with fast primes like the 20mm f/1.4 and 85mm f/1.4 - both of which are noticeably front-heavy on the entry-level model.

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The Canon R6 Mark III next to the Mark II (Image credit: Future / Alex Whitelock)Image 2 of 2

The cameras are almost identical, with the only changes being to button graphics, the mode dial, and the addition of a tally light. (Image credit: Future / Alex Whitelock)

In terms of viewfinder and display, you get a 3.69M dot 120Hz OLED and 3-inch 1.62M dot panel respectively; both of which are holdovers from the previous model. The R6's displays are bright, relatively wide, and easy to use. No complaints here, although it's worth noting that both the Nikon Z6 III and Sony A7 V do have a slight edge over the R6. In the case of the Nikon, you get a higher-res 5.76M dot EVF, while the Sony A7 V features a 2.1M dot rear display that both articulates and tilts - a handy feature for both stills and video.

For ports, one of the main changes from the second-generation model is that the Mark III now features one CFexpress Type B slot and one UHS-II SD instead of two of the latter. Upgrading to a CFexpress card will incur a slight cost, but you’re going to need it if you want to record Raw video internally or make full use of the uncapped 40fps burst rate. Videographers will also be pleased to note that the Mark III now features a full-size HDMI port rather than the MicroHDMI on the previous iteration.

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The R6 Mark III now features a CF-Express Type B card slot (Image credit: Future / Alex Whitelock)Image 2 of 3

Support for full-size HDMI (Image credit: Future / Alex Whitelock)Image 3 of 3

Fully articulating 3-inch rear display (Image credit: Future / Alex Whitelock)

The R6 Mark III now utilizes the newer LP-E6P battery from the R5 Mark II. The older LP-E6NH batteries are still technically supported, but you'll need to use the newer iteration to fully unlock all the R6 Mark III's features. In this case, smartphone connectivity and the full array of 6K open-gate video modes.

Note that the R6 Mark III's battery is rated for 270 shots with the viewfinder and 510 with the rear screen. On paper, that's significantly lower than the Sony Alpha A7 V's rating of 630 / 750 shots respectively. I wouldn't say battery life is particularly poor, however. In real-world testing, I found the battery life to be far better than the ratings would suggest, with more than enough juice for a full day of stills photography. Videographers may want to pack a second battery just in case, though.

• Design score: 5/5

Canon EOS R6 Mark III: Performance and features

• Reliable autofocus for stills and video
• Registered People Priority mode
• 7K footage at 30p ‘open-gate’

The R6 Mark III is interesting in that it lacks a few of the high-end features from the R5 II like the ability to control the focus point with your eye, in-camera 'AI' upscaling, and Action Priority modes. What it does offer, however, is rock-solid performance for a vast range of both photo and stills applications.

As the ‘enthusiast’ level body in the range, the R6 has a lot of ground to cover, but it essentially achieves the mark on all counts. Using the camera, is again, a very refined experience in terms of operation and ease-of-use.

For example, the R6’s autofocus performance is accurate and reliable even with fully automated operation. A simple press of the ‘set’ button will engage subject tracking, which is easily one of the ‘stickiest’ I’ve ever used on a camera. Even without the advanced bells and whistles of the R5, the R6 Mark III is exceptional at both subject tracking and detection.

There were only a few rare occasions when the autofocus missed the mark. For example, a case in a relatively dimly-lit room where the camera failed to focus on my parents’ cat’s eyes. This subject, with his black coat, is notoriously difficult to photograph. Even specifically engaging the R6 MIII’s animal detection mode gave me a few examples where the camera focused on his ears or whiskers rather than his eyes.

Another extreme example was a moving human target in a low-light situation. Even with a high-contrast backlit scene the camera slightly missed the mark when shooting with a 20mm prime fully wide open at f/1.4.

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The R6 Mark III slightly forward-focused in this extreme low-light scene at f/1.4. (Image credit: Future / Alex Whitelock)Image 2 of 3

The camera ever-so-slightly missed focus on the cat's eye in this scene at f/2.8, instead focusing on the ear. (Image credit: Future / Alex Whitelock)Image 3 of 3

The camera still maintained an impressive hit rate, however. This is the next frame in the series and it's in focus. (Image credit: Future / Alex Whitelock)

Are these fair use cases? Well, certainly they are extreme situations where any camera would be tested. By most accounts, the R6 Mark III’s autofocus is still one of the best I’ve ever used on any camera.

We’re reaching a point now where all major camera brands have excellent out-of-the-box autofocus performance on reasonably priced bodies, but Canon does still have a few unique tricks. The Registered People Priority mode, for example, is the closest thing to a 'killer-app' I've seen on an enthusiast-level camera.

As a brief overview, this feature allows you to map autofocus tracking to specific faces, with the idea that the camera will prioritize them even in crowded scenarios. If you have a reference shot like a group headshot, then the camera detects and allows you to pick a specific face via the RPP mode.

During my testing, I didn't have a scenario where I could really stress-test this feature with large groups. In small groups of two to three people, however, the tracking was reliable. Overall, the Registered People Priority mode definitely has the potential to be a useful feature for certain scenarios, like event or wedding photography.

Canon EOS R6 Mark III video modes

Aspect / Mode

Dimensions

Frame rates

3:2 / 7K RAW

6960 x 4640

30, 25, 24, 23.98

3:2 / 7K Compressed

6912 x 4608

30, 25, 24, 23.98

1.89:1 / 7K

6960 x 3672

60, 50, 48, 30, 25, 24, 23.98

1.89:1 / DCI 4K

4096 x 2160

120, 100, 60, 50, 48, 30, 25, 24, 23.98

1.89:1 / DCI 2K

2048 x 1080

180, 150, 120, 100, 60, 50, 48, 30, 25, 24, 23.98

16:9 / UHD 4K

3840 x 2160

120, 100, 60, 50, 48, 30, 25, 24, 23.98

16:9 / Full HD

1920 x 1080

180, 150, 120, 100, 60, 50, 48, 30, 25, 24, 23.98

In terms of video, the R6 Mark III features an impressive array of recording options. There's not only the option for oversampled 4K up to 120p, but 7K footage at 30p ‘open-gate’ on the camera’s native 3:2 aspect ratio. For maximum post-production flexibility, there’s the option to shoot in Canon’s proprietary Cinema Raw format or the brand’s Clog 2 or Clog 3 profiles.

If all these features look familiar, it’s because the R6 Mark III shares the same sensor and bones as the Canon EOS C50. Unlike its video-centric sibling, however, the R6 doesn’t feature an in-built fan, so you will face restricted recording times for the heavier open-gate and 7K capture modes. That's also a key advantage of the rival Panasonic S1 II, alongside support for 120p at 4K.

One other upgrade for the Mark III is the camera’s overall burst-rate performance. While the camera lacks the Action Priority autofocus mode from the higher-end Canon bodies, it manages to retain the 12fps mechanical / 40fps e-shutter burst rates from the previous model despite the significant jump in resolution. You’ve still got the helpful inclusion of pre-burst capture here, but unlike the Mark II, the III doesn’t feature a standalone “Raw Burst mode” to enable it. It’s instead now integrated into the standard drive mode menu.

• Performance score: 5/5

Canon EOS R6 Mark III: Image quality

• 33MP resolution (up from 24MP)
• Pleasing, warm colors
• Sharp video with flexible profiles

The Canon R6 Mark III is somewhat unusual in its peer group in that its sensor is neither back-side-illuminated nor ‘stacked’ like rivals from Sony or Nikon. It's an interesting distinction because rivals have long trumpeted the various advantages of these additions in a world where sensor development has seemingly slowed in recent years.

On paper, a stacked sensor does enable faster readout speeds, whereas a back-side-illuminated sensor should, in theory, give you cleaner images at high ISO. Recent testing has even proven that the Sony A7 V and Panasonic S1 II have slightly better ISO invariance than the Canon R6 Mark III thanks to dual-gain readouts.

So, does the Mark III lag behind the competition in terms of image quality? I'd have a hard time believing so. Based on real-world testing, I've found the camera to produce consistently excellent stills.

Out in the wild, I imagine the differences between all of these cameras is likely to be so minimal that you'd almost certainly not notice outside of incredibly niche use cases. It certainly shouldn't be the main deciding factor behind these cameras; ergonomics, video features, and available lenses are all much more important.

Image 1 of 4

Original shot, RAW, shot with the RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 2 of 4

Same scene, shadows lifted to taste in Adobe Lightroom (Image credit: Future / Alex Whitelock)Image 3 of 4

Another RAW example taken with the same 24-70mm f/2.8 lens (Image credit: Future / Alex Whitelock)Image 4 of 4

Same scene, shadows lifted to taste in Adobe Lightroom (Image credit: Future / Alex Whitelock)

In terms of dynamic range, for example, you have heaps to work with here. Despite the significant increase in resolution from the previous iteration, the R6 Mark III produces lovely, clean RAW files (and even JPEGs) with ample headroom.

On several test shots, I was able to salvage significant details from a scene without much color cast or noise. Zooming in, noise is certainly still present, but it's relatively well controlled and very much in line with other modern full-frame bodies.

In low light the R6 Mark III handles exceptionally well, too. I shot a few hundred images in a local indoor amusement park that features a host of strobe and fluorescent lighting. It's the kind of environment that not only tests autofocus to the extreme, but often results in strange colors that are a nightmare to post-process.

When I pull up the files from the R6 Mark III, colors are well captured, even at ISO 10,000 and over. The first example in the gallery below was shot at that ISO, and the colors are absolutely spot-on for the scene, despite there being noise present in some of the shadows. Again, the R6 Mark III is an extremely capable stills camera in real-world testing.

Image 1 of 6

RAW sample shot, ISO 10,000, taken with RF 20mm f/1.4 (Image credit: Future / Alex Whitelock)Image 2 of 6

RAW sample shot, ISO 1,250, taken with RF 20mm f/1.4 (Image credit: Future / Alex Whitelock)Image 3 of 6

RAW sample shot, ISO 320, taken with RF 20mm f/1.4 (Image credit: Future / Alex Whitelock)Image 4 of 6

RAW sample shot, ISO 640, taken with RF 20mm f/1.4 (Image credit: Future / Alex Whitelock)Image 5 of 6

RAW sample shot, ISO 200, taken with RF 20mm f/1.4 (Image credit: Future / Alex Whitelock)Image 6 of 6

RAW sample shot, ISO 1,600, taken with RF 20mm f/1.4 (Image credit: Future / Alex Whitelock)

Briefly touching on resolution; the upgrade from 24MP to 33MP does give you a nice bump in cropping potential without resulting in massive file sizes. Arguably, 24MP is still more than enough for most use cases, but 33MP is definitely a 'nice to have'. I certainly appreciated the little bit extra when cropping all the sample images on this page from the camera's native 3:2 to a web-friendly 16:9 format.

Colors are gorgeous, too. Even with RAW files, the images have a pleasing warmth to them without being overbearing. Skin tones look great straight from the camera, and in all cases, the files were great to work on in Adobe Lightroom.

In the gallery below, you can see a selection of RAW files. The opening shots are tweaked in Lightroom to my own tastes, whereas the following portrait shots show you both RAW files and a few of the camera's built-in JPEG profiles.

Image 1 of 10

RAW edited to taste in Lightroom, taken with RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 2 of 10

RAW edited to taste in Lightroom, taken with RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 3 of 10

RAW edited to taste in Lightroom, taken with RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 4 of 10

RAW edited to taste in Lightroom, taken with RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 5 of 10

RAW edited to taste in Lightroom, taken with RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 6 of 10

RAW edited to taste in Lightroom, taken with RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 7 of 10

RAW edited to taste in Lightroom, taken with RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 8 of 10

An example of a RAW file from a studio scene, taken with the RF 24-70mm f/2.8 (Image credit: Future / Alex Whitelock)Image 9 of 10

An example of a RAW file, next to the camera's 'Vivid' and 'Warm' JPEG profiles (Image credit: Future / Alex Whitelock)Image 10 of 10

Examples of the camera's black-and-white, 'Vivid', and 'Warm' JPEG profiles (Image credit: Future / Alex Whitelock)

For video, you have a flexible set-up thanks to the R6 Mark III's myriad record modes and support for Clog2 and Clog3 formats. Of the two, the former gets you a flatter image with the most dynamic range possible for color grading, while the latter offers a more saturated and clean image for quick and easy editing. In either case, you can upload your own LUTs to the camera, and white balance can also be set in video mode, which was a common annoyance with the previous model.

As you'd imagine with a body that shares the same sensor as the Canon EOS C50, the R6 Mark III captures excellent footage. In my testing, I mostly used Canon's proprietary Canon 709 standard color profile (non-flattened), and the 4K footage in particular was fantastic. Colors were rich but true-to-life, the image was detailed, and there was plenty of dynamic range.

For an easy video workflow, there is very little to fault the R6 Mark III on. Even if you're a video-heavy hybrid shooter, don't overlook the Mark III in favor of the C50. You get a great video toolkit here with the added benefit of image stabilization and a mechanical shutter for stills.

• Image quality score: 4.5/5

Canon EOS R6 Mark III: testing scorecard Canon EOS R6 Mark III

Attributes

Notes

Rating

Price

The R6 Mark III is well priced considering the level of performance. That said, it is pricier than the previous iteration, and it sits within a competitive field.

4/5

Design

The R6 Mark III is almost identical to the previous iteration. It's a super design, however, with fantastic ergonomics and customization.

5/5

Performance

Autofocus is superb for both stills and video. IBIS works admirably. Registered People Priority is a genuinely useful feature.

5/5

Image quality

Great straight-out-of-camera files for both stills and video. Flexible RAWs, and a huge array of video formats for both casual and professional use.

4.5/5

Should I buy the Canon EOS R6 Mark III?Buy it if...

You're already invested in the Canon RF mount

Those already invested in the eco-system will absolutely love the R6 Mark III. It sits in a competitive field, but if you already have plenty of RF glass, then you're getting a lot of camera for your money here.View Deal

You shoot stills, with a bit of video

The Canon R6 Mark III is perfect if you're primarily a photographer but also need an easy video workflow. You get everything you need here for excellent results.View Deal

Don't buy it if...

You need advanced video options

With that said, if you're primarily a videographer, you may want to consider the Canon EOS R50 or Panasonic S1 II. Both include longer recording times thanks to internal fans. View Deal

You're on a budget

If you need a powerful hybrid camera but want to save some cash, there are strong rival options right now. The Nikon Z6 III, for example, undercuts the R6 Mark III on price. Even the older R6 Mark II is still available and offers a viable alternative without the newer bells and whistles.View Deal

Also consider Sony A7 V

As if on cue, Sony released the Alpha A7 V just one month after the R6 Mark III. In comparison, the A7 V is a little pricier than the R6 and doesn't have options for open gate video. It does, however, have a much more diverse lens ecosystem and innovative dual-gain ISO read-out thanks to its partially stacked sensor, which gives a slight edge in stills dynamic range.

Read our in-depth Sony A7 V review

Nikon Z6 III

Nikon's all-rounder, the Z6 III also features a partially stacked sensor, but with a resolution of just 24MP. That said, video recording is up to 6K 60p, and the Z6 III is blazing fast, also being supported by powerful in-body image stabilization. Launched in July 2024, it has come down in price and can be had for much less than the Canon EOS R6 Mark III.

Read our in-depth Nikon Z6 III review

How I tested the Canon EOS R6 Mark III

• I tested a full production model
• I used several lenses, including the RF 24-105mm f/4 kit lens
• Samples were shot in a diverse range of environments, including low light
• Subject detection was tested using real-world situations

Canon loaned me the R6 Mark III alongside the R8, R6 Mark II, and several lenses for an extensive three-week period. In that time, I was fully able to test the camera in a range of scenarios for both stills and video.

As an overview, the lenses used include the RF 20mm f/1.4, the RF 85mm f/1.4, the RF 24-70mm f/2.8L, and the RF 24-105mm f/4 - the latter of which is available as a kit lens for the R6 III. All of the above image samples on this page were taken with these lenses in various scenarios, including both mid-day and difficult low-light environments.

• First reviewed December 2025