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KEF Coda W: Two-minute review

KEF, it seems, has identified a customer for whom its existing lineup of wireless stereo speaker systems is not absolutely perfect. This customer can live without network streaming, but would like to be able to listen to a turntable. They don’t need their system to work on a desktop, but they would like it to be available in a fairly wide choice of finishes. And so here’s the Coda W.

As well as the network streaming/phono stage trade-off and the ‘regular’ size of the cabinets compared to the dinky dimensions of some predecessors, the Coda W has cutting-edge Bluetooth connectivity (the aptX Lossless codec is supported), an HDMI eARC input and properly hi-res functionality via its digital optical and USB-C inputs. Four discreet modules of Class D amplification power the 12th generation of the company’s Uni-Q driver array – 30 watts goes to each 25mm aluminium dome tweeter, 70 watts to each 130mm magnesium/aluminum mid/bass driver. And if that all sounds a bit tentative, there’s a pre-out for a subwoofer too.

In practice, it works either ‘pretty well’ or ‘very well indeed’, albeit maybe not quite well enough to sit among the best stereo speakers on the market. The phono stage is probably the least effective of the input options, which is a pity, when you consider it’s one of the real differentiators between this system and the slightly more expensive KEF LSX II LT, its most obvious stablemate. If, however, you switch to one of the digital inputs (either wired or wireless) and the Coda W has plenty going for it. There’s detail and drive, plenty of well-behaved low-frequency presence, a really even-handed attitude towards tonality and frequency response, and a level of energy and engagement that’s a match for the best that any even remotely price-comparable rival can muster.

Turn the volume down to the sort of level that conversation can easily be heard over, though, and quite a lot of this attitude is replaced by a more pedestrian, less energetic character that sucks some of the animation out of recordings. Mind you, if you want to listen at low levels in order to engage in conversation, it could be argued that this isn’t all that much of an issue.

(Image credit: Future / Simon Lucas)KEF Coda W review: Price & release date

• $999 / £799 / AU$1449
• Released in October 2025

The KEF Coda W wireless active stereo speaker system is on sale now, and in the United States it costs $999. The asking price in the United Kingdom is £799, while in Australia it goes for AU$1449.

There are a few very credible alternatives around, of course, not least from KEF itself in the shape of its slightly smaller, slightly pricier, slightly differently specified LSX II LT wireless stereo speaker system. So does the Coda W have what it takes to, um, undermine its sibling and cannibalize its sales?

(Image credit: Future / Simon Lucas)KEF Coda W review: Features

• 200 watts of Class D power
• Wireless and wired connection options
• 12th-gen Uni-Q driver array

In most respects, the Coda W is specified as extensively as seems reasonable, given the asking price. Then you consider the way its (admittedly more expensive) LSX II LT sibling is specified, and you realize you’re engaged in a game of ‘swings and roundabouts’.

Still, the gain outweighs the pain here more than a little. The Coda W is an active stereo speaker with 200 watts of Class D power available – naturally enough it’s divided half-and-half between the two speakers. Slightly unusually for an active – rather than a powered – system, is that only one speaker requires mains power. This ‘primary’ speaker connects to its ‘secondary’ partner via a supplied length of USB-C-terminated cable which transfers power as well as digital audio information.

The secondary speaker has just a USB-C input on its rear panel – it’s positioned beneath a bass reflex port that vents from higher up. The primary speaker, by way of contrast, is all action. It has a USB-C output for connection to its partner and a matching bass reflex port, of course, but in addition, the rear panel features (in no particular order): a connection for mains power and an ‘on/off’ switch, an HDMI eARC socket, a digital optical input, a USB-C slot for data transfer, a line-level stereo RCA input, a moving magnet phono input (also on stereo RCAs) with a ground post, and a pre-out for a subwoofer. There are also buttons to initiate Bluetooth pairing (the KEF uses Bluetooth 5.4 with aptX Lossless codec compatibility) and to reset the whole shebang. There’s a switch to turn the ground lift circuit on or off, too.

What’s missing? Well, there’s no Ethernet socket, and no Wi-Fi connectivity either. So network streaming is unavailable, which puts the Coda W at a disadvantage compared to the LSX II LT, although it hits back with its integrated phono stage. No network capability means no Spotify Connect, Tidal Connect etc, so if you’re using Bluetooth to enjoy some wireless tunes, it means your smartphone (or what-have-you) will be fully occupied.

The input resolution of the USB-C is 24bit/192kHz, while the digital optical is 24bit/96kHz and the HDMI eARC operates at 16bit/44.1kHz – analog signals are digitized on entry to 24bit/96kHz. All these wired sources are (re)sampled to 24bit/96kHz before being decoded to the analog domain the driver arrays can understand.

Unlike the LSX II LT, which features a compact version of the 11th generation of KEF’s instantly recognizable Uni-Q driver arrangement, the Coda W is packing the 12th version. There’s a 25mm aluminum dome tweeter behind an elaborate waveguide and positioned in the throat of a 130mm magnesium/aluminum mid/bass driver. Each tweeter is in receipt of 30 watts of power, while each mid/bass driver gets 70 watts. This arrangement, reckons KEF, is good for a frequency response of 41Hz - 20kHz.

• Features score: 4.5 / 5

(Image credit: Future / Simon Lucas)KEF Coda W review: Sound quality

• Energetic and confident sound with detail to spare
• Loses some animation at low volume levels
• Phono stage is nothing special

At its best, the KEF Coda W sounds very, very good indeed. Unlike some of its most obvious rivals, though, getting away from ‘its best’ is not especially difficult to do.

With a genuinely hi-res (24bit/96kHz) FLAC file of Prince’s U Got the Look incoming via the USB-C socket, there’s plenty to enjoy about the way the system performs. It maintains a strictly neutral tonality, adding no discernible heat to any part of the frequency range and not cooling any part of it down either. The top end attacks with crisp determination, but despite what you might have read about metal tweeters, there’s no suggestion of hardness or glassiness to the treble sounds the Coda W delivers.

The transition into the midrange is smooth to the point of inaudibility, and once there the amount of detail the KEF is able to extract and contextualize allows both the voices in the recording to come across with all their attitude (horny, mostly) and character intact. Beneath here, the lowest frequencies hit hard but control their attack well, so the four-square rhythm is expressed confidently. As with the rest of the frequency range, detail levels down here are high, with plenty of subtlety and variation to go along with the straightforward punch available.

The frequency response is even-handed, with no area underplayed or overrepresented, and the soundstage the KEF creates is big and plausible. Like all the best Prince songs, U Got the Look sounds like an expensive demo, with great big spaces and silences playing their part. The Coda W has no problem laying the stage out coherently, and it gives just as much emphasis to the absences as it does the actual occurrences. Dynamic headroom is significant, and the lower-key dynamics of harmonic variation are also paid close attention. The KEF sounds keen to entertain, and it preserves all the energy the recording wants to communicate.

All of this is true, to a lesser or greater extent, when listening to the same song wirelessly via a FiiO digital audio player running the Tidal app or to a CD-borne copy of the song delivered into the system’s digital audio input. The Coda W remains a lively, informative and quite vibrant listen that seems to revel in the vivid and upfront nature of the recording.

It’s possible to move away from this best-case scenario, though, either by turning the volume down to a modest ‘background’ sort of level or by listening to a vinyl copy of the song through the integrated moving magnet phono stage.

The differences are probably less pronounced when playing the record, so I may as well start here. The phono stage fitted to the Coda W just isn’t anything special – for all of the cliches regarding the vinyl format and its facility with rhythm and tempo-management, the song sounds just fractionally lumpy and leaden-footed when heard this way. It’s from the 80s, sure, when every rhythm was mechanical and regimented, but there was always more swing to Price than the Coda W is willing to reveal via its phono stage. The knock-on effect is a minor dialling down of the energy in the recording, and a mild loss of engagement as a result.

Turning down the volume results in a slightly more fundamental shift in emphasis. I know it’s quite easy to argue that ‘background’ levels would tend to imply that not all that much attention is being paid to the music, and certainly no critical listening is likely to be happening, but there are more than enough systems around that don’t change their sonic character at lower volumes to understand that the changes that the Coda W goes through aren’t inevitable or, to a lesser extent, excusable.

Turning the wick down means a lot of the system’s previously vivid and energetic attitude towards music goes astray, replaced by a slightly matter-of-fact and unengaged alternative that’s not especially welcome. Particularly not when you know what the system is capable of if only it were playing a little louder.

• Sound quality score: 4 / 5

(Image credit: Future / Simon Lucas)KEF Coda W review: Design

• 285 x 168 x 268mm (HxWxD)
• Choice of five finishes
• Optional SQ1 stand

The Coda W may cost less than the LSX II LT, but there’s more of them. At 285 x 168 x 268mm they’re bigger than their siblings in every direction – if you were hoping to position these on a desktop, think again. Unless you have a mahoosive desk, anyway.

A pair of speaker stands is the way to go. Any decent product will do, of course, but KEF will happily sell you a pair of its SQ1 stands that have been developed with the Coda W (and a few other KEF models) in mind.

The standard of build and finish is well up to standard. The Coda W may lack the exciting curves of their LS and LSX stablemates, but they look and feel good. And the choice of five finishes – my review sample's dark titanium, midnight blue, moss green, nickel gray and a vintage burgundy version that’s only available from very select outlets – means there really ought to be something to suit your mood and/or decor here.

• Design score: 5

(Image credit: Future / Simon Lucas)KEF Coda W review: Usability & setup

• Truncated version of the KEF Connect control app
• Physical controls on the primary speaker
• Small remote control handset

KEF supplies a little remote control handset to operate the Coda W. It deals with ‘power on/off’, ‘volume up/down/mute’, allows you to cycle through the inputs and, if you’re streaming via Bluetooth, to access ‘play/pause’ and ‘skip forwards/backwards’.

The controls, with the exception of the Bluetooth stuff, are duplicated as touch-controls on the top of the primary speaker - although you can only scroll through your inputs in one direction, which is a (very) mild irritation.

There’s also a very brief version of the KEF Connect app available too. It connects via Bluetooth, offers input selection and volume control, allows you to check for updates, and also features a balance control and rudimentary EQ adjustment in the shape of ‘treble cut/boost’ and ‘bass cut/boost’ controls. It’s also where you can let the Coda W know if it has a subwoofer attached.

• Usability & setup score: 4.5 / 5

(Image credit: Future / Simon Lucas)KEF Coda W review: Value

• Very high standard of build and finish
• Enjoyable sound quality...
• But it's variable depending on the output used

It’s difficult in the extreme to suggest the KEF Coda W is anything other than very decent value for money. It has some real highlights where specification is concerned, is built and finished to a very high standard, and is capable of uncomplicatedly enjoyable sound quality too.

The fact that it lacks some features available in a very similarly priced product from the same manufacturer is, ultimately, less concerning than the fact that its sound is quite variable depending on the input you’re using.

• Value score: 4 / 5

(Image credit: Future / Simon Lucas)Should I buy KEF Coda W?KEF Coda W scorecard

Attribute

Notes

Score

Features

Pretty well-equipped, with HDMI eARC socket, USB-C connectivity and Bluetooth 5.4 with aptX Lossless codec compatibility.

4.5 / 5

Sound quality

Energetic and confident but loses some animation at low volume levels; average phono stage.

4 / 5

Design

Choice of five finishes, and excellent build quality, make it a good fit for any room.

5 / 5

Setup & usability

Limited version of the KEF Connect app; touch controls; small remote control handset

4.5 / 5

Value

Solid value, but hampered by sound issues at low volume levels.

4 / 5

Buy them if…

You want an all-in-one system that can support more than one source
There are plenty of input possibilities here, up to and including the option of including your TV.

You’re sick to death of the ‘black/white/wood veneer’ options that hold sway where speakers are concerned
The Coda W is available is a range of quite sophisticated finishes – and ‘walnut’ is nowhere in sight.

You’re just as likely to listen to vinyl as to a music streaming service
From aptX Lossless Bluetooth to a moving magnet phono stage, this KEF system has you covered.

Don’t buy them if…

You don’t want your smartphone tied up with music playback
There’s no networking functionality here, so wireless streaming means your smartphone won’t be available for anything else.

Your listening is likely to be mostly via vinyl
The moving magnet phono input here is probably the least impressive of the lot.

You have designs on a desktop system
This system is too big for your desktop, so get that idea out of your head.

KEF Coda W review: Also consider

KEF LSX II LT
I don’t wish to labor the point, but I do find it odd that KEF has released the Coda W in what seems like fairly direct competition with its own LSX II LT. No, the LSX II LT doesn’t have a phono stage or top-of-the-shop Bluetooth connectivity, but it’s got network smarts, a smaller form factor and is, in its own way, just as decorative as the Coda W. Oh, and it’s no slouch when it comes to sound quality.
Here's our full KEF LSX II LT review.

Acoustic Energy AE1 Active
You could also break free of the KEF hegemony and consider the Acoustic Energy AE1 Active system. Yes, it’s pricier than either of the KEF pairs, not as interesting to look at, and only supports physical connections, but despite all this it’s prodigious value for money thanks to its absolutely fulminating sound quality.

How I tested the KEF Coda W

(Image credit: Future / Simon Lucas)

I positioned the speakers on a pair of Custom Design speaker stands, connected them together using the supplied USB-C cable and plugged the primary speaker into the mains.

Then I connected a Technics SL1300G fitted with a Goldring 1042 cartridge to the phono input (and also to the line-level input, having positioned a Cambridge Alva Duo phono stage between the two), and plugged a Rega Apollo CD player into the digital optical input.

I used an Apple iPhone 14 Pro and a FiiO M15S digital audio player as Bluetooth sources, and connected an Apple MacBook Pro (running Colibri software) to the USB-C input. After this, I put the speakers either side of my Philips 48OLED806 TV and connected them via HDMI. Lots of sources, meaning lots of content – and for quite a length of time.

• Read TechRadar's Reviews Guarantee
• First reviewed: March 2026

It’s been a while since the original Echo Studio launched way back in 2019. So, it makes sense that it’s such a drastic overhaul; the new, 2025 model is 40% smaller with a total design refresh, Alexa+ compatibility and new Fire TV features.

The original Echo Studio launched way back in 2019, and the fact that it’s taken this long for a second-gen model to arrive makes the Studio an outlier in Amazon’s smart speaker range, with other Echos receiving more regular upgrades.

It makes sense, then, that this is a fairly major overhaul: the 2025 model is 40% smaller and gets a total design refresh that brings it into line with other Echos, along with Alexa+ compatibility and new Fire TV features.

While the previous-gen Studio was more than a little clunky in terms of its design, it was pretty well received — much to the surprise of many who’d long bemoaned the audio quality of Amazon’s Echo speakers. Then, in 2022, a slightly upgraded version was released with some modest improvements; this wasn’t considered a new generation of the Studio, but again it surprised and largely delighted users.

So, has lightning struck twice (or technically, thrice) with the new Echo Studio? Well, not quite, but this is still an impressively capable speaker, especially at its size.

There’s an inevitable trade-off between the speaker’s size and its audio quality. In its smaller form factor, the second-generation Studio is certainly more appealing, and the spherical design, new knit-fabric exterior and front-facing controls are much more homely compared to the original, the design of which resembled a medieval knight’s bucket helmet.

With the latest Studio packing Amazon’s new AZ3 Pro chip and offering Alexa+ compatibility, and some great smart home compatibility and sensors, there’s a lot to love, but having tried both the newer and older models, I don’t think the new audio hardware quite lives up to its predecessor. That being said, it’s most certainly the best Alexa speaker for audio available today… unless, of course, you can find a first-gen model on resale.

Echo Studio (2nd gen, 2025) price and availability

• List price: $219.99 / £219.99 / AU$429
• Released November 2025

The new Echo Studio is the most premium Echo speaker in Amazon’s lineup, offering home-theatre buffs and audiophiles an Alexa-powered alternative to standard speakers. You concede some audio quality, sure, but it’s pretty compact, and the smarts you gain are decent enough.

It’s available in black (graphite) and white (glacier white), and costs $20 / £40 / AU$100 more than the original Studio at $219.99 / £219.99 / AU$429; the price hike is explained, in part, by the rising cost of hardware, but it’s worth noting nonetheless.

It’s also Alexa+ compatible, meaning US Prime subscribers have immediate access to the currently-in-beta service (at the time of writing). Whether or not that’s a positive or a negative, I’ll leave you to decide.

My main issue with the value proposition here is that, at times, the Echo Studio (second-generation) just doesn’t live up to its Studio moniker; and yet, allowing for inflation, it costs the same as the previous generation. Had Amazon skipped some of the smart features and delivered a stronger all-around audio performance, I’d have less of an issue; as it is, and as is the case with almost every new Echo device I’ve reviewed in the past few years, this is one I’d only go for during a sale, and I’d be looking for at least a 40% discount.

• Value: 3.5/5

Echo Studio (2nd gen, 2025) specs

Echo Studio

Dimensions

6.1 x 5.6 x 5.8 inches / 155 x 142.2 x 147.3mm (W x D x H)

Speakers

1x 3.75-inch high excursion woofer, 3x 2.25-inch full-range drivers

Processor

AZ3 Pro

Connecivity

Zigbee, Matter, Thread Border Router, eero

Voice assistant

Alexa

Weight

53.5oz / 1.63kg

(Image credit: Future)Echo Studio (2nd gen, 2025) design

• New, more premium design and materials
• 40% smaller than the previous generation
• Fewer ports, fewer audio-first design features

Like the Echo Dot Max, which I tested a few months ago, the Echo Studio has a new, more sophisticated look and feel, featuring a chunky knit-fabric exterior, front-facing controls, and a 40% smaller frame than the previous Echo Studio models.

Now, instead of resembling a bucket-shaped medieval knight’s helmet, the Echo Studio is more akin to a rounded spaceship (read: Death Star), and it’s a change I’m quite happy with aesthetically. The base is flat and slightly rubberized, housing a screw-mount for any users who might wish to wall-mount their speaker(s).

The neater look and smaller footprint make it a much more appealing option for around the home, and the new front-facing controls are easily accessible and clear — especially when compared to the original’s small and fiddly buttons. There are volume controls as well as a physical mute button on the plastic control panel. Plus, if you give the Studio a gentle pat on the top, you can stop or start tracks, stop timers and alarms, or end calls and drop-ins.

The iconic illuminated Alexa ring, which glows blue when the speaker is listening to you, now encircles the control panel, and changes colour and brightness for different types of alert (for example, orange for an Amazon marketplace-related notification, or red for connectivity issues).

There’s been a complete hardware refit, too. The new Echo Studio uses the latest AZ3 Pro chip to power Alexa commands and other on-board smarts like ambient sensing and spatial sound. Where the last-generation speakers had three two-inch side-mounted mid-range speakers, a two-inch upward-firing midrange speaker, a 1-inch front-facing tweeter, and a 5.25-inch downward-firing sealed woofer and cutout spaces to allow for airflow to enable powerful and deep bass, the latest model has just three full-range drivers and a single high-excursion woofer. More later on how that impacts performance, but as far as design goes, it does make the focus on the newer model’s aesthetics feel like a big trade-off when you compare the hardware specs.

Connectivity is another area where the new Studio has taken a hit. On the rear, you’ll find a single power port – that’s right, no more 3.5mm combo port for standard audio cable input and Mini-Optical, and no micro-USB port for service/Ethernet adapters. For most, these inputs will be no great loss, but the inflexibility of these speakers will be disappointing to some, and especially to those who know a bit about home theater.

Objectively, I can’t say I dislike the look and feel of the new Echo Studio – it’s more pleasing to the eye, and a lot easier to find a home for at its smaller size. However, many of the concessions made ultimately impact performance and usability — and for a supposedly top-of-the-range speaker I’d always prize those qualities over look and feel.

• Design: 4/5

(Image credit: Future)Echo Studio (2nd gen, 2025) audio quality

• Complete hardware refit compared to previous generation
• Solid, clear audio across a range of genres
• Mid-range performance for home cinema

Sitting at the top end of the Echo speaker lineup, the Echo Studio in principle offers the best audio you can get from an Amazon speaker. However, while that’s indeed the case, not everyone who loved the first-generation Studio will enjoy this newer version.

As mentioned above, the new Echo Studio trades its predecessor’s three two-inch side-mounted mid-range speakers, two-inch upward-firing midrange speaker, 1-inch front-facing tweeter, and 5.25-inch downward-firing sealed woofer for three full-range drivers and a single high-excursion woofer. Plus, under the hood, the new AZ3 Pro chip does a lot of the legwork, working in tandem with onboard far-field microphones to deliver Automatic Room Adaptation, fine-tuning the audio experience based on the room’s acoustics. There’s also spatial audio, Lossless High Definition and Dolby Atmos support.

So, what difference do these hardware changes make in practice? I played a variety of tracks from different genres to test the speaker’s audio quality, as well as trying out the new Amazon Home Theatre feature, to find out.

It’s a tale of trade-offs; on the one hand, the soundstage is well balanced overall, producing beautifully clear layers and expressing texture in tracks well. Hans Zimmer’s Cornfield Chase was rendered with beautiful depth and clarity, especially at louder volumes, as was Jeff Buckley’s Last Goodbye, with the Echo Studio proving amply capable of rendering Buckley’s quivering vocals beautifully while preserving the layered rhythmic guitars and mounting tension. Dynamic songs like Glory Box by Portishead offer well-rounded bass, with every detail of the track, right down to its vinyl crackle, represented with impressive clarity.

However, the Echo Studio lacks the powerful bass and overall volume of older models, and certain tracks suffer as a result: Running Up That Hill by Kate Bush plays much more faithfully than on the Echo Dot Max I tested a few months ago, but the Echo Studio still lacks the pummeling bass I so adore. Similarly, Fleetwood Mac’s The Chain, especially at lower volumes, fails to fully deliver the track’s signature thunderous, driving bass.

With Amazon removing many of the audio-first design features (like the sound-carrying cutouts) and squeezing the device into a far smaller form factor, the new Echo Studio ultimately loses a lot of its oomph. It also now downmixes stereo content to mono, and compresses the mix more aggressively at higher volumes than the original model.

That said, when I was testing this speaker in my apartment, I wasn’t looking to push the volume beyond 70% (mostly for the sake of my neighbours), and the bass was, broadly, suitably present for my living space, this is aided by the Automatic Room Adaptation, which works well to really flood a space with sound.

Of course, the Echo Studio can do more than just play your music. You can connect up to five Echo Dot Max or Echo Studio speakers plus an optional Echo subwoofer to a Fire TV Stick 4K (2nd-gen), Fire TV Stick 4K Plus, Fire TV Stick 4K Max (2nd-gen), or Fire TV Cube (3rd-gen) to use Amazon’s new Home Theatre feature. I gave this a quick try, albeit with just the one Echo Studio, watching a few scenes from Red Sonja, The Batman and Oppenheimer to put its through its paces. I was pretty happy with how much depth and clarity the Echo Studio provided (it’s all handled over Bluetooth, so I did notice a bit of a delay with lip-synching initially; thankfully, you can adjust this in the settings), and I can imagine with a full set the sound would be really quite impressive.

That said, the dynamic range was pushed to its limit during my testing, and I ultimately found myself toggling the volume fairly often. Plus, its downmixed mono playback makes it a hard sell for a cinephile – of course, you can opt to spend $1,000 / £1,000 / AU$2,000 on a full Amazon Home Theater setup, but for that price I’d wager there are far superior surround sound systems. It’s only if you’re benefitting specifically from the Echo Studio’s place in Amazon’s Fire TV / Prime / Alexa+ ecosystem that I can see this being a viable option.

• Audio quality: 3.5/5

(Image credit: Future)Echo Studio (2nd gen, 2025) features

• Smart and accurate sensors
• Speedy Alexa commands
• Alexa+ compatible

Much like the Echo Dot Max, the Echo Studio is locked and loaded with clever sensors and smarts to help run your smart home, including the same temperature and ultrasound motion sensors as the Echo Dot (4th gen) as well as a new Wi-Fi sensing capability.

I set these up at home for even smarter Alexa Routines; when I enter a room, an automation turns on my smart lights, and when the temperature drops, my electric heater turns on to keep me toasty during the UK winter months. Everything worked as expected on test, and it’s good to see the Echo Studio keeping pace with other smart speakers here.

The new AZ3 Pro chipset delivers super-speedy Alexa responses, though you probably won’t notice the difference unless you’ve been using Alexa-enabled devices from a few years ago. Where you will feel the difference is if you have access to Alexa+, as that’s the real driver behind the additional computing power. I’m testing this speaker in the UK, where we don’t currently have access to Amazon’s full agentic AI platform, but my US-based colleague Lance Ulanoff shared his first impressions of the service overall.

• Features: 4/5

(Image credit: Future)Should I buy the Echo Studio (2nd gen, 2025)?Buy it if…

You want room-filling audio

The Echo Studio’s room-adapting smarts go a long way to up the value, and it’s delivering a lot of clever optimization to compensate for the admittedly weaker hardware.View Deal

You’re upgrading from an older, regular Echo speaker

More recent Echo smart speakers pack fairly similar specs and performance, but the AZ3 chip brings a marked improvement. View Deal

Don’t buy it if…

You’re an audiophile

While in many ways the Echo Studio does impress, it’s fundamentally incapable of offering a true hi-fi audio experience.View Deal

You own an older Echo Studio

I’m willing to bet that if you love your old Echo Studio, you won’t be a huge fan of this newer model. View Deal

Also consider

Echo Studio

Echo Dot Max

Echo (4th-gen)

Dimensions

6.1 x 5.6 x 5.8 inches (W x D x H)

4.27 x 4.27 x 3.9 inches

5.7-inch x 5.7-inch x 5.2-inch

Speakers

1x 3.75-inch high excursion woofer, 3x 2.25-inch full-range drivers

0.8-inch tweeter and 2.5-inch woofer

3-inch neodymium woofer and two 0.8-inch front-firing tweeters with Dolby Audio support

Processor

AZ3 Pro

AZ3

AZ1 Neural Edge

Connecivity

Zigbee, Matter, Thread Border Router, eero

Zigbee, Matter, Thread Border Router, eero, Wi-Fi 6

Zigbee, Matter, Thread border router. Dual-band Wi-Fi, eero, Bluetooth

3.5mm audio line-in/out.

Voice assistant

Alexa

Alexa

Alexa

Weight

53.5oz / 1.63 kg

505.3g

970g

Also consider Echo Dot Max

The new Echo Dot Max offers adaptable and solid audio specs, with much of the same internal hardware as the Echo Studio barring some of the more powerful speakers.

For more information, check out our full Echo Dot (5th-gen) review.

Also consider Echo (4th-gen)

The 4th generation of Amazon’s base model Echo speaker may be getting long in the tooth, its audio performance is admirable, it’s often on sale at bargain prices, and offers a similar performance.

For more information, check out our full Echo (4th-gen) review.

How I tested the Echo Studio (2nd gen, 2025)

• I used the Echo Studio as part of my smart home setup
• I played lossless audio through Spotify
• I used the standard Alexa and other advertised features.

I tried all of the advertised features of the Echo Studio (barring Alexa+ which is not currently available in the UK) to assess its performance and audio quality.

As well as testing Alexa’s ability to follow commands and surface information, I used my Echo Studio as a speaker, streaming lossless tracks via Spotify across a variety of genres and moods to test the speaker’s dynamic range, clarity and volume. I also tried using the new Echo Studio as part of my Amazon Home Theatre setup, listening to various TV shows and movies to see how well the speaker would serve cinephiles.

I’ve had an Alexa-powered smart home for years, having professionally tested smart home devices for over four years. In addition to my at-home Alexa setup, I’ve also used both Google and Apple devices to assess the strengths and weaknesses of the most popular smart home ecosystems.

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The challenge is not just implementing AI but keeping pace with the relentless changes required.

Hundreds of people become interested in curling every four years and the 2026 numbers already show that boom.

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The chaos of the day can make it hard to shut off your brain and fall asleep. Here's how to create a relaxing environment before bedtime to help you quiet the chatter and feel ready for sleep.

(Image credit: Photo illustration by Becky Harlan/NPR)

The war is no longer just about the U.S., Israel and Iran. More countries are getting caught in the political crossfire or being drawn into the fighting themselves.

All the ways to watch Mansfield vs Arsenal in the FA Cup fifth round, with the home side seeking to upset the Premier League leaders.

President Masoud Pezeshkian said Saturday that a demand by the U.S. for an unconditional surrender is a "dream that they should take to their grave." He also apologized for Iran's attacks on regional countries.

(Image credit: Vahid Salemi)

Apple’s AirTags just hit their lowest price ever at John Lewis