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My favorite thing about WWE 2K26 is a relatively minor feature. At the start of every match, you get the choice of what actions your character will take. Do you bumrush your opponent and try to knock them down out of the gate? Do you go in for a staredown or a handshake? Or do you hang back and play to the crowd? Yearly sports games don't tend to feature massive overhauls, but this implementation of a little bit of psychology shows me that deep down, Visual Concepts gets it.

Review info

Platform reviewed: PS5
Available on: PS5, Xbox Series X|S, PC, Nintendo Switch 2
Release date: March 13, 2026 (Early access on March 6, 2026)

Since returning with WWE 2K22, these games have gotten steadily better with each release, and WWE 2K26 is no different. The grappling feels better thanks to the aforementioned change and an updated stamina system that forces you to play tactically; the roster is huge, and the updated match types are mostly winners. But as is the tale with the WWE 2K series, its improvements are undercut by what feels like new ways to make money.

Hotdogging and grandstanding

(Image credit: Visual Concepts/2K)

One major change to WWE 2K26 is the absence of the traditional "buy a pack, get x wrestlers" DLC model. This year introduces the ringside pass, of which there will be 6 across the entire year. There's also a free route, which is how you unlock WWE Legends this year as opposed to previous years, where there was an in-game shop or unlock-everything DLC to grab. I don't blindly hate battle passes in games, but in 30 hours of playing WWE 2K26, I've barely hit the halfway point of the first pass.

Sure, there are ways to gain levels faster, such as your MyRise playthrough or Showcase mode – the latter of which is one-and-done – while the quickest ways seem to be through The Island and MyFaction, two modes that are playable without spending a penny but far easier for those who do invest. Paired with the ability to buy level skips, it feels like a rough trade from simply getting the characters you pay for – especially when there are still characters locked to MyFaction card drops through random number generating (RNG) on top of that. And while you can complete these battle passes at any time across the year, you can only work towards one at a time, meaning anyone who isn't playing consistently from day one will get left behind.

This is paired with another symptom of the yearly sports release, that some things just don't get touched. Aside from the ability to book intergender matches, MyGM – which should be my favorite mode as someone who was begging for a booker mode in these games from 2008-2022 – remains practically unchanged from WWE 2K25, and thus my same issues persist (namely, the super restrictive class and alignment systems).

Best in the World

(Image credit: Visual Concepts/2K)

The highlight of this year's modes is 2K Showcase – the yearly mode focusing on a story, be that of a wrestler, a family, or a show in which you play recreations of classic matches – with this year's focusing on cover star CM Punk. While there are some notable omissions from the mode, like the absence of Jeff Hardy, Chris Jericho, and Daniel Bryan from WWE, stopping those feuds from being included, it's a lengthy selection that covers the bases.

Punk notably had a very public falling out with WWE in 2014 before returning in 2023, and part of this year's Showcase is imagining what would happen if he didn't leave. These include the likes of his planned showdown with Triple H at Wrestlemania 30, taking on AJ Styles at his first Wrestlemania, and fighting Bray Wyatt as The Fiend. These are the absolute highlights of this mode and made me wish deep down we could've seen them happen in real life.

I typically prefer MyRise – a storyline featuring a created character – most years, but sadly, I'm a bit let down by this year's edition. Don't get me wrong, The Comeback and the story of The Archetype is one of the best stories told in the series to date, but you can feel the budget ripped out of this mode as you play.

As opposed to the separate men's and women's division stories of previous years, it's pretty much the exact same story across both, with recurring dialogue and events, just with women instead of men in roles. And like last year, side quests are gone entirely; instead, you play Rise matches, which are simple exhibition matches against wrestlers to earn stars. These are fine as a side thing to buff your character, but you're forced to play them between pretty much every main storyline, and it feels like tedious, artificial padding.

Boy Stable

(Image credit: Visual Concepts/2K)

After hating it last year (I called it "a superfluous mode that feels focused on money"), The Island returns this year, and shockingly, it feels a lot more interesting. Instead of still images and text, the mode features actual cutscenes this year, making it feel like an extension of MyRise in ways.

But once again, you create a new character for The Island, and this character’s stats are upgraded via VC – the game’s premium paid currency, which can also be earned in-game. So if you want to play one of the mode's towers, which challenge you to play a gauntlet of matches on one health bar, you're going to have a far rougher time with your base stats. Plus, you can battle other players online on The Island, and I don't need to tell you that the person who spends money will have a better time.

Best Bit

(Image credit: Visual Concepts/2K)

The CM Punk Showcase mode, filling in the blanks of his decade-long WWE absence, was filled with genuinely great 'What If?' moments, like him retiring Kurt Angle at Wrestlemania 35 or answering John Cena's US title open challenge.

But ultimately, I think, why would I want to spend money on this? I received a review code for the Monday Night Wars Edition of the game, which comes with a substantial amount of VC anyway, but I still feel like I'm wasting it to buff up a character I frankly don't care about. And given MyRise has gotten smaller both years The Island has been included, I can't say I'm a fan of this tradeoff from one of my favorite modes to one I can't see myself thinking about too often.

I'd much rather save the VC for MyFaction – the game's Ultimate Team equivalent. But not because I'm madly into MyFaction, but because exclusive versions of superstars are often locked behind this mode's RNG. Do you want Drew McIntyre's 2010 version with his fantastic theme song? Better hope you get him. What about Booker T's iconic King Booker gimmick? Well, you're going to need to get five Oddities cards, which are random drops. Plus, you straight up can't play certain missions or challenges without having access to certain cards, so get spending, I guess.

WWE 2K26 continues the series tradition of frustrating me with every entry. There's a fantastic wrestling game in there; the roster is great, the showcase is an excellent piece of throwback and fantasy about one of the best wrestlers of all time, and MyRise continues to be a fun story despite feeling majorly cut back. But the Ringside Pass is another red flag on top of the existing red flags of previous years and something that will need to be significantly tweaked for me to consider it a suitable replacement for the previous method.

Should you play WWE 2K26?Play it if...

You want a great wrestling game
WWE 2K26 is great grappler that improves upon last year's entry in solid iterative ways. It's not going to be a major overhaul for series regulars, but smart changes make for a more engaging battle system. And there's a lot of it among the specific modes.

You're a fan of wrestling history
The CM Punk Showcase mode is already a brilliant edition in its own right, but the inclusion of those "what if I never left" matches offers an interesting take on what is one of the most significant events in wrestling history.

Don't play it if...

You get fomo
You won't unlock everything in WWE 2K26. It's updated all year with new exclusive characters locked to MyFaction cards, and with the addition of grindy battle passes this year, that's only going to get worse.

You're extremely averse to microtransactions
You can play WWE 2K26 entirely without spending a penny, but some of the modes are made far more accessible and easier for those willing to put a bit of coin in.

Accessibility features

WWE 2K26's accessibility features are mainly focused around mini-games. You can change the timing-based pinfall minigame to a rapid press motion if you please, or change the rapid press submission game to a slider, alongside the option to include held inputs for both, but these won't be changed for any online modes. Outside of that, there's not much to write home about, with four difficulty options and manual AI sliders. However, there are no options for colorblindness, unfortunately.

How I reviewed WWE 2K26

I played 30 hours of WWE 2K26 on PS5 Pro using a DualSense Wireless Controller, and an LG C5 OLED TV with its built-in sound.

During this time, I played all of Showcase mode, a Babyface men's division run of MyRise, and the first few chapters of a Heel women's division run. I played a few months of My GM and Universe mode, a few chapters of The Island, and about four hours of MyFaction – mostly the towers. I also played a good few regular matches along the way.

First reviewed February-March 2026

WWE 2K26 takes one step forward and two steps back by infusing the series' best wrestling game to date with obnoxious monetization and a scaled-back MyRise campaign.

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There has never been a better time to be Rachel Weisz, or indeed, a Rachel Weisz fan. Since The Favorite in 2019, she's been in a string of steamy TV sessions from Prime Video's Dead Ringers remake in 2023 to brand new Netflix show Vladimir, based on the hit novel of the same name.

I could wax lyrical about how refreshing it is to see a woman over 50 consistently and unashamedly explore her sexuality onscreen until the cows come home, but the projects Weisz is picking are so much more than that. For one thing, Vladmir is possibly the most uncomfortable binge watch of my entire adult life.

Let me explain. Weisz's character, simply know as The Protagonist (let's call her P for clarity) is a professor at a university with her husband John (John Slattery), who has been suspended after numerous sexual assault allegations against him have come to light.

At the same time, new professor Vladimir (Leo Woodall) arrives on campus — and despite them both being married, P becomes infatuated with him, fantasizing about the idea of Vladimir whenever she can.

It's a morally conflicting watch, making it something you can barely tear your eyes from. Much like P, we can't fight the pull of overwhelming desire, but we know what's unfolding is abhorrently wrong at every level. For that alone, I think Vladimir is the first truly unmissable TV show of 2026.

In Vladimir, sex has never been more sordid or scandalous

Netflix invites us to "descend into sexy madness" while watching Vladimir, and that's an incredibly apt summary. M is clearly an academically smart and well-educated woman, but when it comes to her moral compass, she's operates like a clueless teenager.

It's hardly a spoiler to say P throws her family, career and sanity out of the window in order to objectify and clamor over Vladimir while he shows very little signs of reciprocation. When we meet him, he's a true family man, putting his daughter and marriage to fellow troubled colleague Cynthia (Jessica Henwick) before professional ambition.

I like that there's no real reason for P self-sabotaging, as we often don't understand those who choose to in real life. She hates John for putting her in such a precarious position, but equally uses him as a vessel to act on her feelings for the version of Vladimir she's created in her head.

You might think this sounds like a modern feminist icon, shunning the conventions of marriage and professionalism in order to be fully liberated by sex and passion. However, her stance on the female complainants against her husband puts an end to this, with P making it clear that she believes the women in question are just as at fault.

We're left with a complicated soup of unadulterated mess to sift through, making us critically engage in ways we're normally afraid to... and this is our real breath of fresh air moment.

Content is arguably taking the safe route, trying not to ruffle any feathers or give viewers any pause for thought. There's a reason why the likes of Virgin River and Sweet Magnolias are championed by Netflix, and with Vladimir, it's going against the grain.

Don't get me wrong, it's an incredibly uncomfortable binge

Reality, or an illusion? (Image credit: Netflix)

Don't get me wrong, though... you'll likely find Vladimir an incredibly tough watch. Not just because the subject matter is morally dubious, but because the new Netflix show really turns up the spice.

Almost all of the 8 episodes feature a hot and heavy sex scene, and showrunner (and original author) Julia May Jonas has spectacularly nailed the spice. Nothing is gratuitous or unnecessary, and desires are explicitly explored with nothing off-limits. Honestly, it's all you could ever ask for.

By this point, it hopefully goes without saying that Weisz is completely mesmerizing, and she's head and shoulders above the additional cast. In a way that brings Notes on a Scandal, Misery and Fleabag together, she frequently breaks to fourth wall to talk directly to viewers, yet it remains difficult to understand exactly what she's going to do next.

Jonas frequently distorts P's imagination and reality, combining them into the same indistinguishable scene. Vladimir is an incredibly easy binge watch too, with all 8 episodes coming in under the 30-minute mark. It's all like taking a medicine you know isn't really any good for you.

Sure, John inserts himself too heavily into the story when he's the last thing we care about, but everything else about Vladimir is sexy from start to finish. Sexy is often unhinged when you take off the rose-tinted glasses, and this is truly a warts-and-all experience.

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Vladimir is my new Netflix show obsession — and it makes lust, yearning and foolhardy desire more excruciating than ever.

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