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• The People v Gorilla Grodd is the only DCU TV show in active development
• HBO's boss recently confirmed as much at the 2026 Emmys
• His comments have got me fearing for Lanterns' future

The boss of HBO has revealed that only one DC Universe (DCU) TV show is officially in the works — and now I'm afraid for the future of Lanterns.

Speaking to Deadline, Casey Bloys confirmed that The People v Gorilla Grodd (TPvGG), aka the recently announced Superman TV spin-off, is the only TV series in active development at DC Studios.

Asked for a status update on DC's myriad television productions, Bloys replied: "People read about development, and they assume that those are greenlit shows and they're [already in] development. And everybody knows that development is just that — you're trying things, you take big swings, [and] not everything comes through.

"I would say our track record in DC, from Watchmen to Peacemaker to Penguin and now Lanterns, is pretty good. We're very selective. We're careful about what we do, nothing has changed. You'll read about development, but focus on what we're greenlighting."

Pressed on whether any other show was in active development, Bloys added: "No, not right now, obviously you've got [The People v] Gorilla Grodd, which I'm very happy about, [they're] doing something different, and I think it's a really fun idea. They just started shooting."

Why I'm fearing the worst for the fate of HBO's Green Lantern TV show

Fans have fallen in love with the abrasive Hal Jordan since Lanterns premiered in mid-August (Image credit: DC Studios/HBO Max)

For fans who've immersed themselves in the DCU since day one, Bloys' comments will be of concern.

Indeed, when DC Studios co-head James Gunn revealed the official lineup for DCU Chapter One in January 2023, six small-screen projects were unveiled as part of the rebooted cinematic franchise's initial slate.

Since then, four more series have been added to the list of potential TV candidates, but only one — The People v Gorilla Grodd — has been greenlit. Meanwhile, some shows that were named as part of Gunn's initial announcement, including Waller and Paradise Lost, have reportedly been shelved. Others, such as Booster Gold, have been trapped in development hell.

John Stewart has also won a whole new army of fans in HBO's Green Lanterns TV show (Image credit: HBO)

With Bloys outright confirming TPvGG is all that DC Studios' TV division is actively working on, it's not surprising that fans — myself included — are fearing for Lanterns' future.

The Aaron Pierre and Kyle Chandler-led sci-fi crime drama, which has seen its audience share seemingly grow week-on-week amid positive word of mouth, is one of the most popular shows on television right now. With three more episodes of its debut season yet to air (at the time of publication, anyway), I'm convinced that its viewership will increase in the weeks to come, too.

Considering that HBO's Green Lantern TV show has been such a hit, it's inevitable that a second season will be made, right? Not if we believe Bloys. After all, there are numerous examples of hugely successful shows — on HBO, HBO Max, and otherwise — that haven't returned for another round. There's no guarantee, then, that Lanterns season 2 will be a thing.

That said, DC Studios has assembled a writers room for Lanterns season 2 to kick around potential story ideas. That doesn't mean DC and HBO have pledged to make another season of the DCU Chapter One program, but it does offer hope that, if the right story angle can be found, another eight-part installment might be *ahem* constructed.

As I said at the start of this article, though, I am worried for Lanterns' fate. Bloys is likely playing it coy, but I'm of the opinion that he would've had something positive to say about Lanterns' future if a sophomore season was more likely to happen than not. Right now, then, I'm reluctantly confident that it'll be a one and done scenario.

Mind you, that doesn't mean we won't see Pierre's John Stewart — and, potentially, Chandler's Hal Jordan — again in the DCU. Pierre's Stewart is already set to play a role in Man of Tomorrow, aka next July's follow-up to Gunn's Superman sequel. Meanwhile, there are unsubstantiated rumors floating around that a DCU Green Lantern movie might be fast-tracked because of how popular Lanterns has proven to be.

If, and it's a big if, we get a big-screen Lanterns follow-up to the hit comic book-inspired show, you certainly won't hear me complaining about the decision not to make a second season.

For now, find out everything we know so far about Man of Tomorrow, get the full lowdown on The People v Gorilla Grodd, and learn all there is to know about Clayface.

On Wednesday, the Senate committee on health holds a confirmation hearing for three top health officials, including surgeon general. Dr. Nicole Saphier is President Trump's third attempt to nominate a surgeon general.

(Image credit: John Lamparski)

A European Union-backed court convicted former Kosovo President Hashim Thaci of war crimes committed during his country's war for independence from Serbia and sentenced him to 25 years in prison.

(Image credit: Koen van Weel)

Here’s my take after testing.

• The Boox Palma 3 has been announced
• This is a phone-sized ereader with a 6.13-inch screen
• Key upgrades include Android 16, stylus support, and a more premium build

If you’re in the market for a phone-sized ereader, you now have another option to consider, as the Boox Palma 3 has just been unveiled — and this successor to the Onyx Boox Palma 2 has some of the key features found on the rival ViWoods AiPaper Reader.

For one thing, just like the ViWoods device, the Boox Palma 3 now has a premium build, with an anodized aluminum frame and a textured fiberglass backplate in place of its plasticky predecessor.

And it’s also had an Android upgrade, launching with a ViWoods AiPaper Reader-matching Android 16, which is up from Android 13 on the Boox Palma 2 and Android 15 on the Onyx Boox Palma 2 Pro.

For me, that’s particularly important, as Android versions don’t tend to get updated on these sorts of devices, so you’re typically stuck with whatever software they launch with; old versions of software can mean security issues, and app incompatibility problems can crop up sooner.

Beyond that, the Boox Palma 3 also benefits from active stylus support, so you can use it with the Boox InkSense Plus stylus. The AiPaper Reader doesn’t have stylus support, nor does it come with a camera, whereas here you get a 16MP one, so those are two potential advantages of the Boox Palma 3.

Personally, I’m not sure I’d want to use a stylus on a device this small, nor do I have much use for a camera on an ereader — but it could be handy for scanning documents, if you’re so inclined.

(Image credit: Onyx)Similar specs and a heavier build

That camera and the rest of the specs, though, are largely in line with those of the Boox Palma 2, including a 6.13-inch 824 x 1648 e-paper touchscreen with 300 pixels per inch, 6GB of RAM, 128GB of storage, a microSD card slot, a front light (supporting both warm and cold color tones), a 3,950mAh battery, a USB-C port, a fingerprint sensor, a speaker, and microphones.

But despite being marginally smaller than the Boox Palma 2 at 159 x 78 x 7.8mm, the Palma 3 is actually 25g heavier at 195g.

That also makes it heavier than the 138g ViWoods AiPaper Reader and the 170g Boox Palma 2 Pro — the latter of which additionally gives you a color screen and an extra 2GB of RAM.

So, this may not be a complete home run — or a total upgrade for anyone who owns the Palma 2 Pro.

Indeed, the Palma 3 is actually priced lower than the Palma 2 Pro, coming in at $339.99 (around £250 / AU$475), though a launch discount softens that price to an even lower $319.99 (roughly £235 / AU$450).

There’s no confirmed pricing for other regions yet, but for reference, while the Palma 2 has been discontinued, the Palma 2 Pro sells for $399.99 / $379.99 / AU$679, and its rival, the ViWoods AiPaper Reader, retails for $279 / £254.99 / AU$399.12.

You also can’t actually buy the Boox Palma 3 yet, but the company lists it as coming soon.

Saudi Arabia accused Yemen's Iran-backed Houthi rebels overnight of trying to attack Islam's holiest city, prompting condemnation from countries in the region but no sign of military support.

(Image credit: Marzouq Al Jabri)

The new iOS 27 feature lets you bounce between two iPhones easily, but the carrier is charging for it. And AT&T is staying hands-free for now.

One of the country's first known female tattoo artists was born on a Kansas farm. Maud Stevens Wagner ran off to join the circus and later became a tattoo legend.

(Image credit: Library Of Congress Prints And Photographs Division)

Federal data shows many borrowers who aren't paying their loans went to private, for-profit colleges — schools that often market to low-income students and rely on federal financial aid for revenue.

(Image credit: Jessica Pons for NPR)

Data suggests many candidates are embracing AI this year to boost their image and portray their opponents unfavorably. But whether it will turn out voters remains unclear.

(Image credit: AI-generated campaign ads)

Because of a data lag, the current reality of access may be even worse.

(Image credit: Anna Watts for NPR)

The Fed is widely expected to raise its benchmark interest rate to combat stubborn inflation. That could make it more expensive to borrow money to buy a car or carry a balance on a credit card.

(Image credit: Win McNamee)

In the span of just over two weeks this summer, three of the world's most closely watched AI developers admitted the same uncomfortable thing. Their own models broke out of the sandbox and touched systems they were never supposed to interact with.

OpenAI disclosed on July 21 that models it was evaluating exploited a vulnerability and compromised production infrastructure at Hugging Face, an incident the company said was driven end-to-end by an autonomous agent with no human directing it.

Days later, Anthropic said three of its Claude models, including Opus 4.7 and its newest Mythos 5, had accessed and compromised the systems of three outside organizations during cybersecurity testing exercises, after a misconfiguration left the models connected to the open internet when they had been told they weren't.

And on August 5, Meta confirmed its Muse Spark 1.1 model breached an unnamed company's systems under strikingly similar circumstances.

A pattern, not an anomaly

At the current pace, this isn't a rare event security teams can plan around once a year. It's becoming a recurring line item. Notably, Anthropic and Meta's incidents traced back to the same third-party evaluation partner, and in Meta's case, the model's cyber risk had already been assessed as no higher than moderate before the very testing process meant to confirm that assessment ended up breaching a real company.

That detail matters as it shows the failure point isn't just the model. It's the surrounding scaffolding of evaluations, permissions, and network paths that organizations assume is contained until it isn't.

This should be viewed as an early warning for organizations about autonomous systems moving from content generation into action execution. The practical lesson, now repeated three times over, is that advanced AI systems can behave in harmful or unexpected ways even when the original goal is not malicious, especially when they are given tools, network paths, credentials, and incentives to complete a task at any cost.

For companies, the takeaway is not to halt AI adoption. It's to treat agentic AI as a new class of privileged workload that requires containment, observability, and enforceable runtime controls.

Govern agents like high-risk digital workers

That starts with AI agent identity management. Companies should double down on this discipline and be very deliberate about what agents are allowed to access and do. Each agent should have a unique identity, scoped permissions, short-lived credentials, and clear ownership, so organizations can trace actions back to a specific system, use case, and accountable business owner.

Access should be limited by default, with explicit approval gates for higher-risk activities such as internet access, code execution, credential retrieval, data movement, or changes to production systems.

In practical terms, organizations should govern AI agents like high-risk digital workers: least privilege by default, separation between test and production environments, detailed logging of tool use and system interactions, and a kill switch that security teams can trigger the moment behavior deviates from policy.

Prevention, monitoring, and the road ahead

Prevention also requires moving beyond traditional application security testing. Organizations should red-team agents against realistic misuse paths, including prompt injection, tool abuse, lateral movement, credential harvesting, data exfiltration, and attempts to bypass sandbox restrictions. They should also continuously monitor agents for harmful impacts, not just technical failures.

That means watching for unauthorized access attempts, unusual tool-chaining behavior, unexpected data movement, policy violations, and actions that could create operational, security, privacy, or reputational harm. Periodic audits should review agent permissions, identities, logs, business justification, and actual behavior to confirm that each agent is still operating within its intended purpose and risk tolerance.

Will this become a trend? With three disclosures in seventeen days, that question is close to settled. Autonomous agents will increasingly be able to discover, combine, and exploit weaknesses faster than traditional security processes can respond.

The risk is not simply “AI hacking AI.” It's autonomous decision-making operating inside complex digital ecosystems where one model, plugin, dataset, API, or identity path can become the bridge into another environment, exactly what played out at Hugging Face, inside Anthropic's testing environment, and now at Meta's.

The companies that will be best positioned are those that pair AI innovation with disciplined identity management, access limitation, continuous monitoring, and routine audit practices, rather than treating each new disclosure as an isolated incident to react to after the fact.

The pragmatic message for executives, especially as this list of companies keeps growing, is that agentic AI can create significant business value, but only if autonomy is matched with accountability, containment, and operational guardrails.

We've featured the best endpoint protection software.

This article was produced as part of TechRadar Pro Perspectives, our channel to feature the best and brightest minds in the technology industry today.

The views expressed here are those of the author and are not necessarily those of TechRadarPro or Future plc. If you are interested in contributing find out more here: https://www.techradar.com/pro/perspectives-how-to-submit

The Fed is expected to raise interest rates Wednesday, new reports detail the damage and $30 billion price tag of the Iran war, Kennedy Center board votes to close after judge's ruling.

The remarkable revelation comes after previous warnings about countries such as Russia possibly weaponizing a global frontier long agreed in treaties to be used for only peaceful purposes.

(Image credit: Matt Rourke/)

We're living in a drought of bold and brave storytelling. By that, I mean that almost everything we consume on our favorite streaming services plays it safe, looks the same, or lacks so much substance that you can't really say anything about it other than "it's fine".

MobLand, however, has been bucking that trend, and season 2 continues to build on an authenticity that's light years ahead of anything else. Why? At large, it's because MobLand trusts its audience to be able to think critically.

You've probably read reports of streamers modifying their scripts and plots to accommodate 'second screen' viewers — subscribers who've put something on in the background while doing something else. Without naming any names, this is starting to result in bland, unambitious storytelling that spoon-feeds you information unnecessarily.

But MobLand season 2 shows us just how fulfilling the results can be when creators and distributors alike are prepared to disrupt popular industry trends. The rich, complex layers to the central storyline feel never-ending, forcing you to play close attention to every second of dialogue and action.

The Harrigan family, as always, are unhinged. Conrad's (Pierce Brosnan) feud with Kevin (Paddy Considine) ramps up a notch, embroiling new 'fixer' Frankie (Johnny Flynn) in their mess as family arch-rival Kat (Janet McTeer) tries to take control of London from a distance.

This leaves Harry (Tom Hardy) having to clean up even more mess than before, particularly considering his and Jan's (Joanne Froggatt) impending divorce. On top of that, daughter Gina (Teddie Allen) has gone missing.

If you think you understand, you don't — between the Harrigans and us, it's the blind leading the blind. But that makes tuning into Paramount+ this week all the more enriching... because everyone is prepared to take a risk.

MobLand season 2 is a masterclass in how 2020s TV should be constructed

There's something so wonderfully hypnotic about watching a Dame and a former James Bond shower us with See You Next Tuesdays like it's no big deal (I counted, and Conrad says this four times within the first six minutes of episode 1). But such gimmicks aren't what makes MobLand season 2 so entertaining.

As I've touched on above, it all comes down to the construction. Having a whip-smart script, edgy editing and a soundtrack so defiant that Spotify would ask a listener with the same taste if they were okay, doesn't automatically give you a good show — all elements of production need to be working in complete synergy.

There will be no spoilers in this review, so I need you to trust me when I say that some scenes had all of their creative elements working in such beautiful harmony that I spiritually ascended. Never before have I wanted to be involved in organized crime, but throw me into an action sequence with dynamically rhythmic edits and Firestarter by The Prodigy as the soundtrack and I'd seriously consider it.

If I had to described MobLand season 2 in one word, it would be relentless. From the onslaught of family issues to the duplicity and deceit within them, nothing ever lets up. It's a mental scramble to keep up with everything that happens in a single episode (let alone the entire season); Guy Ritchie has created the most violent workout for the mind possible.

Throw yourself into it at full-throttle and you'll never want the grip of MobLand to let you go. It's not worth having any favorites — they'll either die or deceive you — but that in itself is a fitting lesson in trust. You stick out the ride and try to survive, and become pleasantly addicted to the process.

I've never loved a 'prick on a scooter' more

(Image credit: Paramount+)

It goes without saying that our ensemble cast is, as always, on top form. If there was any truth to the alleged behind-the-scenes drama involving Tom Hardy, all it's done is fuel the fire of some exceptional television. Harry's constant need to live on his wit's end is often amusing, while Conrad's slowly declining grip on reality never loses its gravitas.

Maeve (Helen Mirren) needed no improvement, really, but I've particularly enjoyed her power-dressing wardrobe this time around. In direct contrast is Bella (Lara Pulvey), who is the most fretful and unguarded we've ever seen her. Seraphina (Mandeep Dhillon) is on the way up the food chain, but her own worst enemy.

It's a social study in how complicated humans are while intent on making their own problems infinitely worse, then. But a particular shoutout must go to our most important newcomer, "prick on a scooter" Frankie Cooper.

Without giving too much away, he's brought into's Harry's orbit to act on behalf of the terrifyingly aloof Kat, all while dressed like the third Gallagher brother if he used the Lime app. With a chillingly monotone voice, and eyes that seem like they're constant dissociated from the world around him, he's the first genuinely troubling threat to Harry since the show began.

Frankie's relationship to everyone around him is just another fascinating dimension to behold, revealing a collective fear and vulnerability among the rest of the characters that we've not yet seen. From beginning to end, Ritchie's thought process is truly masterful.

Thank God MobLand season 3 is already a done deal. Thank God we get to experience more of this addictive high. If you thought The Gentlemen season 2 was good, you ain't seen nothing yet.

We're living in a drought of bold and brave storytelling. By that, I mean that almost everything we consume on our favorite streaming services plays it safe, looks the same, or lacks so much substance that you can't really say anything about it other than "it's fine".

MobLand, however, has been bucking that trend, and season 2 continues to build on an authenticity that's light years ahead of anything else. Why? At large, it's because MobLand trusts its audience to be able to think critically.

You've probably read reports of streamers modifying their scripts and plots to accommodate 'second screen' viewers — subscribers who've put something on in the background while doing something else. Without naming any names, this is starting to result in bland, unambitious storytelling that spoon-feeds you information unnecessarily.

But MobLand season 2 shows us just how fulfilling the results can be when creators and distributors alike are prepared to disrupt popular industry trends. The rich, complex layers to the central storyline feel never-ending, forcing you to play close attention to every second of dialogue and action.

The Harrigan family, as always, are unhinged. Conrad's (Pierce Brosnan) feud with Kevin (Paddy Considine) ramps up a notch, embroiling new 'fixer' Frankie (Johnny Flynn) in their mess as family arch-rival Kat (Janet McTeer) tries to take control of London from a distance.

This leaves Harry (Tom Hardy) having to clean up even more mess than before, particularly considering his and Jan's (Joanne Froggatt) impending divorce. On top of that, daughter Gina (Teddie Allen) has gone missing.

If you think you understand, you don't — between the Harrigans and us, it's the blind leading the blind. But that makes tuning into Paramount+ this week all the more enriching... because everyone is prepared to take a risk.

MobLand season 2 is a masterclass in how 2020s TV should be constructed

There's something so wonderfully hypnotic about watching a Dame and a former James Bond shower us with See You Next Tuesdays like it's no big deal (I counted, and Conrad says this four times within the first six minutes of episode 1). But such gimmicks aren't what makes MobLand season 2 so entertaining.

As I've touched on above, it all comes down to the construction. Having a whip-smart script, edgy editing and a soundtrack so defiant that Spotify would ask a listener with the same taste if they were okay, doesn't automatically give you a good show — all elements of production need to be working in complete synergy.

There will be no spoilers in this review, so I need you to trust me when I say that some scenes had all of their creative elements working in such beautiful harmony that I spiritually ascended. Never before have I wanted to be involved in organized crime, but throw me into an action sequence with dynamically rhythmic edits and Firestarter by The Prodigy as the soundtrack and I'd seriously consider it.

If I had to described MobLand season 2 in one word, it would be relentless. From the onslaught of family issues to the duplicity and deceit within them, nothing ever lets up. It's a mental scramble to keep up with everything that happens in a single episode (let alone the entire season); Guy Ritchie has created the most violent workout for the mind possible.

Throw yourself into it at full-throttle and you'll never want the grip of MobLand to let you go. It's not worth having any favorites — they'll either die or deceive you — but that in itself is a fitting lesson in trust. You stick out the ride and try to survive, and become pleasantly addicted to the process.

I've never loved a 'prick on a scooter' more

(Image credit: Paramount+)

It goes without saying that our ensemble cast is, as always, on top form. If there was any truth to the alleged behind-the-scenes drama involving Tom Hardy, all it's done is fuel the fire of some exceptional television. Harry's constant need to live on his wit's end is often amusing, while Conrad's slowly declining grip on reality never loses its gravitas.

Maeve (Helen Mirren) needed no improvement, really, but I've particularly enjoyed her power-dressing wardrobe this time around. In direct contrast is Bella (Lara Pulvey), who is the most fretful and unguarded we've ever seen her. Seraphina (Mandeep Dhillon) is on the way up the food chain, but her own worst enemy.

It's a social study in how complicated humans are while intent on making their own problems infinitely worse, then. But a particular shoutout must go to our most important newcomer, "prick on a scooter" Frankie Cooper.

Without giving too much away, he's brought into's Harry's orbit to act on behalf of the terrifyingly aloof Kat, all while dressed like the third Gallagher brother if he used the Lime app. With a chillingly monotone voice, and eyes that seem like they're constant dissociated from the world around him, he's the first genuinely troubling threat to Harry since the show began.

Frankie's relationship to everyone around him is just another fascinating dimension to behold, revealing a collective fear and vulnerability among the rest of the characters that we've not yet seen. From beginning to end, Ritchie's thought process is truly masterful.

Thank God MobLand season 3 is already a done deal. Thank God we get to experience more of this addictive high. If you thought The Gentlemen season 2 was good, you ain't seen nothing yet.

Ed Sheeran's tour of North and South America was plunged into chaos when four of his supporting acts quit in solidarity with the rapper Macklemore, who was dropped for making pro-Palestinian comments.

(Image credit: AP Photo)

Garmin’s Forerunner 170 is a solid running watch that brings great performance and smart features, all in a light and small package, and I particularly loved the Music version for phoneless short runs and activities. The watch was even found to be very accurate, according to my colleague Matt Evans’ testing.

At AU$479 (or AU$549 for the Music version), however, it isn’t the most affordable as far as fitness smartwatches go — so when I found the older (but higher-tier) Forerunner 265 discounted by 38% on Amazon, I knew this was a deal too tempting to pass up.

Featuring a more accurate dual-band GPS technology, 13 days of battery life, more size options and on-watch music storage, the Forerunner 265 is hard to beat for just AU$498.

This discount takes what our reviewer called the best running watch for most people in 2023 to its all-time low price on Amazon, which is about AU$50 cheaper than during recent sale events like EOFY and Prime Day. The smaller 42mm Forerunner 265S is also available for the same price and in more colours.View Deal

The Garmin Forerunner 265 was the first small Forerunner model with a touchscreen AMOLED display, replacing its predecessor’s monochrome memory-in-pixel display, to make it look and feel similar to something like an Apple Watch or a Samsung Galaxy Watch.

It also features dual-band or multi-frequency GPS for high-precision tracking in dense cities or heavy tree cover, which is technically superior to the Forerunner 170’s single-frequency multi-GNSS tracking.

The 170 is only available in the single 43mm size, while the 265 comes in 46mm and the smaller 265S is 42mm, providing more options for different wrist sizes.

The biggest criticism from our reviewer is the Forerunner 265’s price hike over its predecessor, and slightly worse battery life, which can be credited to the switch to an AMOLED display, but this discount takes care of the former in spades.

Interested in other Garmin products? Check out the latest Garmin Australia coupons here.

As TechRadar’s coffee expert and custodian of our guide to the best coffee machines in Australia, you can rest assured I make it my mission to trial as many espresso machines as possible. One brand that has, so far, eluded me, however, is Jura.

Judging by our Jura J10 and Jura Z10 reviews, that’s clearly a shame, as the Swiss brand is an expert in all things automatic coffee machines. And that’s exactly why a massive 57% discount on the Jura S8 at The Good Guys piqued my curiosity and made me do a double take.

Plummeting from AU$3,690 to AU$1,589, this is a prime opportunity to snap up an uber-premium bean-to-cup machine to take pride of place in your kitchen for years to come.

S8 (1561): was $3690 now $1589
This premium fully automatic coffee machine grinds, brews and froths milk at the touch of a button. With 27 preset drinks available, including the ability to incorporate flavoured syrups, it’s essentially your own at-home barista. Make sure to hit the Price Beat button the full saving.View Deal

While I do enjoy getting hands on with a coffee machine — I’m a huge fan of the KitchenAid Semi-Automatic, for example — in my mind an automatic model is ideal. I can press a couple of buttons, pull up a saved recipe and have my coffee brewing whilst attending to other tasks.

The Jura S8 therefore looks like it could be my new best friend for a number of reasons. Firstly, Jura has been making automatic coffee machines for around 40 years, so it arguably has the expertise to understand what makes a decent cuppa.

That experience extends to proprietary technologies, including its P.A.G.2 grinder with its seven selectable grind levels, an eighth-generation 3D brewing unit that passes water through coffee on multiple levels for a more even extraction and the use of the Pulse Extraction Process (P.E.P.) that pushes water through the puck in pulses rather than one uninterrupted flow, to optimise extraction time.

The 27 drinks can be customised to a great extent too, with 10 strength settings, programmable water and milk quantities and three brewing-temperature settings. And, as mentioned earlier, the S8 can produce Sweet Foam — milk foamed with flavoured syrup during preparation. My colleague Cat Ellis has said the results are “delicious” in her Jura J10 review. Plus, the large 4.3-inch touchscreen looks glorious in pictures.

On paper then, the Jura S8 looks to be the perfect coffee machine for me. Not only does it promise top-tier performance, but I also think it’s a bit of a looker compared to many other machines that are more akin to black boxes.

This huge AU$2,101 saving at The Good Guys lists an end date of September 30, so while you do have a little bit of time to take advantage, it could transpire that stock could run out before then!

Want more suggestions?

If spending over AU$1,500 on an automatic coffee machine is too much for your budget, fret not, as there plenty of excellent models available for less. And, in some cases, you can actually find a machine that offers even more features than the Jura, for less money. Here are some other top-rated alternatives.

KF3: was $1349 now $1149
The best automatic coffee machine you can buy right now in my opinion, this KitchenAid model brews a delicious espresso time after time, offers a good level of personalisation, has a good (but not great) milk-foaming system, and intuitive navigation.View Deal

Eletta Explore Perfetto: was $1999 now $1199
The Eletta Explore is one of De’Longhi’s flagship series. This particular model can foam hot and cold milk, is controlled via a touch panel and can brew a large selection of drinks. View Deal

4400 Series Fully Automatic Espresso Machine: was $1199 now $797.36
This Philips machine is one of my favourites, and while it has gone lower in price before, I still consider this to be a great value for what is a great bean-to-cup espresso machine. View Deal

Luxe Café Premier: was $849.99 now $727
As we said in our 4.5-star Ninja Luxe Café review, this bean-to-cup coffee machine is worth the hype. Our tester said it was "an espresso machine anyone can master" that offers pro-level drinks without the effort. It’s all thanks to various technologies that determine the ideal grind size and automatically froth milk, meaning anyone can be an at-home barista. View Deal

J10: was $3990 now $2965
Ok, so this one costs more, but since I've referenced it a couple of times already, I had to include it here given the saving on offer. It does an excellent job of the fundamentals and adds the ability to make cold brew, along with a 42-drink menu.View Deal