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The National Videogame Museum has acquired the oldest Nintendo PlayStation hardware prototype that exists.

It’s been a while since I last reviewed Adobe Lightroom, and as always with Adobe, many features have been added and a host of others have been improved, so let’s take a look at Lightroom 9.2 and see what it’s all about.

But before we do, I need to point out that there are two versions of Lightroom: Lightroom, and Lightroom Classic.

Lightroom is a simpler, more user friendly version, whereas Classic is aimed at the professional user or someone demanding a higher degree of control, who prefers to store their media on their local hard drives. I’ll be primarily covering the Classic side of things here.

Adobe Lightroom Classic: Pricing & plans

• Three subscription options
• No perpetual license
• Additional AI credits available

As with most of Adobe's professional software, Lightroom Classic is subscription-only - and here, there are three options available.

Grab Adobe’s entire portfolio with Creative Cloud Pro for US$70 a month. Alongside Lightroom, this unlocks other popular apps such as Photoshop, Illustrator, Premiere Pro, After Effects, the works.

For a less expensive, photo-focused subscription plan, there's the Photography bundle. This brings together both versions of Lightroom as well as Photoshop for $20 a month. Alternatively, you could just limit yourself to Lightroom and Lightroom Classic for $12 a month.

These are monthly costs, based on a year-long contract. They also come with Generative Credits, from 250 a month for the cheapest option to 4,000 for the high end plan. Those credits don’t roll on: if you don’t use them in a month, they don’t get added to your next allotment the following month.

If you’re really into generative AI creation, Adobe has add-on plans to suit your appetite, from an additional 2,000 credits for $10 a month, to 50,000 for $200 a month.

• Pricing & plans: 3.5/5

Adobe Lightroom Classic: What is it?

(Image credit: Adobe // Future)

• Very well designed app
• Easy to organize, alter, and share your work

Let’s start with the basics: what is Lightroom Classic?

Quite simply, it has the dual purpose of storing and cataloging your photos, while also allowing you to make alterations to them and prepare them to share with others. Any change is non-destructive, so the original photos are never altered, and you can go back to the source to make additional tweaks without ever suffering from quality degradation.

I feel the interface is very well designed - and interacting with interfaces is what I do most of the time! You have seven different sections, all accessible through a large menu bar, top right. By default, you’re in ‘Library’, which is where you can see all the photos you’ve imported and worked on.

You can actually do a fair amount of work there, such as rotating an image, adding tags, a star rating, keywords, and even perform some light colour correction. But if you want to get fully immersed in image manipulation, then ‘Develop’ is the place to be.

This is where you get to apply in-depth colour correction, cropping, remove red-eye, correct for lens distortion, completely remove an object from a scene, and mask specific sections to fine tune which part of an image to alter - among many others. You’ll find the tools at your disposal are quite extensive.

But Lightroom Classic goes beyond that. You have the ‘Map’ section where you can see all the photos you took in a specific location (and alter a shot’s metadata should you need to), there’s a section dedicated to designing a ‘Book’, or creating a ‘Slideshow’, ‘Print’ selected photos, or upload them to the ‘Web’. Although, truth be told, this is something consumer software like Apple’s Photos offers too.

All in all, Lightroom Classic makes it easy to organise your shots, make them look their best with a wide range of tools, and share them in numerous ways. But what does its latest release bring to the table? Let’s find out.

• Score: 4.5/5

Adobe Lightroom Classic: What’s new?

(Image credit: Adobe // Future)

• New AI features can save time
• But I found results vary in quality
• And it’s not like you get your credits back if you’re not happy

While the general workflow remains unchanged from previous versions, the big new features are primarily AI-based. This will delight some, and send shivers down the backs of others.

The most useful application of AI is ‘Assisted Culling’. Currently in Beta (Adobe calls it ‘Early Access’), it’s designed to accelerate the photo selection process upon import, by automatically filtering out blurry, closed-eye, misfired images, and more. You’re given a few sliders to determine the intensity of the cull, and can choose which options to filter for. After a few seconds (depending on how many images you’re importing and your computer’s capabilities), the results are ready to be reviewed.

I found the process works very well, identifying with ease any issues it’s designed to look for, and if it made a mistake, you can alter the decision shot by shot. This makes looking through a series of very similar photos a much quicker process (and if you don’t like a machine doing that kind of work for you, you can always disable the feature). As an added bonus, this AI tool is free… Unlike Lightroom Classic’s new ‘Generate using Firefly’ options.

(Image credit: Adobe // Future)

Now why would we want Generative AI in Lightroom? Well, if you’re not well-versed in Photoshop, then it’s a quick way for somewhat clever algorithms to perform relatively complex actions for you… but I admit having a few issues with such technology.

As an example, I asked AI to colorize a black and white photo of my brother and I when I was just a baby. It should’ve been a simple process, and indeed the colours used do look good. However, it added an object on top of a chest of drawers, and changed my brother’s face. In another shot, it cleaned up a tray. Although I can appreciate the virtual maid having tidied up, it’s not what I had asked for. Plus if you’re not satisfied, you don’t get your generated credits back.

To be fair, other results were better, and Firefly didn’t alter the faces of other ancient family members of mine - even my great great grandmother was faithfully updated. The resolution of the resulting version can be set up to a maximum of 2K. Great for older images that have lower resolutions, but not so good for more modern shots.

If you have credits to burn, you can bring a photo to life by turning it into a video. I found this a bit disturbing, although others around me loved it. And it must be said, Firefly did an impressive job of bringing my long-gone relative to life (Dr Frankenstein would be proud).

• Score: 4/5

Adobe Lightroom Classic: Classic vs Lightroom

(Image credit: Adobe // Future)

• Lightroom is much simpler
• Generative Upscale tool is better than Classic’s gen AI features

Before finishing up, I wanted to quickly dip into the simpler Lightroom, as there’s a feature there that’s worth mentioning: ‘Generative Upscale’.

It’s worth mentioning as this AI-based upscaling isn’t actually done by Adobe but in partnership with Topaz Gigapixel instead, and unlike the Firefly option we explored above, you don’t leave Lightroom when using it, which is a definite plus.

The feature not only tells you how many credits you’ll need, but also how many you have left - a useful addition which is sorely missed in Classic’s Firefly. The downside though is, as with Firefly, you have no control over the process. You get what you get, whether you’re happy with it or not.

Overall, Lightroom Classic is a very good image management and manipulation tool, and its new AI-based additions will no doubt please some, but aside from the useful Assisted Culling feature, you have next to no control over the output of AI.

• Score: 4/5

Should I buy?

Buy it if...

You’re looking for a high-end, easy to use and feature rich image management tool, and appreciate the growing proliferation of AI tools within it.

Don't buy it if...

You don’t like subscriptions, and having more and more AI in your software irks you, not to mention that you have to pay extra for those tools.

We tested out the best photo editing PCs and the best laptops for photo editing and these are our top picks. 

Adobe’s Lightroom Classic is a powerful tool to catalog, review and edit your shots, and the latest version adds more AI tools to it, from the highly useful to the somewhat questionable. Let’s check out what’s new.

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Specs

Type: Thermal label printer

Connectivity: Bluetooth, USB

Max print speed: 72 labels/min

Max paper size: 4-inch

Print quality: 203 dpi

Apple AirPrint: no

Consumables included: 20 4x6-inch labels; 40 dual-color labels

Dimensions: 8.19 x 3.54 x 2.95 in / 208 x 90 x 75 mm (WxDxH)

Weight: 1.49 lbs / 676g

An inkless label printer that can print color? Well, sort of. Thermal printing works by heating special thermal media so there’s no ink, making it ideal for portable printing. The downside is it can only make black marks on thermal paper — until now.

Munbyn’s latest printer is compatible with dual-color thermal paper which adds either blue or red, but not not both. You have to choose between red/black or blue/black media, so it’s not like Hollywood discovering Technicolor, but dual-color labels are certainly more impactful and allow some cute creativity.

The other potential advantage of the Munbyn RealWriter 405B, is its readily replaceable printhead. With no ink cartridges to consider, and relatively few moving parts, this is probably the most cost effective way to print shipping labels, box stickers and price tags.

How does the RW405B compare to the best label printers? I took tested it out to see how it stacks up.

Munbyn RealWriter 405B: Design and build

(Image credit: Munbyn // Future)

This is a portable desktop label printer rather than a handheld, so it’s small enough to pack up and carry, but not in your pocket. Like the simpler Munbyn RealWriter 403B I reviewed, you feed paper through its intake rather than loading rolls of paper inside the printer.

But with this step-up model, you are getting the crucial roll dispenser that attaches to the printer. That doubles the footprint, although it’s still very easy to separate and store the whole assembly in a drawer whenever you want to clear your desk. It also has the advantage of ensuring your labels feed through smoothly so fewer are wasted through misalignment.

The smooth white and silver plastic looks good and feels sturdy enough when you lift the panel. Unlike the previous model, the printhead on this one unclips so you can clean or replace it more easily. There are just three buttons: paper feed, reverse feed and power.

Munbyn RealWriter 405B: Features & specifications

(Image credit: Munbyn // Future)

The Munbyn RealWriter 405B can print on a wide range of thermal media from large 6x4 inch panel labels down to one-inch round price tags. And now the list includes dual-color labels.

These look just like regular white stickers, but embedded in the white thermal paper is either blue dye or red dye, depending on which roll you choose. In other words, Munbyn’s color innovation has nothing to do with hardware and everything to do with software and paper. I expect the black and white Munbyn RealWriter 403B will be updated to dual-color compatibility at some point.

Auto-calibration is another key feature that allows this printer to line up each label with surprising accuracy. So long as you load the paper roll with some care to keep the feed straight rather than diagonal, the leading edge will always be automatically lined up just right. That’s an important point for a label printer without internally loaded paper.

With no display of its own, the Munbyn RealWriter 405B is best controlled by the free Munbyn Print app designed for MacOS, Windows, iOS or Android. I found the software quite convoluted, but with it you can design your own dual-color labels and choose from a wide selection of templates and graphic elements.

In the box with your printer and roll holder are some blank thermal media to get you started. These include 4x6-inch fan-fold labels, a standard size for parcel labels, and some red/black and blue/black 1-inch round stickers.

Munbyn RealWriter 405B: Setup and operation

(Image credit: Munbyn // Future)

This is a true plug and play device. With no ink to install or Wi-Fi to connect to, it’s a simple case of connecting the power cable, downloading the Munbyn Print app to your phone and connecting the two devices via Bluetooth.

The label holder is easy to assemble with its three plastic parts, so you probably won’t need the printed quick-start guide at all. It’s actually quite fun to use.

Munbyn RealWriter 405B: Performance

(Image credit: Munbyn // Future)

The Munbyn RealWriter 405B printed quickly and reliably throughout the test, with no misprints or jams. The image quality is very good for a thermal printer, which is to say that it’s nowhere near as sharp as an inkjet or laser, but it achieves a darker and more consistent imprint than a lot of inkless solutions. Munbyn’s claim of “crystal clear prints every time” is optimistic.

The 203dpi print resolution is pretty low, but it’s good enough to print readable bar codes and QR codes. There is a limit though. Print your postage label too small, as I did experimentally, and it won’t scan. Always print at the correct size and you may never again have to wait in line at the post office.

Black imprints appear nice and dark, on the whole, with the quality being on par with the Munbyn RealWriter 403B, but there are times when the thermal process leaves a less than bold black finish. Take a closer look at my test stickers to see what I mean.

Feed in some dual-color labels, and the advantage of the Munbyn RealWriter 405B is revealed. Adding red, or blue to the design can make your stickers way more impactful. With just these colors, you might be able to print your brand logo or highlight a keyword in a label.

On the downside, there are limitations to which design elements you can color and the dual-color paper itself lets some ghostly red or blue show through unintentionally, so it’s not perfect.

Munbyn RealWriter 405B: Consumables

(Image credit: Munbyn // Future)

With no ink to think about, your only consumables cost is the thermal paper. It comes in the form of rolls, or fan-folds, or stickers and naturally, thermal stickers are more expensive than regular ones.

And dual-color thermal stickers are more expensive again, but on the whole, ink is more expensive than paper, so thermal printing will usually work out as the more cost effective way of labelling. Munbyn suggests a figure of 3 cents per label.

The RealWriter 405B comes with some dual-color two-inch round stickers and some 6x4-inch labels in the box. When you come to buy more, you’ll discover a pretty broad range of compatible stickers in varying shapes and colors.

Munbyn RealWriter 405B: Maintenance

(Image credit: Munbyn // Future)

The only maintenance this little printer needs is an occasional wipe with a dry cloth along its print head to keep it clean. The print head detaches easily, which is good news as it’s the only component of a thermal printer that’s likely to need replacing. Munbyn says it should last around six times longer than rival printers and won’t need replacing for at least 970,000 labels.

Munbyn RealWriter 405B: Final verdictMunbyn // FutureMunbyn // FutureMunbyn // Future

There’s no denying the convenience of a dedicated label printer and this practical application of thermal print tech is a perfect example. For me, the Munbyn RealWriter 405B turned out crisp parcel labels that scanned reliably every time and made it possible to print a very wide range of stickers.

Could the accompanying Munbyn software be improved? Definitely. The app makes it possible to print all kinds of great stickers with plenty of graphic elements to play with - and now that includes red/blue dual-color designs too. I found the app unintuitive and frustrating, but for simply printing parcel labels or plain tags, it’s a pleasure to use.

As a reliable, low maintenance, and low cost labeller, the Munbyn RealWriter 405B is hard to beat.

For more, I've tested out the best home printers and the best small business printers.

Munbyn’s thermal printer now prints in color - kind of.

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(Image credit: Anthony Kwan)

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(Image credit: AP)

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