Technology

• A researcher claims a fix for an older Parallels Desktop flaw doesn't work properly
• There are multiple ways to bypass it and gain access to the root device
• The bypass works on the latest version of the tool

Parallels Desktop apparently has some worrying flaws which could put Mac users at serious risk attack. The flaws were first spotted in mid-2024, and after not being properly fixed, a researcher decided to publish working exploits.

Parallels Desktop is a virtualization software allowing Mac users to run Windows, Linux, and other operating systems alongside macOS without rebooting. It offers seamless integration, enabling users to switch between operating systems effortlessly, share files, and run Windows applications as if they were native Mac apps.

In May 2024, a researcher called Mykola Grymalyuk discovered the program did not have code signature verification, resulting in a privilege elevation flaw now tracked as CVE-2024-34331. After disclosing the findings to Parallels Desktop, the developers issued a fix in September of the same year. Soon after, another researcher - Mickey Jin - analyzed the patch and came to the conclusion that there are workarounds.

Microsoft 365

Jin then reached out to the company, and despite being given assurances that his research will be scrutinized, that never happened. Now, seven months later, to force their hand, Jin released two exploits.

"Given that the vendor has left this vulnerability unaddressed for over seven months—despite prior disclosure—I have chosen to publicly disclose this 0-day exploit," Jin said in his analysis. "My goal is to raise awareness and urge users to mitigate risks proactively, as attackers could leverage this flaw in the wild."

Jin found two ways to abuse the flaw. One is to perform a time-of-check to time-of-use (TOCTOU) attack to exploit a race condition between checking if 'createinstallmedia' is Apple-signed and executing it with root privileges. The second one is via the 'do_repack_manual' function, which seems to be vulnerable to arbitrary root-own file overwrites.

The TOCTOU attack works on the latest version of Parallels, Jin said. Older versions are vulnerable to different methods.

Via BleepingComputer

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• Adobe has launched a powerful new Photoshop app for iPhones
• The free app also has a paid tier that unlocks tools like Content-Aware Fill
• An Android version is coming "later this year"

Adobe is no stranger to launching Photoshop apps, but it has just launched its most powerful one so far for iPhones – and it's the closest thing we've seen to the desktop experience on smartphones.

The new Photoshop iPhone app, which you can download today for free (with paid upgrades), combines desktop-style tools like layers and masking with Firefly AI image generation. An Android version of the app is coming "later this year".

While Adobe Express will continue to be the company's main Canva rival on smartphones, there is some crossover with the new Photoshop app. Rather than replacing the desktop app, it's been designed to help turn your images into podcast cover art, personalized posters or whatever else you need to look like a creative wizard on social media.

In this sense, the new Photoshop app takes the baton from recently-retired apps like Photoshop Fix and Photoshop Mix, alongside the current Photoshop Express. But it does also go a bit further than those apps, offering some of the advanced tools that are the hallmark of the full-fat desktop app for free.

Alongside layers and masks, the free version offers the Spot Healing Brush, a Tap Select tool to edit specific parts of an image, and lets you dabble with Adobe Firefly tricks like Generative Fill and Generative Expand. If you don't want to use your own photos, you can also start with the free Adobe Stock assets instead.

If those tools aren't enough for you – as Adobe no doubt hopes – then the new Photoshop Mobile and Web Plan ($7.99 p/month, or $69.99 annually) will unlock more powerful tricks, plus access to the browser-based version of the app. We don't yet have international pricing for that plan, but it converts to around £7 / £13 per month or £55 / AU$110 annually.

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(Image credit: Adobe)

With that paid plan, you get handy tools like Magic Wand, Object Select and the classic Clone Stamp (which was in the very first version of Photoshop). You'll also unlock extra Firefly tools like 'Generate Similar' to make is super-easy to whip up some fun visuals.

If you already subscribe to Photoshop with Creative Cloud, you'll now get access to this new mobile Photoshop app (alongside Photoshop on iPad and Photoshop on the web). We're looking forward to taking it for a spin soon.

Analysis: Photoshop's biggest smartphone push, but is it too late?

(Image credit: Adobe)

Photoshop recently celebrated its 35th birthday – and with its competition hotter than ever, the influential app is at something of a crossroads.

Adobe launched Photoshop for iPad way back in 2019, so it's about time we got a more powerful smartphone app. But its appeal will depend very much on what you're looking to do.

Rather than trying to cram the full version of Photoshop into a smartphone app, Adobe has created a powerful free alternative to the likes of Snapseed and Pixelmator. Naturally, it's also left out just enough tools to push you towards a (reasonably affordable) subscription.

From our brief first look, it looks like Adobe has successfully translated some of Photoshop's traditional complexity – built around 'layers' for a non-destructive editing process – into a more intuitive, touch-based experience for smartphones. Given the tools on offer, the discounted annual plan could in particular offer decent value.

On the other hand, there's a chance that the new Photoshop app could fall between two stools. I argued a few years ago that Google's AI editing tricks were making Photoshop irrelevant for most people, and since then the best photo editing apps have made Adobe's jumbled approach to offering a mobile Photoshop look like a mistake.

The increasingly ambitious graphic design king Canva snapped up Affinity Photo, Designer, and Publisher last year in a clear shot at Adobe. And with Apple also recently buying the popular Pixelmator photo editing app, the competition in the AI-powered image editing space is hot.

This competition is good news for us, as it's forced Adobe to create the closest thing so far to a desktop-level Photoshop for our iPhones (and soon, our Android phones). Adobe no doubt also wants to get more people using its Firefly AI image generation, which it brands "commercially safe" because it was apparently trained on licensed content.

Whether that's successful remains to be seen, but for now we're looking forward to spending more time with the new Photoshop app to see how it compares to the best photo editors for smartphones.

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It's a funny thing, your desktop PC, isn't it? For those of us who have been around the block somewhat, each system and its components almost have a kind of personality to them. Whether that's tied to the point in time we used it and the surrounding circumstances, or something greater than that, each experience hits differently, and each OS is almost like a landmark in our own history. You can remember Windows XP not just because of what it did, or how it looked, but also because it was on your school computer, and you used to play flash games on it with a USB stick that your buddies would pass around class.

In my case, I remember Windows 98, and using that, how that felt. How buggy and laggy it was. Constantly crashing, with its odd wallpapers and brutalist UI. I remember my friends having Windows 2000 and how clunkily it ran on their systems that weren't really designed for it. I remember that it felt exactly the same to me, but slower.

Recognise this image? If you do, you've got good taste in operating systems. (Image credit: TechRadar)

I remember how XP came along, an almost god-tier OS, and the games I played on that; Battlezone II, the mods, the communities, the friends I made online for the first time—the real blossoming of the internet. Vista, my teenage years, World of Warcraft, Wrath of the Lich King, and onwards. Windows 8, 8.1 (which still makes me shudder), and of course the prodigal son: Windows 10, which debuted near the start of my professional career in tech journalism. It's still touted by many today as one of the best operating systems Microsoft has ever launched (bar XP, of course).

Like the Star Trek movie timeline though, in the world of custom PCs, the quality and caliber of Microsoft's OS seemingly follows an upwards and downwards tick. One's good, one's bad; one's good, one's bad ad infinitum. And yet still, I genuinely do believe Windows 11 bucks that trend, despite some of its more glaring changes and controversial flaws.

Ch-ch-ch-ch-changes

Take the taskbar, for example. The biggest change and arguably the biggest upset came with the introduction of that "Apple-esque" centered design. For a generation of users who'd had nothing but a left-aligned bar, it was a cardinal sin, unthinkable that Microsoft would change it. Yet unlike many other operating systems (yes, I am talking about macOS), you can still go in and revert it back.

You can shift the alignment, remove the taskview modes, hide the search bar, get rid of the ridiculous widgets, and yeet any mention of Microsoft's Copilot AI out of the door entirely. The same goes for the Start Menu, cluttered with ads, and Skype, and other crud you'd never use, but again, delete all that, shuck a load of your own equally rarely-used programs in, and wham: a highly versatile, highly usable solution, that's arguably far better than the Start Menu found in its predecessors.

The honest truth is that Windows 11 is effectively a more refined version of Windows 10. It is to 10 what 8.1 was to 8, and that's why it's better - of course, it helps that Windows 10 was a hell of a lot better than Windows 8 to begin with. Yes, there have been some pretty dramatic decisions made to encourage folk to shift over (DirectStorage being limited to 11 being one of them), but it just feels smoother and easier to use, certainly on modern hardware. The settings menus have been radically expanded; there's so much more that's just straight-up accessible than before, features that are better thought out.

The challenges faced by Windows 11

No, it's not perfect. It hasn't entirely avoided the enshittification effect. The fact that an OS that still costs you around $139 for a license will feed you ads for OneDrive, Office365, and more is admittedly a little grim. I've already paid you a small fortune, Microsoft, particularly in an aggressively overpriced inflationary climate - do you really need to bombard me with notifications on the joys of Outlook 2.0? Probably not.

And then there's the TPM problem. The fact that you need TPM 2.0 just to get the thing installed practically eliminated a lot of older systems from the equation. That's just diabolical, really, particularly as Windows 10 is approaching end-of-life now, and Microsoft has committed to no longer providing system security updates for it.

It means that rigs that run perfectly fine, that operate normally - optimally, even - for the tasks their users have to hand, are now going to be vulnerable. The silicon, hardware, and resources inside need to be scrapped in order to meet Microsoft's new security standards or otherwise become vulnerable to malicious malefactors across the planet. Not exactly environmentally or economically friendly. Yes, that affects us as individuals, but what about the government agencies, or nations with smaller asset pools that can't exactly just re-tool their entire systems? Healthcare, security, financial, and education could all be affected. We've already seen what can happen when these systems are compromised, and yet still, Microsoft is pushing ahead with this almost pseudo-Y2K disaster.

On an individual level, you can of course bypass that. Our computing editor, Christian Guyton, wrote a fantastic guide on how you can upgrade to Windows 11 without a TPM right here, but that's not exactly a solution for government agencies now, is it?

Kiss, marry, push off a cliff

Here's the thing though: just look around at the modern OS ecosystem that we have available to us. We have ChromeOS, which, let's face it, is fairly limited in scope and hardware - mostly used for cheap laptops and light office work. MacOS, which follows in Apple's design ethos, namely that it's incredibly well built but incredibly rigid and locked down in how you can use it, and boy oh boy, you better not try and game on it. And then there's Linux, which, well, is Linux... fantastic in every way, and just as complicated to get into.

Out of all of those, and even comparing Windows 11 to its predecessors, for me, it's still the go-to operating system of choice. With one exception, of course: Windows on Arm. Yes, I know it's apparently a lot better these days. I'm still not touching it.

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• Balatro's PEGI 18 rating has officially been reclassified to PEGI 12
• Even though Balatro explains poker, it was concluded that the game "contained mitigating fantastical elements that warranted a PEGI 12 rating"
• PEGI confirmed it will "develop a more granular set of classification criteria" when it comes to rating games with gambling elements

Balatro has officially had its PEGI 18 age rating overturned following an appeal.

That's according to a new press release published by PEGI, where it confirmed that the popular, poker roguelike has had its PEGI 18 rating reclassified to PEGI 12 following a "successful appeal submitted by publisher Sold Out Sales & Marketing".

Since the game is poker-inspired, Balatro was initially rated an 18 for having "prominent gambling imagery", even though the game doesn't actually feature any microtransactions or in-game currency.

"The Complaints Board concluded that, although the game explains the various hands of poker, the roguelike deck-building game contained Balatro's PEGI 18 rating has officially been reclassified to PEGI 12," it reads.

Balatro solo developer LocalThunk took to X / Twitter following the news to also confirm the new reclassification.

"After an appeal from my publisher, Balatro has been reclassified by PEGI from 18+ to 12+," LocalThunk said. "This is a good step from PEGI - bringing nuance to their rating criteria that used to be 18+ or nothing. I hope this change will allow developers to create without being unfairly punished."

LocalThunk followed up in his thread by posting an image holding physical console copies of Balatro, which feature the PEGI 18 rating on the covers, joking "Guess these are limited edition now!"

Another game, Luck Be A Landlord, was also confirmed to have been changed to a PEGI 12 in the press release after an appeal was submitted by publisher Fangamer. It was reasoned that although the game does feature a slot machine mechanic, "there were no specific transferable gambling skills and the game can therefore be rated PEGI 12."

It was stated that going forward, PEGI will "develop a more granular set of classification criteria" when it comes to games featuring gambling themes such as Balatro.

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It's been more than two years since DC Studios co-chief James Gunn announced the official lineup for Chapter One of his rebooted DC Universe (DCU). Since then, not a lot has changed – indeed, only one project has been released (that being Creature Commandos season 1) while two more (Clayface and Dynamic Duo) have added to the DCU's current slate.

That was the case until the latest DCU press event was held last Friday (February 21), anyway, with Gunn and fellow studio CEO Peter Safran providing the most significant update yet on their DCU Chapter One plans. Here are the six biggest takeaways from the presentation:

1. Robert Pattinson won't be the DCU's Batman

Matt Reeves' Bat-Verse will continue to sit independent of the DCU (Image credit: Jonathan Olley/Warner Bros.)

After months of speculation, Gunn and Safran confirmed that Robert Pattison's Bruce Wayne/Batman won't be integrated into the DCU. The pair's stance on the matter comes after numerous reports that Matt Reeves' Batman Universe, dubbed The Batman Epic Crime Saga, would be folded into the DCU. Apparently, that would have seen Reeves installed as the main creative voice for the Caped Crusader's big- and small-screen adaptations at DC Studios, and seen forthcoming films like The Batman Part II merged into Chapter One's lineup.

That won't be happening, though. Gunn told reporters (per IGN) that Reeves' Bat-Verse will continue to sit independently of the DCU, and that progress is being made on the DCU Chapter One's upcoming Dark Knight movie, aka The Brave and the Bold. Indeed, a writer has been hired and, once they've filed a script, it'll be looked over by Gunn, Safran, and the film's director Andy Muschietti to determine whether it's good enough to enter full production.

2. Supergirl: Woman of Tomorrow and Lanterns get significant filming updates

Supergirl's next big-screen adventure will arrive next June (Image credit: James Gunn/Instagram)

Gunn's Superman movie is the next DCU project that will be released – it'll fly into theaters on July 11 – but two other Chapter One productions I'm really excited about received big production updates at last week's presentation.

Supergirl: Woman of Tomorrow, which will launch in cinemas worldwide in June 2026, is midway through its shooting schedule (per Deadline). That flick will star House of the Dragon alumnus Milly Alcock as the titular hero, who we got our first look at in an image that'll be very familiar to DC comic book fans, with Jason Momoa recently cast as immortal anti-hero Lobo.

On the TV front, Lanterns, which is being billed as a 'new weird' sci-fi take on HBO's acclaimed anthology crime series True Detective, just wrapped its first week of filming. According to the same Deadline article in the previous paragraph, it could be released on Max in early 2026. It'll star Aaron Pierre and Kyle Chandler as co-leads Jon Stewart and Hal Jordan, too, who are two of the most recognizable characters to have held the Green Lantern moniker.

3. New details emerge about Mike Flanagan's Clayface movie

Clayface is officially getting his own movie from popular horror filmmaker Mike Flanagan (Image credit: DC)

One of the more recent projects that was greenlit for DCU Chapter One, horror auteur Mike Flanagan's Clayface film is due to start filming in mid-2025, according to Gunn and Safran. Per IGN, it'll also be an R-rated flick, with Gunn adding that it'll be "pure f***ing horror, like, totally real. Their version of that movie, it is so real and true and psychological and body horror and gross."

Gunn and Safran confirmed reports that James Watkins, the filmmaker behind 2024's Speak No Evil movie, is on board to direct Clayface. It's currently penciled in for release in September 2026.

4. Paradise Lost, Booster Gold, and Swamp Thing are all still in development...

Paradise Lost has been described as a Themyscira-set version of Game of Thrones (Image credit: DC Comics)

Given the length of time that's passed since DCU Chapter One's lineup was revealed, fans have started to grow concerned that some of the announced projects won't get made after all. Well, Gunn and Safran have moved to allay some of those fears.

For starters, the duo revealed that Paradise Lost, a Game of Thrones-esque series that could introduce Dian Prince/Wonder Woman to the DCU, is still in the works. No writer has been found to pen its scripts yet, though.

Meanwhile, while a showrunner/head writer had been found for Booster Gold, another DCU TV show, Safran revealed (per The Hollywood Reporter) that the unnamed individual eventually walked away from the project. A new scribe has been found, so it sounds like it's full steam ahead on this one again.

Then there's Swamp Thing, another horror-fueled film that's coming from James Mangold (Logan, A Complete Unknown). Safran said (via Deadline) that the ball is firmly in Mangold's court about its development, but added that he and Gunn are confident he'll get around to it in the near future.

5. ...but it's not great news for Waller or The Authority

The Authority's first-ever film adaptation hasn't progressed as Gunn and Safran had hoped (Image credit: DC Comics)

Two DCU productions that are in trouble, however, are Waller and The Authority.

Where the former is concerned, Safran admitted: "We’ve taken a couple of cracks at it but still haven’t been able to land [it]", so this follow-up to 2021's The Suicide Squad, last year's first season of Creature Commandos, and this year's Peacemaker season 2 (it's set to arrive sometime in August) is on ice for the time being.

As for The Authority, Gunn told the assembled press: "(It’s) the one that got messed with through all of the other things that were happening. The script had a harder time coming along". The reason? Gunn and Safran said it's difficult to make a superhero movie or TV show that takes a cynical approach to the comic book medium, which The Authority's source material does. Despite the huge success that The Boys' TV adaptation has had at Prime Video, the pair added that audiences may have grown tired of such projects, hence the decision to put The Authority on the back burner.

6. There could be up to seven DCU releases every year

Superman is one of two DCU projects that'll be released in 2025, but there'll be many more per year moving forward (Image credit: DC Studios/Warner Bros. Pictures)

Ever since he became DC Studios' co-CEO, Gunn has consistently stated that DCU projects won't be greenlit unless he and Safran believe they're ready to go.

It seems that the pair are slowly changing his tune. In quotes attributed to Safran by Collider, there could be up to seven (!) DCU productions released every year. That includes new movies of the live-action and animated variety (two of the former, one of the latter) and four TV shows (two live-action and two animated) every 12 months. It was no great surprise to learn, then, that Gunn and Safran have greenlit a number of new animated productions, including My Adventures With Green Lantern and Starfire.

Given the current climate around superhero fatigue, the possibility of seven DC Studios projects launching each year will raise a few eyebrows. Of course, there will be people who don't watch every single one of those but, considering that some Marvel Cinematic Universe (MCU) fans have lost interest in it, there's every chance that potential DCU fans may grow weary of feeling like they have to consume every film and series for fear of missing key storylines, character introductions, and more. Hopefully, we'll get some clarity soon as to whether all of these movies and TV shows are officially part of the DCU or not.

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• Job cuts at DBS will take the form of “natural attrition [...] over the next few years” as temporary and contract workers are not rehired
• Permanent staff will not lose their roles
• 1,000 new jobs are expected to be created

Singapore’s largest bank, DBS, has confirmed it will continue using AI tools by cutting as many as 4,000 roles (9.7% of DBS’ total workforce), so the technology can take a larger role in its operations.

A DBS spokesperson told BBC News, “reduction in workforce will come from natural attrition as temporary and contract roles roll off over the next few years."

The spokesperson did not confirm which roles will be affected, or strictly how many will be cut in Singapore alone, but it’s understood that permanent roles won’t be affected. As a silver lining, CEO Piyush Gupta, who is set to leave the company in March 2025, said the bank expects to create around 1,000 jobs built around working with AI.

DBS’ AI model workforce and the future of work

In 2024, Gupta said DBS’ AI push had been ongoing for at least a decade, and it now deploys, “over 800 AI models across 350 use cases, and expect the measured economic impact of these to exceed S$1bn ($745m USD, or £592m) in 2025."

Experts are mixed on whether machine-learned large language models (LLMS — what ‘artificial intelligence' has largely come to mean to the layperson) will drastically change the state of employment and the way we live our lives. In 2024, the IMF's managing director Kristalina Georgieva estimated AI technology would come to affect 40% of jobs worldwide and “likely worsen inequality.”

However, Andrew Bailey, the governor of the Bank of England (BoE) also told the BBC in 2024 he thought that AI wouldn’t be a “mass destroyer of jobs”, but that “there is great potential with it. In case you missed it, vast swathes of artists might want a word with him.

For me, It’s not entirely clear whether an AI-led ‘human skills revolution’ is on the way.

On Valentine’s Day, I reported on, amongst other things, survey findings from antivirus software from Norton that found 62% of respondents wouldn’t be able to spot AI content in an online dating profile. If they can’t spot or understand the technology, they won’t grow with it at work, and that will make them seem even more expendable to executives — who you never hear about being replaced with AI, oddly enough.

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• Google Messages is rolling out a new camera and gallery layout
• The new tools include an easier way to send photos and videos in their original high quality
• The gallery has been redesigned to show more photos at once

Google Messages is getting an overhaul to its camera and gallery functions which should make it much easier to send photos and videos at their original high quality size.

As 9to5Google reports, some Google Messages beta users are noting a change to their in-app camera and gallery as Google implements the new layout. The changes have not been rolled out to the stable release of the app just yet.

Alongside a redesigned gallery from which to choose your desired photos or videos, the new layout includes a handy “HD” icon that appears in the top right of the final screen before an image is sent.

Tapping the icon brings up a new menu that allows you to select either “Optimized for chat”, which trades some quality for a lower file size, or “Original quality”, which, as you might guess, sends the entire original image as found on your phone’s built-in storage.

This new menu makes it clearer and easier to send high-quality images through Google Messages, avoiding an annoying loss in quality due to compression.

It’s not entirely a new feature, though – in the current stable build of Google Messages, users can send original quality images by heading into the app, tapping their profile picture, opening Messages settings, and turning off the “Send photos faster” option.

As it stands, “Send photos faster” is analogous to the new “Optimized for chat” option – the new menu makes the switch to higher quality photos and videos much clearer.

Still, those with slower connections or who are conscious of sending large files to their family and friends can select the “Optimized for chat” option for quicker uploads and smaller file sizes.

As for the new gallery layout, tapping to insert an image will now bring up a larger, more comprehensive view of your recent photos and videos, rather than the current menu of folders, which have now been relegated to a small tab on the bottom of the screen.

These new updates are the latest in a slew of new features and functions added to Google Messages recently, including changes to emergency messaging and the ability to text yourself using RCS – Google Messages is the default messaging app for many of the best Android phones, so it tracks the Google is keen to keep it up to date.

What do you think of the new camera and gallery functions? Will they be useful, or are they just a pointless shake up? Let us know in the comments below.

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• The Philips Hue Sync app is now available for LG TVs
• The app lets you sync smart lights with your TV without an HDMI Sync Box
• It works with HDMI devices plus native apps like Netflix and Disney+

The Philips Hue Sync app is now available for LG TVs, letting you sync your smart lights with movies, games, and TV shows on your screen, without the need for a Philips Hue Play HDMI Sync Box. Your Hue lights will react instantly to whatever's currently on screen, whether it's from an external source like a games console, or a native smart TV app like Netflix and Disney+.

Signify, the company behind Philips Hue, announced that the app would be arriving on LG TVs at CES 2025 in January, but didn't give an exact date for its arrival, only saying that it would be available early this year, but now it's officially here.

At CES, Signify explained that the app would work with all LG TVs using webOS 24 or later, which includes many of the best TVs you can buy today. If you're not sure whether yours is compatible, you can search for your model on LG's website to see which apps it supports.

To use the Philips Hue Sync app, you'll need at least one color-compatible Philips Hue light (the Philips Hue Play Gradient Strip and Philips Hue Play Light Bars work particularly well), plus a Philips Hue Bridge, which creates a mesh network that connects your Hue devices to each other, and to your home Wi-Fi network. You can then download the Philips Hue Sync app through the LG Content Store on your TV.

Hue Sync alternatives

If you don't have a TV compatible with Hue Sync, you can still synchronize your smart lights with your screen using a Philips Hue Play HDMI Sync Box. It's easy to set up, and works with any form of HDMI input, including Blu-ray players, set-top boxes, and games consoles. However, unlike the Hue Sync app, the Sync Box won't work with native apps on your smart TV.

It doesn't come cheap, either. Last year Signify launched a version of the Sync Box that supports 8K TVs and HDMI 2.1, making it ideal for gaming, but with a price tag of $349.99 / £299.99 / AU$699.95, it's a big investment.

If that's outside your budget, take a look at our guide to the best Ambilight alternatives, which aim to create a similar effect by using a camera to capture what's on your TV screen, then mirroring the colors using an LED light strip mounted behind your TV. These systems aren't perfect (they have some latency and can be affected by reflections on the screen) but are usually much more affordable.

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• A new Galaxy S25 Edge leak has hinted at the cooling tech it might use
• It could come with a special vapor chamber to maintain its performance
• The phone is expected to land globally sometime in April

So far we've only seen the briefest of glimpses of the Samsung Galaxy S25 Edge: we know the phone is coming, but we don't know much more than that. Now a new leak reveals some of the cooling tech Samsung might have used for this super-thin handset.

According to well-known tipster @PandaFlashPro (via Wccftech), the Galaxy S25 Edge is going to come with a vapor chamber that's thinner than the one inside the standard Galaxy S25 phone, but larger overall.

Vapor chambers essentially use tiny amounts of liquid to help dissipate heat from the main chipset more quickly, which means it can run faster and more reliably – avoiding any slowdowns or crashes related to heat.

And that cooling is going to be needed, too: the Galaxy S25 Edge is rumored to measure a little over 6mm front to back. The lack of space around the core components means overheating might be a risk without a proper cooling system in place.

The rumors so far

"Confirmed" Yes! The S25 Edge Cooling System is Thinner than S25 but Bigger than the S25. https://t.co/1teM1sj4MBFebruary 24, 2025

We've already heard plenty about the Samsung Galaxy S25 Edge, even if Samsung is being coy about the specs of this phone and when it might actually get a launch (leaks suggest it'll be available globally sometime in April).

Only a couple of days ago, a leaked hands-on video of the Samsung Galaxy S25 Edge appeared, giving us a better look at its design. The video also revealed certain specs, including a Snapdragon 8 Elite chipset and 12GB of RAM.

It seems the Galaxy S25 Edge could come with better cameras than the standard Samsung Galaxy S25 too: rumors suggest it could have the same 200MP primary camera as the Samsung Galaxy S25 Ultra included in its setup.

As our Samsung Galaxy S25 Ultra review will tell you, we've been impressed by what the S25 series has had to offer so far, and there's the promise of more to come from the Galaxy S25 Edge. As soon as Samsung gives it a full unveiling, we'll let you know.

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