The Sonos Play is one of the few products I've tested recently that really converted me to its cause over time. It's a product that Sonos pitches as a home speaker that's also portable — the one speaker you can use everywhere.
I started off thinking that the Sonos Play was struggling for value, because it's more expensive than Sonos' small purely home speaker, the Sonos Era 100, but doesn't sound quite as good. And it costs a lot more than most of the best Bluetooth speaker options, such as the excellent JBL Charge 6.
But over time, I realized that the Sonos Play excels in subtlety. Despite Sonos' claim, I don't think of it as a home speaker first and a portable speaker second. I see it as a portable speaker that's good enough to justify a place out on your furniture all the time, rather than being relegated to a drawer when you're not using it. And as a result, I started using it as both a home speaker for the room its in, and I started grabbing it to take with me to other rooms simply because I could, and it sounds good.
The charging cradle is vital to this. With no cable to fiddle with, you can just grab the Sonos Play and go without pausing your stride. It lasts for ages once it's away from the cradle (24 hours, and it turns itself off when not in use to keep going over days), so you don't need to be precious about returning it for a charge. It's solidly waterproof so you can use it anywhere without fear — It's a great shower karaoke companion.
And the Sonos Play does sound good — better than most portable speakers of its size. It's really well-rounded, with solid mids, clear treble and plenty of bass. It lacks some dynamic edge (though improves as the volume goes louder), but is still a really enjoyable listen.
It's become my speaker buddy — the one I'm using most, because it's so versatile. It's ready to go anywhere, to play in the house on Wi-Fi or out of the house on Bluetooth. You can achieve everything it does from other speakers, and arguably in a way that's better value — but not with this efficiency.
Sonos said it wanted to make a speaker that could be the one you need — powerful enough to fill nearly any room, and easily portable to take to nearly any room — and I think it nailed it.
(Image credit: Future)Sonos Play review: price and availabilityThe Sonos Play's $299 / £299 / AU$499 price is a fine balance. When it comes to Sonos' portable speakers, it sits neatly between the Sonos Roam 2's $179 / £179 / AU$239 and the Sonos Move 2's $449 / £449 / AU$799.
When it comes to Sonos' home speakers, it sits neatly between the $219 / £199 / AU$289 price of the Sonos Era 100, and the $449 / £449 / AU$749 price of the Era 300.
The difference, of course, is that the Play's performance sits correctly between the two portable speakers, while it doesn't perform any better than the Era 100 — what you get instead is a smaller design and a battery.
There are tons of competing speakers at this size, but few that offer the combination of Bluetooth, Wi-Fi and battery portability. Portable competition includes the Bluetooth-only Marshall Middleton II, which is similar in price at $329.99 / £259 / AU$499, or the JBL Charge 5, which costs $199 / £169 / AU$229.
On the non-portable side, there's the JBL Authentics 200, which is $349 / £299 / AU$449 officially (but can be found for a lot less these days) or the BlueSound Pulse Flex for around $349 / £279.
(Image credit: Future)Sonos Play review: specsSpeaker drivers
2x tweeters, 1x midwoofer, 2x passive bass radiators
Amplification
3x Class H
Dimensions
4.4 x 7.6 x 3 inches / 113 x 192 x 77mm
Connectivity
Wi-Fi 6, Bluetooth 5.3, USB-C (3.5mm line-in and Ethernet via adapter)
Streaming support
Sonos app, Apple AirPlay 2
Other features
Sonos multi-room control, Sonos home theater option, stereo pair option, 24-hour battery life, Automatic Trueplay, Amazon Alexa support, audio sharing over Bluetooth, IP67 waterproofing
(Image credit: Future)Sonos Play review: featuresThe Sonos Play is the company's most versatile speaker to date. It works as a normal Sonos home speaker, complete with Wi-Fi connectivity and support for Sonos' network and app, which support Hi-Res Audio playback from compatible services. You can play to it directly over Apple AirPlay 2 or Sonos Connect as well.
There's also Bluetooth support to play from any other device, and the USB-C port on the back can be connected to an adapter to offer a line-in port for a turntable or other audio source, which then becomes available to all your other Sonos speakers on the network.
Sonos also has a new feature that enables you to group portable Sonos speakers when you're out of the house, so you connect to one of them over Bluetooth, and the sound is shared with the other speakers. There's no Auracast support, though.
The speaker setup consists of two angled tweeters facing slightly left and right, a single midwoofer facing forward, and then two force-opposed bass radiators on the left and right.
You can use a Sonos Play on its own, or you can put two into a stereo pair. You can also use a pair as rear speakers in a Sonos home theater setup.
But it also has a built-in battery, which can last up for up to 24 hours, and the speaker can still play over Wi-Fi or Bluetooth when it's running from battery power alone. The Sonos Play comes with a little battery charging cradle, which you just slot it onto to charge, and you can grab it straight off at a moment's notice without fiddling to unplug.
It's a small thing, but I think it makes a difference to its perceived versatility compared to it being plugged in to charge — I'll dig into that more in the Design section.
Be warned, though, that the cable just has a USB-C connector on the end, and no plug to connect to an outlet. Any USB-C port with 20W of charging power should work, so it could be connected to a device like a computer, or to a power adapter.
The Sonos Play can also be charged using its USB-C port, so you don't need the cable if you take it away for a weekend. You can also charge another device from the USB-C port, if you like, so it can work as a power bank for your phone.
The exact battery figure you get will depend on how you use it (Wi-Fi is more battery-consuming than Bluetooth), but I think Sonos' estimate is about right. I took it off its cradle for three days, using the speaker on Wi-Fi by my desk while I worked during the day for intermittent periods, without charging it at all. At the end of that time, it had 21% battery left.
You can get better battery life from the Marshall Middleton II (30 hours), but only over Bluetooth, not Wi-Fi. I think Sonos has found a good balance of longevity compared to size here.
The one thing about portable use that annoyed me a little was that it turns itself off a little faster than I would like, despite me making sure that the option in the settings to turn off faster to preserve battery life was off. To turn it back on, you need to use the on-off button on the back, and it takes a moment — I'd much prefer a button on top to make this feel less like a hassle.
(Image credit: Future)There can also be times when the flexibility of the speaker conflicts with itself. For example, I put my two units into a stereo pair to test the sound, planning to live with the setup for a few days. But once they're in a pair, the Sonos app (and AirPlay) only want to treat them as a pair, meaning that the idea of grabbing one to take into another room on a whim no longer works. Take them both, or don't bother.
I ended up doing a more intensive stereo audio test, and then switching them back to individual speakers because I was enjoying them more in their most flexible form.
I'll finish this section by touching briefly on the Sonos app. It remains one of the best when it comes to streaming service support, and I've had no problems when it comes to reliability testing either these speakers, or with my current Sonos soundbar/home theater setups.
Setting the speakers up was absolutely seamless, and it was then easy to activate Automatic TruePlay tuning, in which the Sonos Play speaker listens to its own sound output and adjust the sound to better fit the space it's placed in.
The Sonos app can be a bit slow to load new music or screens, though, and there are some design issues that seem needlessly confusing. Sonos CEO Tom Conrad identified some that he plans to fix in an interview with me ahead of the launch of the speakers, though my own gripes are that it's silly that if you tap the cog icon in the top corner to be taken to the Settings screen, the cog icon stays in the corner, meaning it's possible to open the app, tap that because you want to go to the Settings screen, and nothing happens because you don't realize you're already in part of the Settings screen.
I also hate Sonos' design for its on/off switches. They go from black with a white dot, to white with a black dot, depending on whether they're on or off. But which is on and which is off? It's a terrible piece of user communication, you have to play to figure it out. (Black with a white dot is on.)
Now, a lot of other streaming device apps are equally flawed — some have better interfaces, but worse streaming support, for example — so at this point I find the app far from a dealbreaker, but I'm looking forward to seeing it get better. I actually nearly always use AirPlay for playing music anyway, so after setup, I don't interact with it much.
For those who don't want to use an app at all, the Sonos Play support Amazon Alexa and Sonos Voice Control options — but its mic can also be disabled using a switch on the back (which also disables Automatic TruePlay, since it fully disconnects the mic from the system).
The Sonos Play sits in a slightly odd position when it comes to judging its sound quality, because it's a hybrid home and portable speaker. I'm going to mostly judge it based on comparisons with other portable speakers, rather than home speakers, because the design constraints of being portable affect what sound quality you can reasonably expect from it — but I will also compare it to the Sonos Era 100.
As is standard from Sonos, there's a really well-rounded sound with a fair amount of heft across the whole frequency range. The thing that immediately jumps out is the amount of bass depth there is for something pretty small, thanks to its dual passive radiators.
Much like the Era 100, the bass is controlled a little more loosely — a little more heavy-handedly — than I'd like. As with a lot of passive radiator-based speakers, it can feel boomy depending on what surface you place it on, too, but that's situational. It's a trade off in exchange for the punch it provides, and I'm quite happy with it on balance.
The second thing that jumps out is the overall power, which the bass only helps emphasize. This speaker can fill any room in my house without coming close to breaking a sweat or over-stretching itself — in fact, as I'll come back to, it's at its best once you dial up to a certain volume.
The two angled tweeters serve up high frequencies that sound clear and well elevated out of the rest of the mix, with this likely aided by the use of two angled tweeters pointing left and right.
Sonos has also claimed that this set enables stereo sound from a single speaker, but this is, alas, a fantasy. Firing up Crooked by Smilk, the opening of which is basically ‘Now That’s What I Call Stereo Imaging’, reveals only the most minimal stereo effect even from a song that really push separation to the max.
The mid-range is able to find a good amount of detail and solidity in different elements, so that even complex mixes still feel like that have all their constituent parts, rather than getting mushed together in the way that some portable speakers are prone to.
The mid-range and treble are both relatively tame and a little softer on dynamic attack than larger and more expensive portable speakers, or non-portable home speakers. That's a compromise here compared to the Sonos Era 100, for sure — that speaker just has the extra edge in enough areas of sound reproduction to feel like a slightly more robust, more gripping, more revealing listen.
(Image credit: Future)However, compared to the JBL Charge 6, the Sonos Play is a significant step up in the overall reproduction of a song, with the mid-range the clear area of difference. On the JBL Charge 6, it's simple way too thin, lacking in expression, presence within the sound balance, and really limited in range — in particular, the Charge 6 really struggles to ramp from mid-range down through to bass, compared to the Sonos Play.
Young Blood by The Naked & Famous relies on a foundation of lower-mid synth in its verses, and without this, the song is unbalanced. The JBL Charge 6 just doesn't have this balance in its register, but the Sonos Play is able to add the weight.
The Charge 6 also has less deep bass reach than the Sonos Play — it handles its bass well, but there's just less lower-frequency grunt going on.
I should note here that we have highly rated the JBL Charge 6 for its sound reproduction compared to other portable speakers — this is just what spending the extra on the Sonos Play gets you.
That said, the JBL Charge 6 has a slightly more dynamic treble than the Play, though, with a little better handling of transients (ie, handling the sudden start of a sound) that make it feel more detail-rich. I still prefer the Sonos Play overall, for sure.
However, I mentioned above that going above a certain volume opens things up for the Sonos Play. Pushing past the 40% mark leaves the bass working in the same way that it was before, but suddenly the upper-mids and treble get a boost — a subtle but clear change in profile when ticking up.
This adds to the expansiveness of the sound, and where certain songs that should be thrilling could feel tame at times at lower volumes, they all really wake up past 40%. The Sonos Era 300 had this trait as well, when I tested it.
The only question is whether you want the Sonos Play that loud all the time — in my bedroom, 25% was the volume where I mostly wanted to use it, for example. But again, I still think the sound is very good for a portable speaker even at the lower volumes. It's just that when you can let it off its leash, it improves further.
(Image credit: Future)Speaking of letting it off its leash, I also tried the sound in a stereo pair. As is often the case, it gives the speakers room to do a little more by sharing the burden, and in particular I noticed that the bass felt like it was able to be a little more controlled at the same level of power, but the mids came across weightier, again improving on the lower-mids particularly.
I don't think it opened up more detail in the treble or anything like that, but two of these are really good at filling even a large room with well-rounded, well-dispersed sound, without pushing themselves hard in a way that can affect the sound quality. You'd rarely need to push them even as far as the 40% volume mark — a pair of Plays is such a powerful system consider how small they are.
For my last sound comparison, I broke out the Sonos Roam 2. This comparison actually made the Sonos Roam 2 look impressive, because it's remarkable how close its sound signature comes to the Play. But the Play's audio is much bigger, much deeper, and more refined in all areas.
The design of the Sonos Play sits very much in line with other Sonos speakers. It has a hard dotted grille like most of its designs, with a rubbery top and bottom, like the Sonos Roam 2. The rubberized portion has a hefty lip at the top where it overlaps with the hard grille, and this makes me thing more of older Sonos speakers (like the Sonos One) than the Era 100, in a fond way.
I like the size of the Sonos Play a lot. I can grab it easily in one hand from the side, thanks in part to a smart concave groove on the back that's also rubberized, giving you a little grip aid.
It's weighty, but not too heavy to happily grab and carry around. It's about a third heavier than the JBL Charge 6, but is nearly a third lighter than the Marshall Middleton II, so finds itself in a good balance.
It has a flexible hook on the top of the back, which can use to carry it around or to hang on a bathroom door or something. This feels nice and sturdy.
It's IP67-rated, so should be able to handle all but the worst of water-related accidents. It should be able to handle complete immersion for a short time, so it's no risk for baths or for pool parties.
The charging cable is a little oval of plastic with a lip, and there's not much to it, but it holds on surfaces well enough when you're removing or replacing the speaker, and the charging points always line up perfectly.
I really think Sonos has nailed it with the core physical design here, and not just in a physical sense. Yes, it's durable, it's got a hook, and perhaps most importantly it looks nice — you'll happily have this thing out on a shelf, whereas a lot of people would choose to hide the JBL Charge 6 in a drawer.
But the design also make a different to my mentality, I've found. It's about how its size, weight and charging cradle lodge into my mind that this is a speaker that I not only can grab to take with me for a music blast, but that I should grab because it's so easy. There's no downside.
(Image credit: Future)The Sonos Move 2 has an identical setup — durable, powerful, portable, easy charging cradle — but it's too large and heavy. You have to reach around to carry it from the back using its carry handle. If I'm taking that anywhere else, it's because I'm committing to being there for a while. I plan ahead.
And I have small portable speakers already in my house (shout out to by beloved B&O A1) that I could grab and take anywhere with me easily — but they're stored in a drawer upstairs, because I don't have them out most of the time.
But the Sonos Play has become my new kitchen speaker, so it's always out on the side, ready to grab. And it's so grabbable because it's about the thickness of a drink can, and I don't need to fiddle to unplug it because it uses a charging cradle, so I can just swipe it one-handed as I walk past. And it's already turned on and ready to play, assuming it's not already playing, because it's the main speaker in that room.
These are small, subtle design elements that add up to me feeling quite differently about the Sonos Play than almost any other speaker I've had, from the many Wi-Fi options to many portable Bluetooth speakers. As the weather where I am improves, the Sonos Play has quickly become my buddy that I take with me more; I grab the one from my kitchen to take outdoors when I sit out there, and I grab the one from my bedroom to take to the bathroom to blast tunes while I shave.
(Image credit: Future)There must be a 'however', though, and it's the controls. I already mentioned that the on/off button is on the back, and while it's large and easy to find, I would prefer that you could get it to turn back on just by pressing something on top.
But the top buttons are also annoyingly disguised. They're distinguished only by symbols, not any kind of actual raised button element. And 'distinguished' is far too strong a word, because they're the same color and matte material as the rest of the top, so they're genuinely hard to see in some lighting conditions.
They also don't feel super distinct under the fingers. You get used to it, because you've only got four controls — volume down, play/pause (which also skips tracks with a multi-press), volume up, and voice assistant activation — but they just seem unnecessarily disguised.
The Sonos Play is not cheap. For only a little more than the Sonos Play, you can get both a Sonos Era 100 SL and the JBL Charge 6, providing you with the core versatility of the Sonos Play — a powerful home speaker and robust portable speaker. But that's two devices, and part of the draw here is one device that can do both — simpler and more efficient.
But the price is also right in line with other powerful speakers at a similar level of audio quality, like the Marshall Middleton II — and it does things the Marshall doesn't. The JBL Charge 6 is a five-star portable speaker that's nearly half the price, so if the portable side is your priority, it makes sense to get that and save so much money… but the Sonos does sound better, offers more versatility, and looks way nicer to have as a home speaker.
When I look at other options at the same price, is anything ticking as many boxes as the Play? Pricey, yes, but more than justified. I'm not sure I'd buy a stereo pair over other wireless options you can get for $600 / £600 though, such as the Kanto Ren, since you lose some of the versatility in a pair.
Attribute
Notes
Score
Features
Tons of connection options, great streaming support, nice charging cradle — some won't like that it lacks a plug in the box, though.
4.5 / 5
Sound quality
A bigger, more well-rounded sound than most portable speakers of this size can deliver. Not the most detailed, and the bass is a tad heavy-handed.
4.5 / 5
Design
Supremely well thought-out, from its grab-able size and weight to its durability and charging cradle. Only the subtle buttons are a bit annoying.
4.5 / 5
Value
It's not cheap, but nothing else offers so much versatility for the price.
4 / 5
Buy it if…You want one speaker to do it all
It's a room-filling living room speaker, then you grab it to be a bathroom speaker without breaking your stride. It's part of a multi-room system, then it's a Bluetooth speaker out in the country.
You want durability that also looks good
The IP67 rating means it can survive most things that normal use will throw at it — but it still looks good enough to satisfy aesthetes.
You want a big, well-balanced sound from a small speaker
It's a speaker that's capable of filling just about any room without pushing its audio hard, and yet also has a very small footprint.View Deal
You want real high fidelity
As good as the sound is for a portable speaker, there are compromises, and dynamics and detail are weaker than pure home speakers at the same price can deliver.
You want a really light portable speaker
I think Sonos has hit a good balance with the 1.3kg weight here, but if you're thinking you'll want to take it away in a bag a lot, you may want something lighter.
Sonos Play
Sonos Era 100
Marshall Middleton II
Price
$199 / £199 / AU$499
$219 / £199 / AU$289
$329 / £259 / AU$499
Speaker drivers
2x tweeters, 1x midwoofer, 2x passive bass radiators
2x tweeters, 1x midwoofer
2x woofers; 2x tweeters
Amplification
2x Class H amp3
3x Class D amps
60W Class D amplification
Dimensions
4.4 x 7.6 x 3 inches / 113 x 192 x 77mm
4.72 x 7.18 x 5.14 inches / 120 x 183 x 131mm
9.1 x 4.3 x 3.9 inches / 230 x 110 x 98mm
Connectivity
Wi-Fi 6, Bluetooth 5.3, USB-C (3.5mm line-in and Ethernet via adapter)
Wi-Fi 6, Bluetooth 5.0, USB-C (3.5mm line-in and Ethernet via adapter)
Bluetooth 5.3, aux-in
Streaming support
Sonos app, Apple AirPlay 2
Sonos app, Apple AirPlay 2
N/A
Other features
Sonos multi-room control, Sonos home theater option, stereo pair option, 24-hour battery life, Automatic Trueplay, Amazon Alexa support, audio sharing over Bluetooth, IP67 waterproofing
Sonos multi-room control, Sonos home theater option, stereo pair option
IP67 waterproofing, 30-hour battery life
Sonos Era 100
If you want something with the same audio connectivity as the Sonos Play, and that sounds a little better, and is cheaper, then the Era 100 is ideal — and the Era 100 SL that's even cheaper is also an option. But you won't get the portability and waterproofing, it's not quite as versatile. Here's our full Sonos Era 100 review.
Marshall Middleton II
An alternative to the Sonos Play that's in the same kind of 'Still portable, but hefty and big-sounding' bracket. There's no Wi-Fi here, but you might find some very tempting discounts on it. Here's our full Marshall Middleton II review.
I had two Sonos Play units at home to test, over the course of three weeks. They were updated with the same software that the products will launch with, including all the various features.
I tested over Wi-Fi and Bluetooth, and using the Sonos app and Apple AirPlay 2. I mainly listened to music on Apple Music.
I've been reviewing speakers for 15 years, and I test audio products of all kinds, from Bluetooth speakers to floorstanding passive speakers.
Antigravity launched the world's first 360 camera drone in 2025, but now drone market-leader DJI has arrived with its own spin on the concept – and it's a quite different beast from the somewhat pedestrian Antigravity A1.
The clue's in the name: the DJI Avata 360 is not only a 360 drone but also an Avata drone — the latest model in DJI's line of sporty FPV flyers. If the A1 is a Fiat 500 (tiny, eye-catching, innovative, but not especially nippy), the Avata 360 is a VW Golf GTI – unassuming at first glance and much heavier, but faster, more responsive and more practical, yet (and here's where my automobile analogy breaks down) somehow cheaper too.
The Avata 360 looks a lot like the DJI Avata 2, or perhaps a larger DJI Neo 2, albeit with one obvious difference: its front-mounted camera has two lenses rather than one. Arranged on opposite faces of the gimbal, these record everything surrounding the drone (while using software to seamlessly unify the footage and remove any trace of the drone itself), allowing the user to re-frame footage in post-production using DJI's mobile or desktop apps.
The Fly More Combo bundles each include a sturdy fold-out landing pad — vital for touching down and taking off on long grass or uneven terrain (Image credit: Future | Sam Kieldsen)I'll get more into how the 360 editing works in the full review below, but for now I'll just say that anyone who's used 360 cameras in the past will have little trouble creating some very impressive clips with this aerial version.
Where the Avata 360 differs from (and beats, in my view) the A1 is that, firstly, it offers a choice to fly it using a traditional twin-stick controller or the goggles-and-motion-controller FPV method. The A1 only supports the latter, and that means I need to bring a buddy along to act as spotter every time I fly it. If I'm on my own, I can't use the A1 at all (not legally, anyway), whereas I have the option to fly the Avata 360 using a RC 2 controller — no spotter required.
And in FPV mode I simply found the Avata 360 more enjoyable to fly than the A1: the design means it's faster, more agile and more responsive, even in high coastal winds, and switching it to single-camera mode (which uses one front-facing camera instead of the 360 setup, and records 4K 60fps footage) almost transforms it into an Avata 2.
Overall, the DJI Avata 360 feels like a more well-rounded (no pun intended) and flexible 360 drone than the A1, and at a more affordable price to boot.
DJI Avata 360: price and release dateDJI launched the Avata 360 on March 26 2026, with four different packages available. If you already own some form of compatible controller, you can buy the drone and a single battery for just £409 / AU$799. Packaged with DJI's excellent RC 2 touchscreen and twin-stick controller, it's £639 / AU$1,159.
Note: I haven't included US dollar pricing here, and you may have guessed the reason; DJI's troubles in the US are well documented elsewhere on TechRadar. Suffice to say this drone will not be officially launching in the States, which is a great shame.
There are also two Fly More Combo bundles, both priced at £829 / AU$1,619, each of which includes a nice bunch of extras. Both include the drone, three batteries, a charging cradle (able to recharge all three batteries simultaneously, with support for 100W and 65W fast charging), a set of spare propellers, a folding take-off and landing pad (very useful when launching from tricky terrain or long grass, and something I've not seen included in a Fly More Combo before), and a sturdy, sectioned sling bag to keep everything in. But one of the Fly More Combos includes the RC 2 controller, and the other the DJI Goggles N3 and RC Motion 3. So you're immediately set up for either standard or FPV flight.
This is a really affordable drone, especially when compared to the competition. Even with recent discounts, the Antigravity A1 Standard Combo (which includes the drone plus Vision goggles, a Grip controller, drone carry case and an extra set of propellers) costs over £1,000.
Camera:
2 x 64MP 1/1.1-inch square CMOS sensors
Video resolution:
8K, 6K, 4K
Frame rates:
60, 50, 48, 30, 25, 24fps
Flight modes:
Cine, Normal, Sport
Storage:
42GB internal, microSD card slot
Battery:
2700mAh, up to 22 minutes flight time
Charger type:
USB-C / Battery Charging Hub
Weight:
455g / 16oz (approx.)
Dimensions:
246 x 199 x 55.5mm / 9.7 x 7.8 x 2.2 inches
DJI Avata 360: Design and build qualityRather than a folding design, DJI has opted for the same flat quadcopter shape it's recently used for the Avata 2, Neo and Neo 2. This means it's ready to go in moments (just pull off the included camera cover, if you're using it, and double tap the power button) and also that there are built-in prop guards to help protect the propellers from damage during collisions.
The Avata 360 isn't a super-lightweight drone; DJI claims it's around 455g, but my digital scales showed it to weigh 469g – well over the old sub-250g legal sweet spot. However, thanks to recent changes to UK law, this is no longer the issue it once was. This is the first drone I've seen that's labelled 'UK1' class, meaning that under new CAA guidelines it can be flown over uninvolved people (but not crowds) and closer than 50m to people horizontally. It can also be flown in residential, recreational, commercial and industrial areas. So, that's a good thing – it means I didn't have to venture to the middle of nowhere to test it properly.
It also means DJI hasn't had to make build-quality compromises to hit that magical sub-250g weight. The Avata 360 feels solid, sturdy, and likely to survive minor collisions without catastrophic damage, which isn't something I would say about the dainty, sub-250g Antigravity A1.
The DJI Goggles N3 are included in one of the Avata 360 Fly More Combos, alongside an RC Motion 3 controller.Future | Sam KieldsenThe RC Motion 3 controller, designed for FPV flight.Future | Sam KieldsenThe RC 2 standard controller.Future | Sam KieldsenThe Avata 360 is a class UK1 drone (or C1 in the EU), so it can be flown almost anywhere.Future | Sam KieldsenWith no extended landing gear or feet, the drone doesn't have much clearance from the ground when landing or taking off, so it's important to launch and land on a flat, even surface in order to avoid potential damage. I found the folding orange landing pad including with the Fly More Combos very useful during testing, as landing even on short grass could cause issues.
The Avata 360 has a USB-C port on its side for file transfer and direct recharging, alongside a microSD slot for adding extra storage. That's optional, though, because there's a reasonable 42GB of internal storage built-in. Batteries slot straight into the back and come with the customary four-LED indicator to provide at-a-glance info on remaining power.
Control-wise, you have the choice between using a standard stick controller or a set of FPV goggles and a motion controller. In testing, I used the DJI RC 2 (it's also compatible with the RC-N2 and RC-N3, according to DJI) as my standard controller, and the DJI Goggles N3 paired with a DJI RC Motion 3 (you could also use the Goggles 3 or FPV Remote Controller 3) as my FPV setup, and found both to be excellent – they're sturdily built and comfortable to use. The Goggles N3 don't have a fancy exterior display like Antigravity's do, but on the plus side I can wear them with my glasses on, which I couldn't do on the Antigravity Goggles.
Finally, DJI has designed the Avata 360's camera lenses to be user-replaceable, should they get scratched, during flight or otherwise. The lenses do protrude a little, which does make them more susceptible to contact than most drone cameras, so this feels like a good move from the company.
Like most DJI drones, the Avata 360 is an assured and safety-conscious flyer. It comes with full omnidirectional obstacle avoidance, using a combination of vision, LiDAR and infrared sensors to spot hazards in all directions, plus a reliable return-to-home mode and respectable battery life of up to 22 minutes' flight time (I would put the real-world use closer to 15 minutes, based on my testing, but much will depend on environmental factors – your mileage may vary, as they say).
In the air, it's a nimbler and nippier drone than the Antigravity A1. I found it performed very responsively even in windy conditions, and in Sport Mode (which disables the safety sensors), it's capable of hitting speeds of up to 18m/s (around 40mph). The low-latency O4+ video transmission system is remarkably stable, which helps keep the drone under control at all times. While testing, I never experienced a single loss of signal or even a noticeable reduction in the live-view quality.
(Image credit: Future | Sam Kieldsen)As mentioned, at launch there are two ways to fly the Avata 360: using a standard twin-stick controller or with an FPV headset and motion controller. I love the fact that DJI has given buyers a choice — which for me is one of the main advantages this drone has over its competitor the Antigravity A1, which only offers goggles- and motion controller-based flight. With the Avata 360, a twin-stick controller is perfect for solo trips, as it doesn't require a spotter and the controls are identical to those of standard camera drones like the DJI Mini 5 Pro or Air 3S. It's easy to pick up and fly immediately, with no need to master the intricacies of motion controllers or strap on a set of goggles.
The Avata 360 is equipped with two 1/1.1-inch sensors paired with ultra-wide lenses, which work in tandem to capture everything around it in up to 8K resolution at 60fps. That beats the Antigravity on specs alone (it captures 8K, but only up to 30fps), but the larger sensor size and higher bitrate also make the general image quality higher.
With support for 10-bit video and the flat D-log M color profile, this means the Avata 360 offers excellent video for a 360 drone. It won't trouble the DJI Air 3S or DJI Mavic 4 Pro when it comes to real pro-quality aerial footage, but the Avata 360 can really hold its own in terms of detail and dynamic range.
Once you've captured your 360 footage, it can be reframed using one of DJI's apps. I edited videos on both the DJI Fly mobile app and the DJI Studio desktop app, and both work well and in much the same way. You can choose your desired viewpoint, then save it as a keyframe, and the app will automatically, and smoothly, transition from one keyframe to the next. You can then export the video, with 8K 360 recording resulting in final videos of up to 4K resolution.
For those who don't want to reframe, there's single-lens mode. This records 4K 60fps footage using only a single forward-facing lens, which is delivered as a standard 'flat' video that can't be reframed after the fact. It's akin to recording a video on any of DJI's other camera drones, really — what you see is what you get.
It's also possible to snap 120MP panoramic 360 photos, which can then be edited into short videos or cropped and reframed much like a 360 video. I personally rarely felt the need to take a still shot while reviewing, as video is where the Avata 360 really shines in my opinion, but the feature is there should you need it.
Overall, I'm highly impressed by the Avata 360's camera performance. The base quality is higher than that of its only true rival, the Antigravity A1, and its 360 editing is just as good.
Attributes
Notes
Rating
Price
Cheaper than rivals, and excellent value for its specs and features
5/5
Design
A sturdy drone with user-replaceable lenses
5/5
Performance
Packed with safety features and great in the air
5/5
Image and video quality
Superior to the Antigravity A1, and excellent all-round
5/5
Should I buy the DJI Avata 360?Buy it if...You want the best 360 drone
The Avata 360 beats the Antigravity A1 in every area barring size – and even that's not a major issue given the Avata's UK1 / C1 rating.
You want a flexible, versatile drone
The Avata 360 is both a 360 drone and an FPV drone, and very capable in both roles. It can also be flown using a standard controller, giving you more options.
You want the simplest drone around
360 footage needs to be edited in post-production, and while this isn't a particularly tricky task to master, it does add an extra layer of complexity.
You'd like the best image quality
While the Avata 360's camera is very capable, I'd say DJI's Mini 5 Pro, Air 3S and Mavic 4 Pro all offer superior image quality.
Antigravity A1
This ground-breaking 360 drone has some issues: it's prohibitively expensive, and can be flown only via a motion controller and goggles which, while undoubtedly immersive, requires you to bring a spotter at all times. It's not as zippy or thrilling as flying an FPV drone, and the Avata 360 has it beat for fun, but its 8K 360 video is impressive and the drone's small folding design makes it slightly more travel-friendly than its DJI rival.
Read our in-depth Antigravity A1 reviewView Deal
DJI Avata 2
If you're not bothered about 360 footage, the DJI Avata 2 offers a welcome balance between the forgiving, beginner-friendly flight of a regular camera drone and the adrenaline-inducing controls of a traditional FPV drone. It'll zip through gaps and skim across terrain to give you exciting shots, but won't plummet into the ground at the slightest mistake. FPV purists might scoff, but the rest of us will be having a blast.
Read our in-depth DJI Avata 2 reviewView Deal
(Image credit: Future | Sam Kieldsen)How I tested the DJI Avata 360DJI sent me an Avata 360 a couple of weeks before its official launch, along with an RC 2 controller, an RC Motion 3 grip controller and a Goggles N3 headset. That meant I had the time to fly it in a range of locations and using both a traditional controller and an FPV setup. I did test the drone in some windy conditions at times, but in general flew it in fine weather and good light — aside from the very foggy day you see in one of the sample videos above.
I flew in every available flight mode for both twin-stick and FPV motion flying, tested the drone's subject-tracking capabilities and how capable it was of detecting and avoiding obstacles.
Once I had recorded footage and captured still photos, I later transferred it from the drone's internal storage to my iPhone and computer for editing and reframing, for which I used the DJI Mimo and DJI Studio apps. I also exported reframed footage from DJI Studio to further tweak in DaVinci Resolve Studio, resulting in the sample videos and photos you see above.