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EAT C-Dur Concrete: two-minute review

‘EAT’ = ‘European Audio Team’. ‘C-Dur’ = ‘C-Major’ in German. ‘Concrete’ = ‘a blend of aggregates bound together by a hydraulic binder’. Put the three together and you’ve one of the most individual and dramatic-looking record players around, not to mention one of the more expensive.

The C-Dur Concrete has the technical foundations to back up the asking price, though. The turntable itself, its ‘C-Note’ aluminum/carbon fibre tonearm and its ‘Jo No.8’ high-output moving coil cartridge are all painstakingly engineered and work together harmoniously – and the result is a record player that, in the right system, is a pleasure to listen to in many respects.

It’s a staggeringly insightful device, for starters, even among the best turntables – no detail of a recording is too fine, too minor or too transient to elude it. It’s organized, too, able to describe a soundstage with complete confidence and make the spaces on it just as significant as the occurrences. Low-frequency control is absolute, so rhythmic expression is utterly convincing. And when it comes to big dynamic shifts, it is just as accomplished as it is with low-key harmonic variations.

A lack of outright scale undermines the C-Dur Concrete, though – it doesn’t sound especially big, and although it’s organized and controlled, the soundstage it generates is undeniably positioned between the speakers you’re listening to. And when you’re talking about this sort of money for a record player, this has to count as a fairly significant shortcoming.

(Image credit: Future) EAT C-Dur Concrete review: Price & release date

The EAT C-Dur Concrete is on sale now, and in the United Kingdom it costs £6,499. That’s the price for the turntable and its bespoke C-Tone tonearm – if you want to add the (recommended) Jo No.8 high-output moving coil cartridge (which is how this review is conducted), that price rises to £8,098. That’s because the cartridge costs £1,999 when purchased separately, or £1,599 if purchased at the same time as the turntable.

In America you’ll have to fork out around $7,499 for the turntable, plus an additional $2,495 for the cartridge – a discounted price for the pair is likely to be available, but there was nothing confirmed at the time of writing. No pricing is available for Australia as yet, but a quick look at today’s exchange rates suggests something like AU$12,999 plus AU$3,999 for the cartridge will be in order.

Not cheap, is it (he said helpfully)? And yet you’ve a stack of choice when it comes to alternatives. None of them is made of concrete, admittedly, but models from brands as credible as Linn, Pro-Ject and Rega (to name just three) are all available at comparable money.

(Image credit: Future) EAT C-Dur Concrete review: Features

• 33.3, 45 and 78rpm
• 254mm aluminum/carbon tonearm
• High output moving coil cartridge

Undeniably, some of the ‘pull’ of the C-Dur Concrete is, well, the concrete that’s used in its construction. But this is no mere design exercise, this is a deadly series turntable with the feature-set to back up the giddy asking price.

For instance, the chunky (5.2kg) platter is internally damped with a thermoplastic elastomer that offers both density and stability. A 900g aluminum sub-platter gives the platter even more isolation from the motor. The bearing block adds another 1.8kg to the overall weight and uses a polished stainless steel spindle to support an inverted ceramic ball that functions as the main bearing. This pairs with a Teflon plate for even greater rotational stability.

The drive system, meanwhile, isolates the motor in a steel ring positioned in the concrete chassis itself, enhancing the platter’s chances of stable and uniform rotation. It also reduces resonance transfer (already extremely low, thanks again to all that concrete). The motor has two areas for connection to a drive belt – and the turntable is supplied with two different belts, both of anti-static polished rubber.

The first is relatively broad and flat, sits on the upper part of the motor and allows for 33.3 and 45rpm. The other is a ‘string’ shape and fits over the motor’s lower portion – this is the belt you fit if you want the platter to turn at 78rpm.

The pre-fitted C-Note tonearm is, at 254mm, longer than the norm, is made from aluminum and carbon fiber for maximum rigidity, and is internally damped with silicon grease for as much resonance rejection as is realistically possible. It’s a unipivot design, which ought to guarantee its cardan bearing is never overloaded – and the bearing itself is designed to offer minimum resistance and maximum stability.

The over-engineering of the tonearm makes a lot more sense when you get a look at the cartridge it’s designed to support. The Jo No.8 high-output moving coil cartridge features a nude Shibata stylus on a boron cantilever, with high-end copper windings (which is the sort of specification the asking price demands) – but it’s the 19.2 x 25.1 x 28.3mm (HxWxD) dimensions that are most immediately striking. ‘Oversized’ only begins to describe it.

So this is incredibly well-specced and thought-out when it comes to the functional features of being an impressive turntable – but it's very much just a core turntable, so don't expect any 'modern' features such as Bluetooth connectivity or USB output here.

• Features score: 4 / 5

(Image credit: Future) EAT C-Dur Concrete review: Sound quality

• Remarkable insight and detail retrieval
• Organized, controlled and yet dynamic presentation
• Sounds rather small-scale and confined

The ‘pros’ are more numerous than the ‘cons’ where the sound of the C-Dur Concrete is concerned – but the ‘cons’ are significant, so we may as well start there before moving on to the many ways in which this is a straightforwardly admirable player.

The sound of the C-Dur Concrete is on the small side. Everything that happens, happens within the confines of the outer edges of the speakers you’re listening to – and consequently it’s never easy to shake the idea of a ‘point source’ of sound.

The outer edges of the cabinets of your speaker define the outer edges of the soundstage the EAT can create – in this respect it sounds unlike any price-comparable alternative, and not in a good way. It doesn’t matter if it’s a big ensemble (such as that involved in Miles Davis’ Concierto de Aranjuez) or just a voice and a guitar (like Nick Drake’s Parasite); the presentation is organized and controlled, but undeniably confined.

Get beyond this not-insignificant shortcoming, though, and the C-Dur Concrete is an extremely adept and accomplished device. Its facility with detail retrieval is approaching staggering – there isn’t a fleeting occurrence in a recording that’s too minor or too deep in the mix to evade it. And having teased out all these fine details, the C-Dur has absolutely no problem putting them into convincing context. Even if it’s the most transient harmonic variation in the strum of an acoustic guitar, this EAT turntable lets you know all about it.

The soundstage the turntable creates is believable, and it somehow manages to give elbow-room to every element of a recording even though the stage itself is nowhere near as expansive as it could (and should) be. Its tonality is carefully neutral, which allows the inherent sound of a recording to be expressed without any overt interference. And it balances the frequency range carefully, giving no undue prominence to any area.

Low-frequency information is robust and substantial, and is controlled with such certainty that rhythmic expression (often held up as one of the most obvious strengths of the vinyl format) is entirely natural. Midrange expression, too, is accomplished – the voice during I Kicked a Boy by The Sundays is intimate, immediate and direct. And the top of the frequency range has bite and brilliance in fairly equal measure, so treble sounds shine without threatening to become edgy or glassy.

Everything hangs together in an unforced and convincing manner – there’s a genuine sensation of singularity and unity to the C-Dur Concrete’s presentation that makes me want to reach for the dreaded word ‘musical’. And the spaces and silences in recordings are not only given their due emphasis, they’re as dark and as quiet as from any turntable I’ve ever heard. This inky backdrop from which sounds occur is one of the most gratifying things about this whole EAT listening experience.

• Sound quality score: 3.5 / 5

(Image credit: Future) EAT C-Dur Concrete review: Design

• 170 x 496 x 396mm (HxWxD)
• 32kg in weight
• Supported on three conical, height-adjustable, damped aluminum feet

If it’s a little visual drama you’re after, you’ve come to the right place. EAT will sell you a version of the C-Dur built of MDF and finished in black or plum for quite a lot less money than this – but once you’ve seen (and touched) this concrete version, it’s hard to resist from a design standpoint.

At 170 x 496 x 396mm (HxWxD) it’s fairly big, although not too big to be accommodated by a standard equipment rack. At 32kg with its platter in place, it’s heavier than the heaviest turntable you’ve ever encountered – and all of that weight is supported on a trio of pointed aluminium feet.

They’re ideal for isolating the deck from external vibration, and can help in getting the turntable absolutely level, but they concentrate the whole 32kg on to three tiny points, which means that an extremely robust and hard-wearing shelf is in order if the C-Dur Concrete isn’t just going to drive itself into the surface it’s standing on.

The standard of build and finish is, as seems only reasonable when you consider the asking price, basically impeccable. Any tiny flaws in the concrete (each plinth is unique, of course) only add to the character, and the tonearm feels as good (and as expensive) as it looks. Even the cartridge body – which is polished chestnut – offers a bit of pizzazz.

• Design score: 5 / 5

(Image credit: Future) EAT C-Dur Concrete review: Usability & setup

• Automatic speed change
• Semi-balanced five-pin DIN to RCA cable
• Optional (and cost-option) power supply upgrade

As with a lot of turntables, there’s a degree of fairly fiddly set-up required to get the EAT C-Dur Concrete ready for action. Unlike quite a few turntables, though, once you’ve been through the set-up process then operating the EAT is quite a painless process.

As usual, the counterweight and anti-skate setting need to be attended to. After that, though, it’s simply a question of fitting your preferred drive belt (which, let’s be honest, is going to be the broader of the two that lets you listen to 33.3 or 45rpm discs), connecting the semi-balanced five-pin DIN end of the cable to the deck and its left/right RCAs to your (pre)amplifier at the other, and plugging in the power adapter. Speed change is facilitated by two of the big buttons on the plinth – the other is used for putting the turntable into ‘standby’.

It’s worth mentioning that both the cable and the power supply can be upgraded. A fully balanced cable is (inevitably) a cost option (£175, or £499 for the silver alternative if you’re feeling super-flush), and EAT will also sell you a linear power supply (£1,349 if purchased individually, a trifling £1,079 if you buy it at the same time as the turntable).

EAT is confident the C-Dur Concrete’s AC generator, which uses the DC current from the power supply, generates an almost entirely clean AC signal for the motor – but if you want to make it as noiseless as possible then the linear power supply is what you need.

• Usability and setup score: 5 / 5

(Image credit: Future) EAT C-Dur Concrete review: Value

• Requires add-ons to reach full potential
• Not a class-leading performer for the price
• But it's hard to argue with its physical impact

I almost wrote that it’s impossible to put a price on an aesthetic as striking and individual as this, but demonstrably it’s not. In the context of the sound it makes, the C-Dur Concrete is far from the last word in value for money (and becomes less so if you take the company up on its offer of an upgraded power supply), but that’s not the same as saying it doesn’t sound splendid in many ways.

And if you find yourself smitten by the looks, the areas in which it’s not a class-leading performer might be easier to overlook – but with my hardest ‘consumer advice’ head on, it’s hard to make a watertight case for this turntable representing authentic value.

• Value score: 3 / 5

(Image credit: Future) Should I buy the EAT C-Dur Concrete? Buy it if…

You’re a fan of visual (as well as audio) excellence
Once you get up to this area of the market, there are a few turntables that offer a bit of visual drama – but none of them makes use of concrete…View Deal

You value sonic detail and insight above all else
Between them, the turntable, the C-Note tonearm and the Jo No.8 cartridge are capable of unearthing the finest of fine details and handing them over without fuss.View Deal

You have a system that justifies the outlay
Don’t imagine you’ll hear the C-Dur Concrete at its best unless its partnering amplification and speakers are equally capable (and, inevitably, equally pricey).View Deal

Don't buy it if…

You’re expecting appreciable scale of sound
For all its many talents, the C-Dur Concrete is far from the most expansive-sounding turntable around.View Deal

You don't like having to pay more to complete the set
Paying big money for a cartridge is fair enough, but at this price, the EAT really should come with its optimum connection incuded and power-cable options as standard.View Deal

Your shelves are of soft (or even soft-ish) wood
32kg balanced on three tiny pointy points will damage a soft-ish shelf almost immediately.View Deal

EAT C-Dur Concrete review: Also consider

Rega Planar 10
The more money you spend on a Rega turntable, the less it seems to buy you – but never doubt that it’s buying remarkable audio fidelity. The Planar 10 (£7,395 with RB3000 tonearm and Alpheta 3 cartridge) is entirely lacking when it comes to visual drama, but most certainly has it where sound quality is concerned. It’s an open, revealing, wide-screen listen with an absolute stack of pertinent observations to make about both your recordings and the vinyl on which they are pressed. Unless you want your record player to be interesting even when it’s not working, the Planar 10 absolutely demands your attention if this is your budget range.View Deal

How I tested EAT C-Dur Concrete

I listened to the C-Dur Concrete for well over a week, with a variety of music on vinyl in a variety of conditions. It was positioned on the top shelf of my Blok Stax 2G equipment rack (which is how I know the weight of the turntable can damage wooden shelves), and connected via its supplied semi-balanced cable to a Chord Huei phono stage, which it turn was connected to a Naim Uniti Star acting as a volume control and pre-amplifier.

The Naim was connected to a Cambridge Audio Edge W stereo power amplifier, which drove a pair of Bowers & Wilkins 705 S3 Signature loudspeakers on their bespoke FS-600 S3 stands.

• First reviewed: February 2025
• Read TechRadar's reviews guarantee

Chile is the world's second-largest lithium producer. It has been a welcome boon to the economy, but local community members consider it a disaster.

(Image credit: Cristóbal Olivares for NPR)

The Yaber K3 is a budget smart projector that offers 1080p resolution, 1600 ANSI lumens brightness and built-in access to streaming services such as Netflix and Disney Plus. While it delivers good sound and a Google TV smart interface for cheap, its picture quality is inconsistent and there are several other issues with it as well.

A smart projector such as the Yaber K3 for $599 / £569 is a tempting prospect, especially when it can light up 40-200-inch screens. And while it’s not as well featured as the best projectors, built-in Wi-Fi and decent built-in speakers are hard to find at this price range. But some of the K3’s other main features such as its auto keystone correction and processing are sluggish and often frustrating to use. Gamers will also be better off looking elsewhere.

The K3’s picture quality is a very mixed bag. It displays natural colors and solid enough detail at times and puts in a decent showing with sports. But contrast is weak and black levels are washed out. The K3’s picture quality was never going to compete with the best 4K projectors, but even compared with some of the best portable projectors, such as the Samsung Freestyle Gen 2, the K3’s picture struggles.

Where the K3 excels is its sound, as the built-in JBL speakers are punchy and powerful, especially at this budget price range. While one of the best soundbars is still recommended, some won’t find the need to add one, especially for casual viewing.

Fundamentally, the Yaber K3 is for those who are looking for a smart projector at an affordable price for the occasional movie night. While it packs as much as it can into its budget-friendly frame, it’s not quite the bargain budget gem it could have been.

Yaber K3 projector review: Price & release date

The Yaber K3 has natural enough colors but they appear washed out in some instances (Image credit: Future)

• Price: $599 / £569 (roughly AU$942)
• First available: September 2024

The Yaber K3 is a 1080p smart projector that follows on from Yaber’s K2 series. The K3 is priced at $599 / £569 (roughly AU$942 with direct exchange), putting it at the budget end of the projector spectrum in direct competition with portable projectors such as the Samsung Freestyle Gen 2 (also a 1080p smart projector) which has a standard price of $749 / £649.

Since its release in September 2024, there have been some discounts on the Yaber K3, with prices falling to $499 / £465 during sales events. This is similar to the discounts the Samsung Freestyle receives, as it’s regularly priced at $549 / £499 during sales events.

Yaber K3 projector review: Specs Yaber K3 projector review: Design & features

• 1600 ANSI lumens
• Google TV smart interface
• Nice fabric grill but bulky elsewhere

The Yaber K3 offers access to smart features and streaming via Google TV at a budget price (Image credit: Future)

The Yaber K3’s fabric front grill gives it a slightly more premium appearance than its budget price would suggest, but elsewhere it appears a little plain and oddly bulky looking. It measures 11.4 x 12.7 x 6.1 inches (290 x 3232 x 154mm) and requires a mains power supply with no battery options. There’s also a noticeable amount of fan noise after extended viewing periods.

The K3 has a specified 1080p resolution and 1600 ANSI lumens brightness. It has a 1.2:1 throw ratio and fits screens from 40-200 inches. Auto and manual keystone adjustment and object detection count among its features, but I generally found that auto keystone was frustrating and often didn’t calibrate correctly to the Optoma 80-inch portable screen I was using for my tests. Manual keystone correction can only be done via the Yaber homepage and not while watching content – another aspect I found frustrating.

Despite its budget price, it uses Google TV as a smart TV interface. This provides access to some of the best streaming services including Netflix, Prime Video and Disney Plus. For connections, it has two HDMI ports, one USB-A port, a 3.5mm audio output and Bluetooth wireless.

The K3 has a surprisingly robust built-in speaker system for such a budget projector, with dual 15W JBL speakers totaling 30W of power.

No gaming features are included on the K3. For those looking for a gaming projector, you’re better off with something like the BenQ X300G.

• Design & features: 3/5

Yaber K3 projector review: Picture & sound quality

The Yaber K3 displays details well on occasion, but textures and contrast are often inconsistent and unbalanced (Image credit: Future)

• Inconsistent picture quality
• Decent enough colors
• Surprisingly punchy sound

For my testing, I used an Optoma 80-inch, 1.0 gain matte white projection screen. I first began by taking brightness measurements using a colorimeter, and the K3 yielded results of 109 nits and 93 nits in Standard and Natural picture modes respectively, putting it above 4K portable projectors such as the LG CineBeam Q (which yielded 60 nits in Filmmaker Mode).

Moving on to critical viewing, I first looked at an HD stream of Star Wars: The Last Jedi on Disney Plus, focusing on the throne room fight scene. Colors were natural enough, but they lacked any sort of dynamic punch. Characters’ skin tones also appeared washed out, even in the most accurate Natural picture mode (though there wasn’t a great deal of difference between the various picture modes). The same was true for La La Land on Blu-ray, which showed natural colors but also inaccurate textures, although in some scenes details were more refined than I’d anticipated.

Next, I watched a Blu-ray of The Batman to test black levels and contrast. While mostly acceptable, I found some scenes difficult to watch due to limited brightness (namely the opening crime scene investigation) even in blacked-out viewing conditions. In brighter scenes, details were clear and accurate enough, but there was a gray wash over the screen and textures still appeared fuzzy.

One area where the K3 did well was with sports. Watching soccer matches in Sports mode, the action was smooth and accurate enough that the games were watchable, though it won’t beat more premium projectors.

While the K3’s picture is average, its built-in sound is surprisingly good. Equipped with a JBL speaker system totaling 30W of power, the K3's sound is punchy, detailed and clear. Watching the Batmobile chase sequence in The Batman, the sound of swerving cars was accurately presented, with a strong sense of direction. The rumble of the Batmobile’s engine had a hefty amount of bass and plenty of power, especially for small built-in projector speakers.

Even La La Land’s dynamic, jazzy score was presented with real clarity, with a good balance between the horns, strings and vocals throughout. While the JBL speaker’s soundstage is limited by its size, it’s still surprisingly effective for a built-in speaker at this price range.

• Picture and sound quality: 3/5

Yaber K3 projector review: Value

The Yaber K3's remote is cheap-feeling but has the buttons you need (Image credit: Future)

• Smart projector for a budget price
• Cheaper than most portable projectors
• Overall performance is frustrating

The $599 / £569 Yaber K3 is good value for those looking for an affordable projector that provides access to streaming services via the Google TV smart platform. It isn’t going to beat more premium projectors and may even struggle against some of the best portable projectors, but for those looking for a casual projector, the K3 is a budget-friendly option.

Unfortunately, shortcomings in the K3’s picture quality and some frustrations with setup such as keystone correction hold it back from being a budget gem. You’ll have to make some sacrifices, particularly with sound, on other portable projectors such as the Samsung Freestyle Gen 2, but the Freestyle is likely to give you a more consistent experience for a similar price.

• Value score: 3.5/5

Should I buy the Yaber K3 projector?

Black levels are one of the K3's weakest areas, with pictures appearing washed out at most times (Image credit: Future) Buy it if...

You want a smart projector for cheap
If you're looking for a projector with access to streaming services like Netflix but don't want to break the bank, the Yaber K3 ticks the boxes. View Deal

You want a projector with solid built-in sound
Yes, the K3's JBL speaker system isn't going to beat a soundbar, but at this price, it does a pretty good job.View Deal

Don't buy it if...

You want a consistent picture
Brightness and colors are OK on the K3, but its contrast, textures, detail and motion handling are all inconsistent, with not many ways to tweak or improve things.View Deal

You want a hassle-free setup
In my testing, I found both auto and manual keystone adjustments to be frustrating and time-consuming. View Deal

Also consider

Samsung Freestyle Gen 2
The Samsung Freestyle may not be as bright and its sound isn't as good as the Yaber K3s sound, but its interface is more responsive and its overall picture quality is superior. Although pricier normally, the Freestyle Gen 2 is frequently on sale. Read our full Samsung Freestyle Gen 2 projector review.

Xgimi MoGo 3 Pro
The MoGo 3 Pro is a budget, portable HD projector that's cheaper than the K3 and it offers HDR support and good picture quality. But the K3 takes the crown when it comes to sound. Read our full Xgimi MoGo 3 Pro review.

LG CineBeam Q
Pricier than the K3, the LG CineBeam Q offers 4K resolution in a compact, stylish portable design. Its interface is also more responsive. The K3 may have better sound, but it pales in comparison in all other areas. Read our full LG CineBeam Q review.

How I tested the Yaber K3 projector

(Image credit: Future)

• Tested with an Optoma 1.0 gain, matte white 80-inch screen
• Tested using Blu-ray, streaming sources
• Measurements taken using Portrait Displays' Calman calibration software

To test the Yaber K3 projector, I first used high definition and standard definition sources including Blu-ray and streaming. I tested the K3's picture quality, analyzing color, contrast, black levels, detail and motion. I also evaluated its built-in JBL sound using the same reference scenes from movies and TV shows.

I used a colorimeter, test pattern generator and Portrait Displays' Calman color calibration software to record measurements for brightness, contrast ratio and color and grayscale accuracy.

The projector was primarily tested in pitch-black conditions in our testing room at TechRadar and also in full ambient light settings to see how it handled brighter viewing environments.

• First reviewed: February 2025
• Read TechRadar's review guarantee

It's a potentially pivotal match in the title race at the Etihad.

It's the last part of Akira Toriyama's final creation.

NEO S Purple Wave 5-Fret Fortnite Festival Edition: One-minute review

The NEO S Purple Wave 5-Fret Fortnite Festival Edition is a brand-new variant of CRKD’s Neo S controller. Functionally, the controller is the exact same as the regular one, but this specific variant comes bundled with a 5-fret attachment designed for Fortnite Festival and other rhythm games like Guitar Hero and Rock Band.

The fret attachment slots into the bottom of the controller via the headphone jack, and from there it’s good to go. The obvious comparison is that of the Guitar Hero: On Tour series of games, which featured a similar attachment for the Nintendo DS. However, the issues that plagued that release over a decade and a half ago still persist here.

The fret buttons are small with very little spacing in comparison to a regular guitar controller, and holding the controller in the guitar form can become quite uncomfortable – especially with bigger hands. I’ve tested the NEO S Purple Wave 5-Fret for three months or so now and found it difficult to play for over a couple of hours.

The biggest issue is that there’s no good way to strum in guitar-led rhythm games. The default option is to tap the RB button, which is useless when you have to strum in quick succession; meanwhile, mapping it to the stick works slightly better, but it’s still no substitute. If you’re looking for a way to play rhythm games casually, then it’s more than serviceable. But anyone looking to seriously delve into the genre is better off looking for a more suitable controller like the PDP Riffmaster.

The controller features an Xbox layout and has Bluetooth connectivity, making it great for the PC. However, it doesn’t connect to Xbox consoles (although this is promised in a future update). It does connect to the Nintendo Switch – but it’s awkward to play due to the buttons being swapped around from the usual Nintendo layout.

(Image credit: Future) NEO S Purple Wave 5-Fret Fortnite Festival Edition: Price and availability

• List price: $59.99 / £59.99 / AU$119.95
• Available in the US via the CRKD website
• Available in the UK via Argos and Amazon

The NEO S Purple Wave 5-Fret Fortnite Festival Edition launched back in November 2024 and costs $59.99 / £59.99 / AU$119.95 – making it $10 / £10 / AU$20 more expensive than the regular NEO S controller. However, it’s currently the only way to get the five-fret attachment for the controller. It’s compatible with Nintendo Switch, PC, smart TVs, and mobile devices at the moment, with Xbox support promised to arrive later down the line.

NEO S Purple Wave 5-Fret Fortnite Festival Edition: Specs NEO S Purple Wave 5-Fret Fortnite Festival Edition: Design and features

• Guitar attachment designed for rhythm gaming
• Bespoke Fortnite Festival design inspired by the game
• Programmable back buttons and fret buttons

One of the Neo S controller’s main gimmicks is the litany of custom designs available, such as one inspired by the Nintendo Famicom color scheme, 90’s-style translucent variants, and collabs with the likes of Rocket League and Hellboy.

The Fortnite Festival edition is a purple variant with a wavy design that features different shades of purple, while the d-pad, shoulder, and back buttons are bright pink. Meanwhile, the back of the controller is a solid purple shell. It’s a lovely-looking controller until you notice the gaudy Fortnite Festival logo slap-bang in the middle. A more subtle Fortnite design or emblem would’ve been preferable.

This design isn’t extended to the guitar attachment, which is also just a solid purple – although the lighter pink does appear at the fringe of each button. When the attachment isn’t on the controller, it does feel a bit flimsy, like the plastic could snap very easily.

This doesn’t help when getting it onto the controller can feel quite fiddly. You need to pop it on at an angle before pushing the top into the ridges, but lining the bottom up can be a bit cumbersome. This attachment comes with a Velcro strap, which you pop in between the controller and guitar, making it easier to hold like a standard guitar neck.

(Image credit: Future)

The Guitar attachment features five buttons to emulate the classic Guitar Hero formula; these buttons are automatically mapped to the buttons used for each lane in Fortnite Festival.

The controller comes with three modes: one for Easy, Medium, and Hard modes in-game, another for Expert, and another for Pro mode (which is the one designed for guitar controllers). You can swap through all three of these modes by holding down all five frets, with the LED on the attachment changing color to represent another mode. You can also rebind these buttons to be used in regular games, although the position of them may not make this the most optimal.

Unfortunately, I found the NEO S Fortnite Festival Edition quite uncomfortable to hold after long sessions – more so than the discomfort of a regular guitar controller. However, it’s far more comfortable in wireless mode, as the USB-C port at the top of the controller gets in the way otherwise.

NEO S Purple Wave 5-Fret Fortnite Festival Edition: Performance

• Solid battery life
• Easy to set up
• Custom button mapping requires using a mobile app

The NEO S works straight out of the box with a USB-C cable connection to PC, or by holding the CRKD button and left on the d-pad to enable Bluetooth connection for PC or mobile. For the Nintendo Switch, it’s as simple as holding the CRKD button while on the controller connect screen. The NEO S Fortnite Festival Edition’s battery life lasted around eight hours from my testing. I didn’t notice much difference in battery drain when using the guitar attachment.

The controller is fully remappable; however, if you’re looking to remap the buttons, you’ll need to do so in the CRKD app. This extends to the Guitar attachment too, which can be mapped to any button on the controller and works even outside of Fortnite Festival. However, there’s no way to actually select and enter a song in Fortnite Festival without using the regular controller.

(Image credit: Future)

The default mapping for the strum bar is the bumper buttons, which is fine for casual play, but the issues become apparent once you’re faced with fast-moving songs like Metallica’s Battery. While a strum bar would allow you to alternate directions for faster moments, tapping one button makes this tiresome, or near-impossible in some cases. You can remap the control stick to work as a strum bar, which feels like the ideal solution, however, I couldn’t get this to work in Fortnite, but it does work in fan games like Clone Hero.

CRKD was founded by former RedOctane staff – who created the original Guitar Hero controllers – meaning that these buttons feel in line with the original series (namely the DS Guitar Grip). However, if you want to play this style of music game seriously, I’d recommend investing in a proper guitar controller.

Should I buy the NEO S Purple Wave 5-Fret Fortnite Festival Edition?

(Image credit: Future) Buy it if...

You want a way to play Fortnite Festival Pro Mode or other guitar games
At the end of the day this controller is made with this in mind. It works for playing these modes casually and allows players the chance to experience the classic genre without forking out a lot for a guitar controller.

You’re getting a NEO S and like Fortnite Festival
For only $10 / £10 / AU$20 more I don’t see much reason not to pick this version up compared to the regular NEO S if you have even a passing interest in Fortnite Festival. Considering this is the only way to get the guitar attachment currently, I’d say it’s worth the upgrade.

Don't buy it if...

You plan on playing guitar games seriously
While it’s definitely possible for someone to tear it up with the NEO S Fortnite Festival Edition, the setbacks make this hard. If you were playing the likes of Metallica or Slayer on Guitar Hero, I’d invest in a regular guitar controller.

You have big hands or fingers
The NEO S is quite snug as a controller and the guitar attachment follows that form. The buttons on the guitar attachment do the job, but are very small and don’t have much space between them, making it easy to double-fret.

Also consider...

Still not sold on the CKRD NEO S Purple Wave 5-Fret Fortnite Festival Edition? Here’s how it compares to the other Guitar Controller on the market and a more regular pad for reference.

PDP Riffmaster
This is a great alternative because the PDP Riffmaster is the only proper guitar controller on sale right now. PDP was responsible for the last batch of Rock Band 4 guitars, so these are almost exactly alike.

For more information, check out our full PDP Riffmaster review

GameSir Nova
If you’re looking for a good Nintendo Switch and PC controller with stats comparable to the NEO S at a cheaper price point then the GameSir Nova may be up your alley. However, this obviously doesn’t support the Fortnite Festival guitar controller addon, but you are still able to play the mode with a regular controller!

For more information, check out our full GameSir Nova review

How I tested the NEO S Purple Wave 5-Fret Fortnite Festival Edition

• Tested for around 15-20 hours
• Used it to play Fortnite Festival and Clone Hero on PC
• Used it as a regular controller on Nintendo Switch

I’ve been using the NEO S Purple Wave 5-Fret Fortnite Festival Edition on PC and Nintendo Switch since mid-December 2024 (so just under two months). During this time I’ve played a bunch of Fortnite Festival, but my true love affair has been with Clone Hero. I tested the controller in a variety of different musical situations: acoustic tunes that rely on strumming patterns with multiple notes, thrash tunes that require a ton of fast-paced strumming, and songs with wailing guitar solos (yes, I did play Free Bird).

In my experience, it worked best in slower songs and songs with a lot of hammer-ons and pull-offs due to my issue with the strum bar. The highlight of this experience was playing a custom chart of the full Flood album by They Might Be Giants, which featured a lot of piano (among other instruments) charted to Guitar Hero’s clear notes, which didn’t require me to strum.

Read more about how we test

First reviewed February 2025

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